Established | 1968 |
---|---|
Location | Oxford, England |
Type | Art museum |
Website | www |
Christ Church Picture Gallery is an art gallery located inside Christ Church, a college of the University of Oxford in Oxford, England. The gallery holds an important collection of about 300 Old Master paintings and nearly 2,000 drawings.
The gallery consists largely of Italian art from the 14th to 18th centuries. including paintings by famous artists such as Fra Angelico, Salvator Rosa and Paolo Veronese. The gallery also holds drawings by Raphael, Albrecht Dürer, Michelangelo, and a great range of other Italian and European artists, as well as a collection of Russian icons.
The greater part of the collection was bequeathed by a former member of the college, General John Guise, arriving after his death in 1765. Since then, the collection has been supplemented by several bequests, notably from William Fox-Strangways and Walter Savage Landor, both of thom donated 14th and 15th-century Italian paintings.
The gallery is open to the public.
The picture gallery's collection was started by a bequest of 184 paintings and around 2000 drawings from General John Guise, a former Christ Church undergraduate and British army officer who had fought at the Battle of Oudenarde. [1] [2] His bequest consisted of Italian paintings from the 16th and 17th centuries, with painters such as Tintoretto, Annibale Carracci and Paolo Veronese represented. The 14th and 15th-century paintings were donated by W. T. H. Fox-Strangways and Walter Savage Landor. Both men had lived in Florence in the 1820s and 1830s where they collected art. [3]
Smaller bequests were made by Lord Frederick Campbell, Sir Richard Nosworthy, and others. C. R. Patterson donated his collection of 18th and 19th-century Russian icons. [3]
On 14 March 2020, burglars broke into the gallery by night and stole 3 paintings; Salvator Rosa's A Rocky Coast, with Soldiers Studying a Plan, Anthony van Dyck's A Soldier on Horseback , and Annibale Carracci's A Boy Drinking. [4] The estimated value of the stolen paintings is over £10 million. [5] As of November 2022, the perpetrators have not been caught, and three empty frames hang in the gallery to mark where the stolen paintings were formerly displayed. [6]
The gallery is accessed inside Christ Church, Oxford, in the Canterbury Quadrangle near Oriel Square. The current building was designed by Philip Powell and Hidalgo Moya, and was opened in 1968. After the current building opened, the gallery first became open to the public.
Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. Intended to devise alternatives to the Mannerist style favored in the preceding decades, this teaching academy helped propel painters of the School of Bologna to prominence.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Domenico Zampieri, known by the diminutive Domenichino after his shortness, was an Italian Baroque painter of the Bolognese School of painters.
Giovanni Lanfranco was an Italian Baroque painter.
Butcher's Shop is the title of two paintings by the Italian Baroque painter Annibale Carracci, both dating from the early 1580s. They are now in the collections of Christ Church Picture Gallery, Oxford, and the Kimbell Art Museum in Fort Worth, Texas.
The Reverend William Holwell Carr, (1758–1830) was an English priest, art dealer, art collector and painter. His bequest of paintings was an important early addition to the collection of the National Gallery in London.
The Galleria Estense is an art gallery in the heart of Modena, centred around the collection of the d’Este family: rulers of Modena, Reggio and Ferrara from 1289 to 1796. Located on the top floor of the Palazzo dei Musei, on the St. Augustine square, the museum showcases a vast array of works ranging from fresco and oil painting to marble, polychrome and terracotta sculpture; musical instruments; numismatics; curios and decorative antiques.
The Carracci were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the Accademia degli Incamminati, and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion.
Venus, Adonis and Cupid is a painting created c. 1595 by Annibale Carracci. The painting is in the Museo del Prado, Madrid. Annibale Carracci was one of the most well known Italian Baroque painters of the seventeenth century. The Carracci brothers established an academy of art called Accademia degli Incamminati, which pioneered the development of Bolognese Painting. Annibale Carracci and Caravaggio were among the most influential artists of this century, who through their unique artistic styles led to the transition from Mannerist to Baroque. Annibale was born in Bologna in 1560 and died in Rome in 1609.
The Adoration of the Shepherds is an oil-on-canvas painting by the Italian master Domenichino, executed c. 1607–1610. It has been in the National Gallery of Scotland in Edinburgh since 1971, and was previously in the Dulwich Picture Gallery in London.
John Guise was a British Army officer and art collector.
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces.
The Assumption of the Virgin by Annibale Carracci is the altarpiece of the famous Cerasi Chapel in the church of Santa Maria del Popolo in Rome. The large panel painting was created in 1600–1601. The artwork is somewhat overshadowed by the two more famous paintings of Caravaggio on the side walls of the chapel: The Conversion of Saint Paul on the Road to Damascus and The Crucifixion of Saint Peter. Both painters were important in the development of Baroque art but the contrast is striking: Carracci's Virgin glows with even light and radiates harmony, while the paintings of Caravaggio are dramatically lit and foreshortened.
The Palazzo Sampieri frescoes are a set of paintings by Annibale, Agostino and Ludovico Carracci in the Palazzo Sampieri in Bologna. They form the last surviving collection of works by the three artists.
Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts, Budapest.
Madonna and Child with Saints is a 1588 oil on canvas painting by Annibale Carracci, now in the Gemäldegalerie Alte Meister in Dresden. Signed and dated by the artist, it is also known as Madonna and Child with Saints Francis, Matthew and John the Baptist, Madonna and Child Enthroned with Saint Matthew and the St Matthew Madonna.
The Death of Saint Francis is the probable subject of two lost paintings by Annibale Carracci, both possibly dating to 1597-1598. One is known solely through a print and the other through a series of painted copies.
Madonna and Child in Glory over the City of Bologna is a c.1593 oil on canvas painting by Annibale Carracci, also known as The Virgin and Child in the Clouds or the Madonna of Bologna. It is now in Christ Church Picture Gallery in Oxford.
The Dead Christ Mourned is an oil painting on canvas of c. 1604 by Annibale Carracci. It was in the Orleans Collection before arriving in Great Britain in 1798. In 1913 it was donated to the National Gallery, London, which describes it as "perhaps the most poignant image in [its] collection of the pietà – the lamentation over the dead Christ following his crucifixion – and one of the greatest expressions of grief in Baroque art".
A Soldier on Horseback is a c. 1616 painting by Flemish painter Anthony van Dyck. It was held at Christ Church Picture Gallery until its theft in March 2020. The painting's empty frame now hangs at its former location in the Gallery.
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