Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.
Nicolas Poussin was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also, according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
Eustache Le Sueur or Lesueur was a French artist and one of the founders of the French Academy of Painting. He is known primarily for his paintings of religious subjects. He was a leading exponent of the neoclassical style of Parisian Atticism.
Pierre Mignard or Pierre Mignard I, called "Mignard le Romain" to distinguish him from his brother Nicolas Mignard, was a French painter known for his religious and mythological scenes and portraits. He was a near-contemporary of the Premier Peintre du Roi Charles Le Brun with whom he engaged in a bitter, life-long rivalry.
Jacques Sarazin or Sarrazin was a French sculptor in the classical tradition of Baroque art. He was instrumental in the development of the Style Louis XIV through his own work as well as through his many pupils. Nearly all his work as a painter was destroyed and is only known through engravings.
Laurent de La Hyre was a French Baroque painter, born in Paris. He was a leading exponent of the neoclassical style of Parisian Atticism.
Nicolas Régnier (1591–1667), known in Italy as Niccolò Renieri, was a painter, art dealer and art collector from the County of Hainaut, a French-speaking part of the Spanish Netherlands. He is often referred to as a Flemish artist because this term was often used to designate people from the Spanish Netherlands. After training in Antwerp, he was active in Italy where he was part of the international Caravaggesque movement. His subjects include genre scenes with card players, fortune tellers, soldiers and concerts, religious scenes, saints, mythological and allegorical scenes, and portraits. He also painted a few scenes with carnivals.
Nicolas Chaperon was a French painter, draughtsman and engraver, a student in Paris of Simon Vouet whose style he adopted before he was further matured by his stay in Rome (1642–51) in the studio of Nicolas Poussin.
St Francis Xavier Church is a parish Roman Catholic church in the 7th arrondissement of Paris dedicated to Francis Xavier, the patron saint of missions. Built in the late 19th century, It gave its name to the nearby Metro station Saint-François-Xavier. It contains the tomb of Madeleine Sophie Barat, a French saint of the Catholic Church and founder of the Society of the Sacred Heart, a worldwide religious institute of educators.It also known for its collection of Italian Baroque and Mannerist paintings, including a work by Tintoretto. The church was inscribed as an historic monument in 2018.
The musée des Beaux-Arts et d'Archéologie in the French city of Besançon is the oldest public museum in France. It was set up in 1694, nearly a century before the Louvre became a public museum.
The Museum of Fine Arts of Rennes is a municipal museum of fine arts in the French city of Rennes, the capital of Brittany. Its collections range from ancient Egypt antiquities to the Modern art period and make the museum one of the most important in France outside Paris, notably for its paintings and drawings holdings.
The Museum of Fine Arts is a fine arts museum in Reims, France.
Nicolas Pierre Loir, was a French painter and engraver of religious and historical allegories.
The Inspiration of the Poet is an oil-on-canvas in the classical style by the artist Nicolas Poussin, painted between 1629 and 1630. It is currently held and exhibited at the Louvre in Paris.
The Église réformée de l'Oratoire du Louvre, is an historic Protestant church located at 145 rue Saint-Honoré – 160 rue de Rivoli in the 1st arrondissement of Paris, across the street from the Louvre. It was founded as a Roman Catholic church in 1611, became the royal chapel of France and under Louis XIII, and then became a Protestant Church under Napoleon I in 1811. It is now a member of the United Protestant Church of France.
Christophe Cochet, known in Rome under the name Cristoforo Coscetti or Coscietti was a 17th-century French sculptor.
Virginia Vezzi, sometimes given as Virginia da Vezzo (1600–1638), was an Italian painter, and the wife of French painter Simon Vouet.
Aubin Vouet was a French painter, the son of Laurent Vouet and younger brother of Simon Vouet, both also painters.
The Martyrdom of Saint Erasmus is an altarpiece, painted by Nicolas Poussin in 1628–1629, originally displayed in St. Peter's Basilica, Rome.
