Sutton Hoo is the site of two Anglo-Saxon cemeteries dating from the 6th to 7th centuries near Woodbridge, Suffolk, England. Archaeologists have been excavating the area since 1938, when an undisturbed ship burial containing a wealth of Anglo-Saxon artifacts was discovered. The site is important in establishing the history of the Anglo-Saxon kingdom of East Anglia as well as illuminating the Anglo-Saxons during a period which lacks historical documentation.
The Alfred Jewel is a piece of Anglo-Saxon goldsmithing work made of enamel and quartz enclosed in gold. It was discovered in 1693, in North Petherton, Somerset, England and is now one of the most popular exhibits at the Ashmolean Museum in Oxford. It has been dated to the late 9th century, in the reign of Alfred the Great, and is inscribed "AELFRED MEC HEHT GEWYRCAN", meaning "Alfred ordered me made". The jewel was once attached to a rod, probably of wood, at its base. After decades of scholarly discussion, it is now "generally accepted" that the jewel's function was to be the handle for a pointer stick for following words when reading a book. It is an exceptional and unusual example of Anglo-Saxon jewellery.
The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century. It is of the pseudo-penannular type, and made from bronze, silver and gold. Its head consists of an intricately decorated circular ring, and overall, its front and reverse sides are equally decorated; each holds around 50 inserted cast panels packed with filigree. The brooch was constructed from numerous individually made pieces; all of the borders and its terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree, and Celtic spirals. The brooch is widely considered the most complex and ornate of its kind and would have been commissioned as a fastener for the cloak of a high-ranking cleric or as ceremonial insignia of high office for a High King of Ireland.
Filigree is a form of intricate metalwork used in jewellery and other small forms of metalwork.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast.
Migration Period art denotes the artwork of the Germanic peoples during the Migration period. It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style. After Christianization, Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art, before the continent-wide styles of Romanesque art and finally Gothic art developed.
The Benty Grange helmet is an Anglo-Saxon boar-crested helmet from the seventh century AD. It was excavated by Thomas Bateman in 1848 from a tumulus at the Benty Grange farm in Monyash in western Derbyshire. The grave had probably been looted by the time of Bateman's excavation, but still contained other high-status objects suggestive of a richly furnished burial, such as the fragmentary remains of a hanging bowl. The helmet is displayed at Sheffield's Weston Park Museum, which purchased it from Bateman's estate in 1893.
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface.
Hanging bowls are a distinctive type of artefact of the period between the end of Roman rule in Britain in c. 410 AD and the emergence of the Christian Anglo-Saxon kingdoms during the 7th century, continuing rather later. The surviving examples have mostly been found in Anglo-Saxon graves, but there is general agreement that they reflect Celtic traditions of decoration, albeit sometimes combined with Anglo-Saxon influences.
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
St Mary's Priory Church, Deerhurst, is the Church of England parish church of Deerhurst, Gloucestershire, England. Much of the church is Anglo-Saxon. It was built in the 8th century, when Deerhurst was part of the Anglo-Saxon kingdom of Mercia. It is contemporary with the Carolingian Renaissance on mainland Europe, which may have influenced it.
The Sutton Hoo purse-lid is one of the major objects excavated from the Anglo-Saxon royal burial-ground at Sutton Hoo in Suffolk, England. The site contains a collection of burial mounds, of which much the most significant is the undisturbed ship burial in Mound 1 containing very rich grave goods including the purse-lid. The person buried in Mound 1 is usually thought to have been Rædwald, King of East Anglia, who died around 624. The purse-lid is considered to be "one of the most remarkable creations of the early medieval period." About seven and a half inches long, it is decorated with beautiful ornament in gold and garnet cloisonné enamel, and was undoubtedly a symbol of great wealth and status. In 2017 the purse-lid was on display at the British Museum.
The Ormside Bowl is an Anglo-Saxon double-bowl in gilded silver and bronze, with glass, perhaps Northumbrian, dating from the mid-8th century which was found in 1823, possibly buried next to a Viking warrior in Great Ormside, Cumbria, though the circumstances of the find were not well recorded. If so, the bowl was probably looted from York by the warrior before being buried with him on his death. The bowl is one of the finest pieces of Anglo-Saxon silverwork found in England.
In the early Middle Ages, there were distinct material cultures evident in the different federations and kingdoms within what is now Scotland. Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards. Irish-Scots art from the kingdom of Dál Riata suggests that it was one of the places, as a crossroads between cultures, where the Insular style developed.
The Reliquary Cross is a late 10th-century Anglo-Saxon ivory figure of Christ, set on an earlier Ottonian cross to make a reliquary in the form of a crucifix. It is in the Victoria and Albert Museum (V&A) in London.
The Keshcarrigan Bowl is an Iron Age bronze bowl discovered to the north of Keshcarrigan, County Leitrim, Ireland, in the 19th century. The bowl was found in the waterway between Lough Scur and Lough Marrave. It was perhaps a ceremonial drinking cup. The bowl would have been a prestigious item in 1st century Ireland, the bird-shaped handle outstandingly designed and skillfully executed. The Keshcarrigan Bowl is in the archaeology branch of the National Museum of Ireland.
The Benty Grange hanging bowl is a fragmentary Anglo-Saxon artifact from the seventh century AD. All that remains are parts of two escutcheons: bronze frames that are usually circular and elaborately decorated, and that sit along the outside of the rim or at the interior base of a hanging bowl. A third one disintegrated soon after excavation, and it no longer survives. The escutcheons were found in 1848 by the antiquary Thomas Bateman, while excavating a tumulus at the Benty Grange farm in western Derbyshire. They were presumably buried as part of an entire hanging bowl. The grave had probably been looted by the time of Bateman's excavation, but still contained high-status objects suggestive of a richly furnished burial, including the hanging bowl and the boar-crested Benty Grange helmet.
Anglo-Saxon brooches are a large group of decorative brooches found in England from the fifth to the eleventh centuries. In the early Anglo-Saxon era, there were two main categories of brooch: the long (bow) brooch and the circular (disc) brooch. The long brooch category includes cruciform, square-headed, radiate-headed, and small-long brooch brooches. The long brooches went out of fashion by the end of the sixth century.
The Ballinderry Brooch is an Irish penannular brooch dated to the late 6th or early 7th centuries. It was found in the 1930s, along with a number of similar objects, underneath a timber floor of the late Bronze Age Ballinderry Crannóg No.2, on Ballinderry lake, County Offaly. Made from copper-alloy, tin and enamel, and decorated with millefiori patterns, it is relatively small, with a maximum ring diameter of 8.6 cm, while its pin is 18.3 cm long.
