The Betrayal of Christ is a 1620 painting by Anthony van Dyck, now in the Minneapolis Institute of Arts. [1] He also produced two other versions of the same subject at around the same time, now in Bristol and Madrid. [2]
The Betrayal of Christ is a 1620 painting by Anthony van Dyck, now in the Minneapolis Institute of Arts. [1] He also produced two other versions of the same subject at around the same time, now in Bristol and Madrid. [2]
Deposition may refer to:
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Events from the year 1620 in art.
Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels, the event celebrated on Palm Sunday.
The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced c. 1630. It is 2.51 m high.
Samson and Delilah is a 1620 painting by Anthony van Dyck.It was heavily inspired by his tutor Rubens's version of the same subject and for a long time was attributed to Rubens. Van Dyck inverted the composition and showed Delilah in white chalk make-up and heavily rouged cheeks, the makeup traditionally worn by Parisian prostitutes. The painting is now held in the Dulwich Picture Gallery in London. He returned to the subject in 1630.
Samson and Delilah is a 1630 painting by Anthony van Dyck. Like his 1620 version of the subject, it is in the style of his former master Peter Paul Rubens. Unlike Rubens, however, van Dyck shows Delilah seemingly appalled at her own betrayal of Samson and regretting her act of treason, whereas Rubens showed him as a captive and her as an unscrupulous temptress. Van Dyck's palette in the work also reveals the influence of Titian during van Dyck's stay in Italy. It is now in the Kunsthistorisches Museum in Vienna.
The Deposition or Lamentation over the Dead Christ is a c. 1618-20 painting by the Flemish painter Anthony van Dyck. It is now in the Kunsthistorisches Museum, in Vienna, which it entered in 1720.
The Lamentation over the Dead Christ is a painting by the Flemish painter Anthony van Dyck, created c. 1629. It is now in the Royal Museum of Fine Arts Antwerp.
The Deposition or Lamentation over the Dead Christ is a painting by the Flemish artist Anthony van Dyck. Dating to 1635, it is one of his final treatments of the subject. It was commissioned by Cesare Alessandro Scaglia, who intended it to hang over his tomb in the Recollects Convent in Antwerp. It is now in the Royal Museum of Fine Arts Antwerp.
The Lamentation over the Dead Christ is a 1634-40 painting by the Flemish artist Anthony van Dyck. One of his last treatments of the subject, it is now in the Bilbao Fine Arts Museum, having entered it in 1985. It was previously in the collection of Henry Pelham-Clinton, 7th Duke of Newcastle, before later passing into the Valdes Izaguirre collection.
St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
The Deposition or Lamentation over the Dead Christ was a painting by the Flemish painter Anthony van Dyck, produced between 1629 and 1630. It measured 220 cm by 166 cm. Its final owners were the Kaiser Friedrich Museum then the Gemäldegalerie, Berlin, before it was lost in May 1945 in the Friedrichshain flak tower fire. A copy of the work is now in the Gedächtniskapelle of the Deutschordensmünster in Heilbronn.
The Betrayal of Christ is a c. 1618-20 painting by Anthony van Dyck. He also produced two other versions of the same subject at around the same time, now in Madrid and Minneapolis.
The Betrayal of Christ is a c. 1620 painting by the Flemish painter Anthony van Dyck now at Museo del Prado in Madrid. He also produced two other versions of the same subject at around the same time, now in Bristol and Minneapolis.
The Mocking of Christ is an oil-on-canvas painting by the Flemish painter Anthony van Dyck (1599–1641).
Jesus Insulted by the Soldiers is an 1865 oil on canvas painting by Édouard Manet, his last religious work. It is now in the Art Institute of Chicago, to which it was left in 1925 by James Deering, heir to the Deering Harvester Company.
Saint Rosalia is a c.1625 oil on canvas painting by Anthony van Dyck. Originally owned by Giovan Francesco Serra di Cassano, it was bought by Philip IV of Spain via his Viceroy of Naples Gaspar de Bracamonte in 1664 and is now in the Museo del Prado in Madrid
The Resurrection is an oil on canvas painting completed in 1631 - 1632 by Anthony van Dyck, now in the Wadsworth Atheneum, in Hartford, Connecticut. Experts date the painting to Van Dyck's second Antwerp period, around 1627‐32.
A Soldier on Horseback is a c. 1616 painting by Flemish painter Anthony van Dyck. It was held at Christ Church Picture Gallery until its theft in March 2020. The painting's empty frame now hangs at its former location in the Gallery.
 | This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it. |
