| A Soldier on Horseback | |
|---|---|
 | |
| Artist | Anthony van Dyck |
| Year | c.1616 |
| Medium | oil on panel |
| Dimensions | 91 cm× 55 cm(36 in× 22 in) |
| Location | formerly Christ Church Picture Gallery, stolen in March 2020 |
A Soldier on Horseback is a c. 1616 painting by Flemish painter Anthony van Dyck. It was held at Christ Church Picture Gallery until its theft in March 2020. The painting's empty frame now hangs at its former location in the Gallery. [1]
The painting was part of the collection of John Guise, a British army officer. Upon his death in 1765, he bequeathed this painting with his entire collection to Christ Church, Oxford, his alma mater. [2] From 1765 to 2020, A Soldier on Horseback was held at Christ Church Picture Gallery. The painting was stolen by burglars who managed to gain access to the gallery on 14 March 2020. Stolen alongside Van Dyck's painting were Salvator Rosa's A Rocky Coast, with Soldiers Studying a Plan and Annibale Carracci's A Boy Drinking. [3] The location of the painting is unknown as of 2022. [4]
The painting consists of a soldier dressed in armour sitting on horseback. The painting does not make much use of colour, leaving some to speculate that is unfinished. [5]
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.
Christ Church Picture Gallery is an art gallery located inside Christ Church, a college of the University of Oxford in Oxford, England. The gallery holds an important collection of about 300 Old Master paintings and nearly 2,000 drawings.
Sir Peter Lely was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. He became a naturalised British subject and was knighted in 1679.
Events from the year 1620 in art.
Sir Oliver Nicholas Millar was a British art historian. He was an expert on 17th-century British painting, and a leading authority on Anthony van Dyck in particular. He served in the Royal Household for 41 years from 1947, becoming Surveyor of The Queen's Pictures in 1972. He was the first Director of the Royal Collection from 1987. He served in both offices until his retirement in 1988.
Bernard Baron was a French engraver and etcher who spent much of his life in England.
The Equestrian Portrait of Charles I is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.
Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.
Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels, the event celebrated on Palm Sunday.
St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
The Betrayal of Christ is a c. 1618-20 painting by Anthony van Dyck. He also produced two other versions of the same subject at around the same time, now in Madrid and Minneapolis.
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces.
Saint Rosalia Crowned by Angels is an oil on canvas painting by the studio of Anthony van Dyck, created c. 1624, one of several works showing the saint produced whilst van Dyck was quarantined in Palermo, Sicily due to a plague. It is now in the Galleria Regionale del Palazzo Abatellis in Palermo, where in 2015 it was displayed alongside Saint Rosalie Interceding, loaned from the Metropolitan Museum of Art.
Saint Rosalia Crowned by Angels is a c. 1625 oil on canvas painting by Anthony van Dyck, one of five surviving works showing the saint which he produced whilst he was quarantined in Palermo, Sicily due to a plague. It is now in the Menil Collection in Houston, Texas, which bought it in 1968. It was loaned from there in 2011-2012 to the Dulwich Picture Gallery in London.
Saint Rosalia Crowned by Angels is a c. 1625 oil on canvas painting by Anthony van Dyck, one of five surviving works showing the saint which he produced whilst he was quarantined in Palermo, Sicily due to a plague. It is now in the Wellington Collection at Apsley House in London.
Saint Rosalia is a c.1625 oil on canvas painting by Anthony van Dyck. Originally owned by Giovan Francesco Serra di Cassano, it was bought by Philip IV of Spain via his Viceroy of Naples Gaspar de Bracamonte in 1664 and is now in the Museo del Prado in Madrid