William Tucker | |
---|---|
Born | 28 February 1935 Cairo, Egypt |
Nationality |
|
Education | |
Elected | Royal Academy, 1992 |
William G. Tucker RA (born 28 February 1935) is a modernist British sculptor and modern art scholar.
Tucker was born to English parents on 28 February 1935 in Cairo, Egypt. [1] In 1937, his family returned to England, where Tucker was raised. At the University of Oxford he studied history from 1955 to 1958. He moved to London and studied sculpture both at the Central School of Art and Design and at Saint Martin's School of Art, [1] where Anthony Caro was teaching.
In 1961, while at Saint Martin's, Tucker edited the second issue of the student magazine First. Tucker's issue included answers to a survey of British sculptors regarding the nature of their practices, as well as an editorial outlining themes that would reoccur throughout his writings on sculpture, especially his belief that 'sculpture is another poetry, not painting's poor relation'. [2] It also cites The Human Condition by philosopher Hannah Arendt, which became a frequent point of reference for the artist.
In 1965 he was one of nine sculptors included in the important exhibition New Generation: 65 at the Whitechapel Gallery in London, and one of seven from that exhibition whose work was included in the Primary Structures: Younger American and British Sculptors exhibition at the Jewish Museum in New York in the following year. [3]
Tucker spent two years as a Gregory Fellow at the Fine Arts Department of the University of Leeds (1968–70) and represented Britain at the 1972 Venice Biennale. In 1974 he published The Language of Sculpture (Thames & Hudson, London), which was released in the United States in 1978 as Early Modern Sculpture (Oxford University Press.
He moved to New York in 1978 and taught at Columbia University and at the New York Studio School of Drawing, Painting and Sculpture. He received a Guggenheim Fellowship for sculpture in 1981 and a National Endowment for the Arts fellowship in 1986. Tucker became an American citizen in 1985. He served as co-chairman of the Art Program at Bard College.[ citation needed ]
He was elected to the Royal Academy of Arts in 1992. [4]
In 2010, Tucker was a recipient of the Lifetime Achievement in Contemporary Sculpture award of the International Sculpture Center. [5]
In 2011, Tucker was elected an honorary National Academician, National Academy Museum, New York.
Recent one-person museum exhibitions included Tucker: Mass and Figure at the Museo de Bellas Artes de Bilbao in 2015, [6] and William Tucker at the Kunstmuseum Winterthur in Switzerland in 2016. [7]
Sean Scully is an Irish-born American-based artist working as a painter, printmaker, sculptor and photographer. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee. Moving from London to New York in 1975, Scully helped lead the transition from Minimalism to Emotional abstraction in painting, abandoning the reduced vocabulary of Minimalism in favor of a return to metaphor and spirituality in art.
Anya Gallaccio is a British artist, who creates site-specific, minimalist installations and often works with organic matter.
Sir Anthony Alfred Caro was an English abstract sculptor whose work is characterised by assemblages of metal using 'found' industrial objects. His style was of the modernist school, having worked with Henry Moore early in his career. He was lauded as the greatest British sculptor of his generation.
Per Kirkeby was a Danish painter, poet, film maker and sculptor.
Olaf Breuning is a Swiss-born artist, born in Schaffhausen, who lives in New York City.
Thomas Scheibitz is a German painter and sculptor. Together with Tino Sehgal he created the German pavilion on the 51st Venice Biennale in 2005. He lives and works in Berlin.
Paul Graham is a British fine-art and documentary photographer. He has published three survey monographs, along with 17 other publications.
Dhruva Mistry is an Indian sculptor.
El Anatsui is a Ghanaian sculptor active for much of his career in Nigeria. He has drawn particular international attention for his "bottle-top installations". These installations consist of thousands of aluminum pieces sourced from alcohol recycling stations and sewn together with copper wire, which are then transformed into metallic cloth-like wall sculptures. Such materials, while seemingly stiff and sturdy, are actually free and flexible, which often helps with manipulation when installing his sculptures.
Sylvia Plimack Mangold is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director/screenwriter James Mangold and musician Andrew Mangold.
Alison Mary Wilding OBE, RA is an English artist noted for her multimedia abstract sculptures. Wilding's work has been displayed in galleries internationally.
David Reed is a contemporary American conceptual and visual artist.
Ian McKeever is a contemporary British artist. Since 1990 McKeever has lived and worked in Hartgrove, Dorset, England.
Winston Branch is a British artist originally from Saint Lucia, the sovereign island in the Caribbean Sea. He still has a home there, while maintaining a studio in California. Works by Branch are included in the collections of Tate Britain, the Legion of Honor De Young Museum in San Francisco, California, and the St Louis Museum of Art in Missouri. Branch was the recipient of a Guggenheim Fellowship in 1978, the British Prix de Rome, a DAAD Fellowship to Berlin, a sponsorship to Belize from the Organization of American States, and was Artist in Residence at Fisk University in Tennessee. He has been a professor of fine arts and has taught at several art institutions in London and in the US. He has also worked as a theatrical set designer with various theatre groups.
Heidi Bucher (1926–1993) was a Swiss artist interested in exploring architectural space and the body through sculpture. She was born in Winterthur, Switzerland and attended the School for the Applied Arts in Zurich. Her work dealt primarily with private spaces, the body, domestication, and individual and collective experiences.
The Geometry of Fear was an informal group or school of young British sculptors in the years after the Second World War. The term was coined by Herbert Read in 1952 in his description of the work of the eight British artists represented in the "New Aspects of British Sculpture" exhibition at the Biennale di Venezia of 1952.
Leslie Tillotson Thornton was an English sculptor.
Ivor Abrahams was a British sculptor, ceramicist and print maker best known for his polychrome sculptures and his stylised prints of garden scenes. His career long exploration of new subject matter, novel techniques and materials made his art dealer, James Mayor, describe him as Europe's equivalent of Robert Rauschenberg.
Rita McBride is an American artist and sculptor. She is based in Los Angeles and Düsseldorf. Alongside her artistic practice, McBride is a professor at the Kunstakademie Düsseldorf, and served as its director until 2017. McBride is married to Glen Rubsamen, an American painter from Los Angeles.
Katherine Gili is a British sculptor. Born in Oxford in 1948, is the daughter of Catalan publisher and translator Joan Gili and sister of the film-maker Jonathan Gili. She graduated from Bath Academy of Art in 1970 and then studied for two years at St Martin's School of Art. Gili subsequently taught at a number of art schools; most notably St Martin's and Norwich between 1972 and 1985.