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La Jeune Martyre | |
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English: The Young Martyr | |
Artist | Paul Delaroche |
Year | 1855 |
Dimensions | 170,5 cm× 148 cm(67.3 in× 58.3 in) |
Location | Louvre, Paris |
The Young Martyr (French: La Jeune Martyre) is an oil painting by the French painter Paul Delaroche. It was completed in 1855 [1] and is based on the Romantic style of genre painting. It is held at the Louvre, in Paris. The first version of the painting is from 1853 and is held at the Hermitage Museum, in Saint Petersburg.
The Young Martyr represents both Delaroche's emphasis on historical accuracy and flair for drama and emotionality in painting as it depicts the historical martyrdom of a Christian woman, while, at the same time, an otherworldly halo, emanating above the Martyr's forehead, emphasizes the painting's dramatic, emotional effect.
The Young Martyr is 1.71×1.48 m, or 67.3×58.3 inches. [2] Although the painting is rectangular, the top of the painting is circumscribed in an ovular, golden frame.
Oil was Paul Delaroche's medium of choice when painting The Young Martyr, as oil allowed him to manipulate the precise details in the painting over a long period of time, and, therefore, capture a high level of detail for “the appearance of the highest finish.” [3] As such, “the dignity of forms, the striking effect of the chiaroscuro, and those bluish grey tones which seemed to suit so well the touching sadness of the subject,” [4] in The Young Martyr begins in the upper left-hand corner of the painting, where the figures of a man and a woman, embracing each other in terror upon seeing the drowned Christian, are barely visible. Although the identity of the figures is unclear, it is generally thought that they are the young Christian's parents.[ by whom? ] As the sun sets behind the couple, the last rays of light point directly across the painting towards the Martyr. Also in the upper left-hand corner of the painting, a faint white star can be seen in the sky, just above the grieving couple. The presence of this star in the painting as its inclusion may allude to other historical or religious narratives.[ citation needed ] For example, if The Young Martyr was painted as a morning scene, with the rising sun in the far background, the faint star above the grieving parents may allude to the morning star, or Lucifer, from the Bible.[ citation needed ] As such, this star would suggest the presence of the Devil, or of evil (metaphorically) in the painting. [5] On the other hand, if The Young Martyr was painted as a scene taking place at sunset, then the star in the left-hand corner could be seen as the North Star, and, therefore, possibly as an allusion to God or Jesus. [6] The Martyr's hands are bound by rope, as she gently floats upon the surface of the Tiber. With her body erect (potentially suggesting the rigor mortis),[ citation needed ] the Martyr, appears both dead and alive. Delaroche details around the Martyr's right hand small, delineated ripples, barely emanating from around the crests of the Martyr's fingers. Directly above the head of the Martyr is a halo. The Martyr's halo, precise and crisp, appears surreal in contrast to the rest of the painting; furthermore, this halo helps to stage The Young Martyr as it exists as the primary source of light for the otherwise dimly lit Christian.
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On the surface, The Young Martyr depicts the sacrifice of a young Christian woman into the Tiber River. However, what the painting alludes to is not merely the countless Christian martyrs throughout the centuries, but specifically the martyrdom of Christians under the rule of the Roman emperor Diocletian- when Christians were systematically persecuted for their religious beliefs. [7] [ better source needed ] Briefly, the Roman Emperor Diocletian ruled in the 3rd and 4th centuries. About nineteen years into his reign, however, Diocletian, a polytheist, instituted the systematic persecution of Christians with the Diocletianic Persecution of 303-311 AD. Under these laws, Christians were expected to sacrifice and honor gods they themselves did not believe in, under penalty of imprisonment or death. As such, although the painting of The Young Martyr does not overtly allude to Diocletian, it could easily be said[ by whom? ] that, since the Diocletianic Persecution of Christians is so well known in history, and so often cited in Art, the Persecution would have served as a firm foundation for Delaroche,[ citation needed ] artistically, and would have given Delaroche ample reason to paint the martyrdom of a young Christian. Delaroche opted to depict the martyrdom of a female Christian in The Young Martyr. Although Delaroche is known to have “introduced the genii or muses, who symbolize or reign over the arts,” [8] and to have often idealized female figures, the choice to depict the martyrdom of a young woman may, more truly, have been part of Delaroche's response to the death of his wife, Louise Vernet,[ citation needed ] in 1845, whom he was known to have included as a figure in many of his paintings, for homage.
A martyr is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In colloquial usage, the term can also refer to any person who suffers a significant consequence in protest or support of a cause.
Pope Caius, also called Gaius, was the bishop of Rome from 17 December 283 to his death in 296. Little information on Caius is available except that given by the Liber Pontificalis, which relies on a legendary account of the martyrdom of Susanna of Rome for its information. According to legend, Caius baptized the men and women who had been converted by Tiburtius and Castulus. His legend states that Caius took refuge in the catacombs of Rome and died a martyr.
Pope Marcellinus was the bishop of Rome from 30 June 296 to his death in 304. A historical accusation was levelled at him by some sources to the effect that he might have renounced Christianity during Emperor Diocletian's persecution of Christians before repenting afterwards, which would explain why he is omitted from lists of martyrs. The accusation is rejected, among others, by Augustine of Hippo. He is today venerated as a saint in the Catholic Church and in the Serbian Orthodox Church.
Margaret, known as Margaret of Antioch in the West, and as Saint Marina the Great Martyr in the East, is celebrated as a saint on 20 July in Western Christianity, on 30th of July by the Eastern Orthodox Church, and on Epip 23 and Hathor 23 in the Coptic Orthodox Church.
Sebastian was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church.
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In Christianity, a martyr is a person who was killed for their testimony for Jesus or faith in Jesus. In years of the early church, stories depict this often occurring through death by sawing, stoning, crucifixion, burning at the stake, or other forms of torture and capital punishment. The word martyr comes from the Koine word μάρτυς, mártys, which means "witness" or "testimony".
Hippolyte-Paul Delaroche was a French painter who achieved his greater successes painting historical scenes. He became famous in Europe for his melodramatic depictions that often portrayed subjects from English and French history. The emotions emphasised in Delaroche's paintings appeal to Romanticism while the detail of his work along with the deglorified portrayal of historic figures follow the trends of Academicism and Neoclassicism. Delaroche aimed to depict his subjects and history with pragmatic realism. He did not consider popular ideals and norms in his creations, but rather painted all his subjects in the same light whether they were historical figures like Marie-Antoinette, figures of Christianity, or people of his time like Napoleon Bonaparte. Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet.
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The Diocletianic or Great Persecution was the last and most severe persecution of Christians in the Roman Empire. In 303, the emperors Diocletian, Maximian, Galerius, and Constantius issued a series of edicts rescinding Christians' legal rights and demanding that they comply with traditional religious practices. Later edicts targeted the clergy and demanded universal sacrifice, ordering all inhabitants to sacrifice to the gods. The persecution varied in intensity across the empire—weakest in Gaul and Britain, where only the first edict was applied, and strongest in the Eastern provinces. Persecutory laws were nullified by different emperors at different times, but Constantine and Licinius' Edict of Milan in 313 has traditionally marked the end of the persecution.
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