| Woman Playing a Guitar | |
|---|---|
 | |
| Artist | Simon Vouet |
| Year | c. 1618 |
| Medium | Oil on canvas |
| Dimensions | 106.5 cm× 75.8 cm(41.9 in× 29.8 in) |
| Location | Metropolitan Museum of Art, New York |
| Accession | 2017.242 |
Woman Playing a Guitar is an oil-on-canvas painting by French artist Simon Vouet, executed c. 1618. The painting is in tenebrist style and depicts a finely dresses woman distractedly playing a guitar. The work is in the collection of the Metropolitan Museum of Art in New York.
Woman Playing a Guitar depicts a satin-garbed women playing a guitar, a subject that was common in 17th-century European art. [1] The woman is seen gazing at into space, and is described by the Met as being "lost in reverie". Sources have also commented on the subject's sumptuous dress. [2] [1]
The work was painted by Simon Vouet while he was living in Rome. It was painted for a private collector, and the Metropolitan Museum of Art speculates that the work may have once been in the collection of Palazzo Patrizi. [1]
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces and rapes Leda. According to later Greek mythology, Leda bore Helen and Polydeuces, children of Zeus, while at the same time bearing Castor and Clytemnestra, children of her husband Tyndareus, the King of Sparta. According to many versions of the story, Zeus took the form of a swan and had sexual intercourse with Leda on the same night she slept with her husband King Tyndareus. In some versions, she laid two eggs from which the children hatched. In other versions, Helen is a daughter of Nemesis, the goddess who personified the disaster that awaited those suffering from the pride of Hubris.
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