Julian David Cope is an English musician and author. He was the singer and songwriter in Liverpool post-punk band the Teardrop Explodes and has followed a solo career since 1983 in addition to working on musical side projects such as Queen Elizabeth, Brain Donor and Black Sheep.
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973, through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).
Skellington is the fifth solo album by Julian Cope, released in November 1989 as a semi-official bootleg for fan club members only. Originally released on Cope's own CopeCo label, it was later reissued in March 1990 through Zippo Records.
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick, the track shares the name of the group's previous 1981 studio album. It was released on 2 July 1982 along with the rest of Imperial Bedroom, and would later be included on side two of The Best of Elvis Costello and the Attractions (1985). A traditional pop song, "Almost Blue" contains lyrics that compare a former relationship to a present one.
"All I Ask of You" is a song from the 1986 English musical The Phantom of the Opera, between characters Christine Daaé and Raoul, originally played on stage by Sarah Brightman and Steve Barton, respectively. It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and solely produced by Lloyd Webber. An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance. Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera La fanciulla del West.
Jehovahkill is the eighth album by Julian Cope, released in 1992. After the critical success of Peggy Suicide (1991), Cope's idea for Jehovakill was to incorporate a krautrock attitude into his music. He began recording the album with musicians Rooster Cosby and Donald Ross Skinner, while co-producing it with the latter. The sessions yielded what Cope considered to be his most sonically experimental material to date. Originally titling the record Julian H. Cope, he sent an eleven track version to Island Records, who initially rejected its release, but gave Cope extra recording sessions for the album. During the extra sessions, in which six extra songs were recorded, the album became harder and was retitled Jehovahkill.
Interpreter is the thirteenth solo studio album, and twentieth album overall by English rock musician Julian Cope, released by Echo Records in October 1996. Particularly inspired by Cope's involvement with the Newbury bypass protest, the record features socially and environmentally-concerned lyrics. The musician worked with numerous guest musicians, including substantial contributions from Thighpaulsandra, resulting in a sprawling album that extends the pop style of 20 Mothers (1995) while incorporating styles of glam pop, space rock, orchestral pop, with string arrangements and electronic overtones. The record is split into two separate parts, "Phase 1" and "Phase 2".
Colours is the debut studio album by English drum and bass producer Adam F. It was released on 3 November 1997 through Positiva Records. The album features collaborations with Tracey Thorn, Grooverider, MC Conrad and Ronny Jordan. The first single from the album, "Circles", was initially released in 1995, but did not chart until its re-release in 1997, when it entered the UK Singles Chart and peaked at number 20. Other singles from the album included "Metropolis" / "Mother Earth", "F-Jam", and "Music In My Mind". Upon release, the album reached number 47 on the UK Albums Chart.
Dark Orgasm is the twenty-first solo album by Julian Cope, released in 2005. It contains eight songs of guitar-heavy hard rock split into two short CDs. Alexis Petridis of The Guardian described the album as "a roughly recorded Stooges-meets-prog concept album about atheism and feminism". It was dedicated to "Freedom and Equality for Women".
"Didn't We" is a song recorded by Irish singer and actor Richard Harris for his debut studio album, A Tramp Shining (1968). It was written and produced by Jimmy Webb and originally served as the B-side to Harris' 1968 single "MacArthur Park". "Didn't We" was then distributed as the record's single by Dunhill Records, also in 1968. A traditional pop song, Harris sings about his life in the past. Commercially, it charted at lower positions of both the United States and Canada, and in the higher ranks of their Adult Contemporary component charts. Harris featured "Didn't We" on several of his greatest hits albums, including The Richard Harris Collection: His Greatest Performances from 1973. That same year, the song was reissued as a promotional single paired alongside his 1971 single "My Boy".
21½ Minutes in Berlin/23 Minutes in Brussels is a live performance album by Suicide, released in 1978 by Red Star Records. The B-side of the album is infamous for the audience's raucous revulsion toward the duo's performance, providing "some indication of the public's reaction to this confrontational duo in their heyday". 23 Minutes in Brussels remained largely unheard until its release in 1998 with the reissue of the band's self-titled debut album. 21½ Minutes in Berlin remains out of print.
Love Peace & Fuck is the 2001 debut album by Julian Cope’s side project Brain Donor, released by Impresario records on CD and double LP. It was produced and directed by Cope with the help of long term collaborator Thighpaulsandra. The album was recorded by the power trio of Cope, lead guitarist Doggen Foster and drummer Kevin Bales, both formerly of Spiritualized. Cope plays bass, a role he had not assumed in a band context since The Teardrop Explodes in the early 1980s.
Floored Genius 2 - Best of the BBC Sessions 1983–91 is a compilation album of BBC studio recordings by Julian Cope, released in 1993 by Nighttracks.
Floored Genius 3 – Julian Cope's Oddicon of Lost Rarities & Versions 1978–98 is a rarities compilation album by Julian Cope, released in 2000 on Cope's own Head Heritage label.
The Skellington Chronicles is the tenth solo album by Julian Cope, released in June 1993 on Cope's own Ma-Gog label. It contains the previously released 1989 album Skellington and its sequel Skellington 2, released here for the first time. Skellington 2 was, like its predecessor, recorded in just two days on April 21–22, 1993.
Trip Advizer – The Very Best of Julian Cope 1999–2014 is a compilation album by Julian Cope, released in January 2015 on Cope's own Lord Yatesbury label.
Skellington 3 is the thirty-second solo album by Julian Cope, released in April 2018. The album's sub-title is "The All-New 21st Century Adventures of Skellington". It is the third album in the Skellington series following the earlier albums Skellington (1989) and Skellington 2 (1993).
Self Civil War is the thirty-fourth solo album by Julian Cope, released on his own label, Head Heritage. The album was available through his website on 10 January 2020. It is the first release in Cope's intended Our Troubled Times series, and like many of Cope's previous albums, Self Civil War is sequenced into four distinct phases. The album title is taken from a poem written in the late 1630s by English clergyman Roger Brereley.
