The Man Who Changed His Name is a mystery play by the British writer Edgar Wallace, which was first staged in 1928. A young woman begins to suspect that her wealthy, respectable husband may be an escaped Canadian murderer.
Towards Zero is a 1956 thriller play by Agatha Christie and Gerald Verner and based on Christie's 1944 novel Towards Zero. It premiered at the Theatre Royal, Nottingham before transferring to the St James's Theatre in London's West End where it ran for 205 performances between 4 September 1956 and 2 March 1957. The London cast featured George Baker, Cyril Raymond, Frederick Leister, William Kendall, Max Brimmell, Michael Nightingale and Gillian Lind. The play features Superintendent Battle one of Christie's recurring characters. Reviews were favourable.
On the Spot is a 1930 Chicago-set play by the British writer Edgar Wallace. Wallace was inspired by a visit to the United States and, in particular, the Saint Valentine's Day Massacre. Known as a prolific author, he reportedly dictated the manuscript for the play in just four days. It was his greatest theatrical success.
The Calendar is a 1929 play by the British writer Edgar Wallace. It is a crime thriller set in the world of horse racing world, the sport being among Wallace's interests. The protagonist is a financially struggling racehorse owner with a shady reputation. It premiered at the Palace Theatre in Manchester before transferring to Wyndham's Theatre in the West End.
The Old Man is a 1931 mystery play by the British writer Edgar Wallace. Its original production was staged at Wyndham's Theatre in London's West End for a ninety performance run. It is set entirely in the "Coat of Arms" tavern where a mysterious old man lurks in the background, reputedly an escapee from a lunatic asylum. The original cast included Alfred Drayton, Jack Melford, Harold Warrender and Finlay Currie.
M'Lady is a 1921 play by the British writer Edgar Wallace. It is a drama about a woman who tries to raise her daughter in high society, only for her husband to return from Broadmoor where he has been serving a sentence for killing a police officer. It was panned by theatre critics.
The Terror is a 1927 mystery thriller play by the British writer Edgar Wallace. It is based on Wallace's 1926 novel The Black Abbot.
Somebody Knows is a 1932 mystery play by the British writer John Van Druten about an entertainer who is accused of strangling a prostitute. Following a court case there is not enough evidence to convict him, leaving the audience unsure of his actual guilt.
None But the Brave is a 1925 farcical melodramatic play by the British writers Bernard Merivale and Brandon Fleming in which a man inherits the estate of a wealthy uncle, and has to avoid being framed for murder by his relatives.
Blondie White is a 1937 mystery play by British writer Jeffrey Dell and Bernard Merivale. A murder mystery, it was inspired by an earlier play by Hungarian writer Ladislas Fodor. A famous crime novelist helps Scotland Yard to solve the murder of a nightclub performer, Blondie White.
A Murder Has Been Arranged is a 1930 thriller play by the British writer Emlyn Williams.
Someone Waiting is a 1953 thriller play by the British writer Emlyn Williams.
The Amazing Dr. Clitterhouse is a 1936 thriller play by the British writer Barré Lyndon. The lead character's name is a play on the term for the female sexual organ the clitoris - a name characterised by the "yearning, untrammelled nature" of Clitterhouse himself; an extremely daring pun for 1936, yet seemingly anticipated by Lyndon to escape the notice of the contemporary censor. Lyndon wrote, "My view was that he was no more likely to locate the pun in my title as to locate the source of it on his beloved bedfellow".
The Romance of David Garrick is a 1942 historical play by the British writer Constance Cox.
Vanity Fair is a 1946 play by the British writer Constance Cox, based on William Makepeace Thackeray's novel of the same name.
Blackmail is a 1928 thriller play by the British writer Charles Bennett. In Chelsea, an artist's model kills an artist when he attempts to assault her.
Dangerous Curves is a 1953 thriller play by the British writer Gerald Verner. It is adapted from the 1939 novel of the same title by Peter Cheyney featuring the private detective Slim Callaghan. It followed the success of Verner's 1952 stage play Meet Mr. Callaghan. It premiered at the Garrick Theatre in London's West End, where the previous play had been staged, and ran for 53 performances between 14 April and 11 June 1953. The cast included Terence De Marney as Callaghan, Shaw Taylor, Stephen Dartnell and Paul Whitsun-Jones.
Meet Mr. Callaghan is a 1952 crime thriller play by the British writer Gerald Verner. It was adapted from the novel The Urgent Hangman by Peter Cheyney featuring the private detective Slim Callaghan. It premiered at the Kings Theatre in Southsea before transferring to the Garrick Theatre in London's West End where it ran for 340 performances between 27 May 1952 and 4 April 1953. The cast included Terence De Marney as Callaghan, Larry Burns, Jack Allen, Trevor Reid, John Longden, Lisa Daniels, Harriette Johns and Simone Silva. In 1953 Verner wrote another stage play featuring Callaghan, Dangerous Curves based on Cheyney's novel of the same title.
Mile Away Murder is a 1937 murder mystery play by the British writer Anthony Armstrong. It ran at the Duchess Theatre in London's West End between 2 April and 8 May 1937. The cast included Walter Hudd, D. A. Clarke-Smith, Wilfred Caithness, Oliver Johnston, Evelyn Roberts and Gillian Maude. It received a negative review in The New Statesmanwhich considered it unmysterious while The New York Times described it as "highly competent".
Ten Minute Alibi is a 1933 crime thriller play by the British author Anthony Armstrong. It premiered at the Embassy Theatre in Swiss Cottage before transferring to London's West End. It ran for 857 performances between 8 February 1933 and 26 January 1935, initially at the Haymarket Theatre before switching to the Phoenix Theatre. The London cast included Anthony Ireland, Robert Douglas, Bernard Lee, George Merritt, Charles Hickman, Celia Johnson, Jessica Tandy, Gillian Maude and Aileen Marson. It was directed by Sinclair Hill. A Broadway version at the Ethel Barrymore Theatre ran for 89 performances.
