Tiziano Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
George Jamesone was a Scottish painter who is regarded as Scotland's first eminent portrait-painter.
Claudio Coello was a Spanish Baroque painter. Coello is considered the last great Spanish painter of the 17th century.
A self-portrait is a portrait of an artist made by themselves. Although self-portraits have been made since the earliest times, the practice of self-portraiture only gaining momentum in the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made.
Equestrian Portrait of Charles V is an oil-on-canvas painting by the Italian Renaissance artist Titian. Created between April and September 1548 while Titian was at the imperial court of Augsburg, it is a tribute to Charles V, Holy Roman Emperor, following his victory in the April 1547 Battle of Mühlberg against the Protestant armies.
Philip II in Armour is a portrait of Philip II of Spain by Titian, painted in 1551 when they were both in Augsburg. It is held at the Museo del Prado, in Madrid.
Charles I at the Hunt, also known under its French title Le Roi à la chasse, is an oil-on-canvas portrait of Charles I of England by Anthony van Dyck, dated to c. 1635, and now in the Louvre Museum in Paris. It depicts Charles in civilian clothing and standing next to a horse as if resting on a hunt, in a manner described by the Louvre as a "subtle compromise between gentlemanly nonchalance and regal assurance".
Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection.
Remigius van Leemput, known in England simply as Remee, was a Flemish portrait painter, copyist, collector and art dealer mainly active in England. Together with another Flemish master painter from Antwerp, George Geldorp, he was the key collaborator of Anthony van Dyck during van Dyck's final stay in London.
St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
Self-Portrait with a Sunflower is a self-portrait by Anthony van Dyck, a Flemish Baroque artist from Antwerp, then in the Spanish Netherlands. The oil on canvas painting is generally between 1632 and 1633. His successful ventures in the Spanish Netherlands and Italy propelled van Dyck into a career as court painter. Van Dyck was serving as "principal Paynter in order to their Majesties" at the court of Charles I of England when he created this self-portrait. The symbolism behind the sunflower and gold chain have been a point of contention amongst various art historians. Van Dyck's dedication to capturing the likeness of his models was the basis for his strong influence over the art of portraiture long after his death in 1641. His portrait technique evolved into what is referred to as his Late English period as seen in Self-Portrait with a Sunflower. This work is now in the private collection of the Duke of Westminster, housed at Eaton Hall in Cheshire.
An equestrian portrait is a portrait that shows the subject on horseback. Equestrian portraits suggest a high-status sitter, who in many cases was a monarch or other member of the nobility, and the portraits can also carry a suggestion of chivalry.
George Villiers, 1st Duke of Buckingham commissioned works of art to enhance his personal image, as a means to aid his political career and advancement at court.
Everhard or Eberhard Jabach was a French businessman, art collector, and director of the French East India Company. He was born in Cologne in the Holy Roman Empire but later naturalised as a French subject.
Lord John Stuart and His Brother, Lord Bernard Stuart is a large oil painting by Anthony van Dyck, executed c. 1638. The life-size double portrait depicts the two youngest sons of Esmé Stewart, 3rd Duke of Lennox: Lord John Stewart (1621–1644) and Lord Bernard Stuart (1622–1645), aged about 17 and 16 respectively. The painting measures 237.5 cm × 146.1 cm, and has been in the collection of the National Gallery, London, since 1988.
The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons. They included a number of kings with a serious interest in the arts, who were patrons of a series of major artists: Charles V and Philip II were patrons of Titian, Philip IV appointed Velázquez as court painter, and Goya had a similar role at the court of Charles IV.
