Madonna and Child with Two Donors or The Madonna of the Two Donors is a 1630 painting by Anthony van Dyck, now in the Louvre, in Paris.
The identity of the two kneeling donors is unknown but they are probably a rich couple from Antwerp, where van Dyck was then working. It soon left its original location and is recorded in the collection of Louis XIV of France as early as 1685.
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Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Hendrick van Balen or Hendrick van Balen I was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper support. His favourite themes were mythological and allegorical scenes and, to a lesser extent, religious subjects. The artist played an important role in the renewal of Flemish painting in the early 17th century and was one of the teachers of Anthony van Dyck.
Cornelis van der Geest was a spice merchant from Antwerp, who used his wealth to support the Antwerp artists and to establish his art collection. He was also the dean of the haberdashers guild.
The Battle of the Amazons or Amazonomachia is an oil on wood painting produced around 1615. It shows an amazonomachy. It is usually attributed to Rubens, showing his huge admiration for Leonardo da Vinci and his The Battle of Anghiari, though the biographer Giovanni Pietro Bellori has attributed it to Anthony van Dyck. It is now in the Alte Pinakothek in Munich.
Theodosius and Saint Ambrose is a painting by Peter Paul Rubens, with assistance from his main pupil Anthony van Dyck, executed c. 1615–1616. It is now in the Kunsthistorisches Museum in Vienna. Rubens created the preparatory drawing, with the painting almost entirely done by van Dyck, who painted his own similar version of the subject a few years later. In the Rubens version, the architectural background is less defined, Theodosius is bearded and the spear and halberd in van Dyck's own version are omitted.
Saint Ambrose barring Theodosius from Milan Cathedral is a painting of c. 1619–20 by Anthony van Dyck in the National Gallery, London.
Cupid and Psyche is an oil on canvas painting by Anthony van Dyck. It is now in the Royal Collection and shown in Kensington Palace.
Madonna and Child is a 1621–1627 painting by Anthony van Dyck, now in the Galleria nazionale di Parma.
Rest on the Flight into Egypt is a 1630 painting by Anthony van Dyck, probably commissioned by a layman. Featuring the Holy Family of Joseph, Mary, and Jesus, it was owned by Maximilian II Emanuel, Elector of Bavaria and is now in the Alte Pinakothek in Munich. The Rest on the Flight into Egypt was a popular subject in art.
The Triple Portrait of Henrietta Maria is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce a triple portrait of himself to send to Italy so that Bernini could produce a bust of him. When the bust arrived, the queen ordered a bust of herself by Bernini and commissioned van Dyck to produce a similar triple portrait. The left-facing profile and full-on view are in the Royal Collection, whilst the right-facing profile is probably the portrait of the queen now in the Memphis Brooks Museum of Art.
The Self-portrait of 1613–1614 is the first surviving self-portrait by the Flemish artist Anthony van Dyck, showing him aged about fifteen. At that date he was still working for Hendrick van Balen but was about to join Peter Paul Rubens's studio. Self-portraiture was a typical artform in the Northern Renaissance and had already been used by Rubens and Jan van Eyck.
Nursing Madonna with an Angel is an oil painting on panel by Correggio, painted around 1524 and now in the Museum of Fine Arts in Budapest. It measures 68.5 by 87 cm and belongs to the Nursing Madonna or Madonna Lactans genre.
Madonna and Child with Two Donors is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, created c. 1533–1535, now in the J. Paul Getty Museum in Los Angeles. It and other works by the artist originated in the Palazzo Pallavicini Rospigliosi collection in Rome before being sold to the Benson collection in London, then to the Hearst Corporation in New York and finally to its present owner.
The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.
The Three Eldest Children of Charles I is an oil painting on canvas of 1635 by Anthony van Dyck in the Galleria Sabauda in Turin.
Saint Rosalia Crowned by Angels is an oil on canvas painting by the studio of Anthony van Dyck, created c. 1624, one of several works showing the saint produced whilst van Dyck was quarantined in Palermo, Sicily due to a plague. It is now in the Galleria Regionale del Palazzo Abatellis in Palermo, where in 2015 it was displayed alongside Saint Rosalie Interceding, loaned from the Metropolitan Museum of Art.
The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629.
