Jacob (Jacques) Jordaens was a Flemish painter, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Rubens and Anthony van Dyck, he became the leading Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. He also remained largely indifferent to Rubens and van Dyck's intellectual and courtly aspirations. This attitude was expressed in his art through a lack of idealistic treatment which contrasted with that of these contemporaries.
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Theodosius and Saint Ambrose is a painting by Peter Paul Rubens, with assistance from his main pupil Anthony van Dyck, executed c. 1615–1616. It is now in the Kunsthistorisches Museum in Vienna. Rubens created the preparatory drawing, with the painting almost entirely done by van Dyck, who painted his own similar version of the subject a few years later. In the Rubens version, the architectural background is less defined, Theodosius is bearded and the spear and halberd in van Dyck's own version are omitted.
Saint Ambrose barring Theodosius from Milan Cathedral is a painting of c. 1619–20 by Anthony van Dyck in the National Gallery, in London.
Magistrates of Brussels was a 1634–35 oil painting by Anthony van Dyck. It was destroyed in the French bombardment of Brussels in 1695. Its composition is known from a grisaille sketch in the École nationale supérieure des Beaux-Arts in Paris, which Van Dyck prepared to show how he planned to lay out the work.
Madonna and Child is a 1621–1627 painting by Anthony van Dyck, now in the Galleria nazionale di Parma.
Madonna and Child with Two Donors or The Madonna of the Two Donors is a 1630 painting by Anthony van Dyck, now in the Louvre, in Paris.
Rest on the Flight into Egypt is a 1630 painting by Anthony van Dyck, probably commissioned by a layman. Featuring the Holy Family of Joseph, Mary, and Jesus, it was owned by Maximilian II Emanuel, Elector of Bavaria and is now in the Alte Pinakothek in Munich. The Rest on the Flight into Egypt was a popular subject in art.
The Triple Portrait of Henrietta Maria is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce a triple portrait of himself to send to Italy so that Bernini could produce a bust of him. When the bust arrived, the queen ordered a bust of herself by Bernini and commissioned van Dyck to produce a similar triple portrait. The left-facing profile and full-on view are in the Royal Collection, whilst the right-facing profile is probably the portrait of the queen now in the Memphis Brooks Museum of Art.
The lamentation of Christ is a painting by the Flemish artist Anthony van Dyck dated to 1628-1630. It is in the collection of the Alte Pinakothek in Munich. The artist had treated the same subject in multiple works, including two versions in the Royal Museum of Fine Arts Antwerp in Antwerp and one in the Kunsthistorisches Museum in Vienna.
St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
The Self-portrait of 1613–1614 is the first surviving self-portrait by the Flemish artist Anthony van Dyck, showing him aged about fifteen. At that date he was still working for Hendrick van Balen but was about to join Peter Paul Rubens's studio. Self-portraiture was a typical artform in the Northern Renaissance and had already been used by Rubens and Jan van Eyck.
Self-portrait with Sir Endymion Porter is a self-portrait by Anthony van Dyck, showing him with his patron Sir Endymion Porter.
The Mocking of Christ is an oil-on-canvas painting by the Flemish painter Anthony van Dyck (1599–1641).
Cupid and Psyche is a story in Greek and Roman myth.
Equestrian Portrait of Thomas Francis, Prince of Carignano is a 1634 painting by Anthony van Dyck, now in the Galleria Sabauda in Turin. It shows Thomas Francis, Prince of Carignano on a prancing horse, as an allegory of his holding the reins of command even in difficult moments. He is shown wearing the insignia and red sash of the Supreme Order of the Most Holy Annunciation, conferred on him in 1616 by his father Charles Emmanuel I, Duke of Savoy. In 1742 the work was sold to the King of Sardinia.
The Three Eldest Children of Charles I is an oil painting on canvas of 1635 by Anthony van Dyck in the Galleria Sabauda in Turin.
The Three Eldest Children of Charles I is an oil painting on canvas by Anthony van Dyck, produced between November 1635 and March 1636 and still in the Royal Collection. Numerous studio copies were made of this painting.
Margaret Lemon was an English artist's model. She was the most painted female commoner of the seventeenth century, and she was the partner of Anthony van Dyck.
