The Vision of the Blessed Hermann Joseph or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary is a 1629-1630 painting by the Flemish Baroque painter Anthony van Dyck.
The Vision of the Blessed Hermann Joseph or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary is a 1629-1630 painting by the Flemish Baroque painter Anthony van Dyck.
The painting depicts Hermann Joseph, a Premonstratensian canon and priest from the Cologne region. He had a devotion to the Virgin Mary and according to legend had several visions of her during his lifetime – the painting shows one of these, in which he was joined in a mystic marriage to her and received the name 'Joseph' after her spouse Saint Joseph [1] Produced for a chapel in Saint Ignatius Church in Antwerp (as had Coronation of Saint Rosalia the previous year), it is now in the Kunsthistorisches Museum in Vienna. [2]
The painting was one of several commissioned from van Dyck by the Jesuit sodality in Antwerp, of which he had become a member in 1628. [3] It seems to have been influenced by The Vision of Saint Francis Xavier by the Antwerp painter Gerard Seghers and by Rubens's Saint Teresa of Ávila's Vision of the Holy Spirit – van Dyck had been working as Rubens' studio assistant and pupil since returning to Antwerp in 1627 after eight years in Italy, including work on a series of paintings for Saint Carolus Borromeus church. [4]
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St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629.
