Pedro Calderón de la Barca was a Spanish dramatist, poet, and writer. He is known as one of the most distinguished poets and writers of the Spanish Golden Age, especially for the many verse dramas he wrote for the theatre. Calderón has been termed "the Spanish Shakespeare", the national poet of Spain, and one of the greatest poets and playwrights in the history of world literature.
Félix Lope de Vega y Carpio was a Spanish playwright, poet, and novelist who was a key figure in the Spanish Golden Age (1492–1659) of Baroque literature. In the literature of Spain, Lope de Vega is second to Miguel de Cervantes. Cervantes said that Lope de Vega was “The Phoenix of Wits” and “Monster of Nature”.
Lope de Rueda (c.1505<1510–1565) was a Spanish dramatist and author, regarded by some as the best of his era. A versatile writer, he also wrote comedies, farces, and pasos. He was the precursor to what is considered the golden age of Spanish literature.
Life Is a Dream is a Spanish-language play by Pedro Calderón de la Barca. First published in 1636, in two different editions, the first in Madrid and a second one in Zaragoza. Don W. Cruickshank and a number of other critics believe that the play can be dated around 1630, thus making Calderón's most famous work a rather early composition. It is a philosophical allegory regarding the human situation and the mystery of life. The play has been described as "the supreme example of Spanish Golden Age drama". The story focuses on the fictional Segismundo, Prince of Poland, who has been imprisoned in a tower by his father, King Basilio, following a dire prophecy that the prince would bring disaster to the country and death to the King. Basilio briefly frees Segismundo, but when the prince goes on a rampage, the king imprisons him again, persuading him that it was all a dream.
María de Zayas y Sotomayor wrote during Spain's Golden Age of literature. She is considered by a number of modern critics as one of the pioneers of literary feminism, while others consider her simply a well-accomplished baroque author. The female characters in de Zayas's stories were used as vehicles to enlighten readers about the plight of women in Spanish society, or to instruct them in proper ways to live their lives.
José de Cañizares y Suárez was a Spanish playwright. Cavalry officer, public official, and author of around one hundred works, he was one of the most important dramatists of the early 18th century.
No Wit, No Help Like a Woman's is a Jacobean tragicomic play by Thomas Middleton.
The Lovers' Progress is an early seventeenth-century stage play, a tragicomedy written by John Fletcher and Philip Massinger. As its multiple titles indicate, the play has a complex history and has been a focus of controversy among scholars and critics.
Spanish Baroque literature is the literature written in Spain during the Baroque, which occurred during the 17th century in which prose writers such as Baltasar Gracián and Francisco de Quevedo, playwrights such as Lope de Vega, Tirso de Molina, Calderón de la Barca and Juan Ruiz de Alarcón, or the poetic production of the aforementioned Francisco de Quevedo, Lope de Vega and Luis de Góngora reached their zenith. Spanish Baroque literature is a period of writing which begins approximately with the first works of Luis de Góngora and Lope de Vega, in the 1580s, and continues into the late 17th century.
Madness in Valencia is a farce from the Spanish Golden Age by Félix Lope de Vega y Carpio. The play is one of Lope de Vega's earliest, dating from between 1590 and 1595 and tells the story of two lovers who, one fleeing from the Spanish army and the other from an oppressive father, feign insanity and seek refuge in the asylum of Valencia.
The Phantom Lady is a play by Spanish playwright Pedro Calderón de la Barca. It was written and performed in 1629 and was published for the first time in the Primera parte de comedias de don Pedro Calderón de la Barca (1636).
Fenisa's Hook is a play written by the Spanish playwright Lope de Vega, who is considered part of the Spanish Golden Age of literature. It was first published in 1617 in the eighth part of Lope de Vega's Comedias. Based on the tenth tale of the eighth day of Boccaccio’s Decameron, it has been called a picaresque play, works that exhibit an uncharacteristic moral freedom. It focuses on merchants, the circulation of bodies and merchandise, and the seductive power of art. Boccaccio's tale is about a trickster who is tricked. Lope uses Boccaccio's story for the main plot of his play, where Fenisa, a courtesan in Palermo attempts to woo the rich merchant Lucindo in order to gain his riches. A secondary plot includes Dinarda who is dressed as a man and has come to Palermo in search of the man who seduced her and left her behind. Fenisa ends up falling for this Dinarda who is disguised as don Juan de Lara. While Fenisa is able to trick Lucindo the first time around, he comes back to Sicily a second time and this time he tricks her. In the end, Dinarda finds and marries her Albano, while Fenisa is left without a spouse and without money.
La viuda joven, is a Venezuelan telenovela written by Martín Hahn and produced by Venevisión in 2011.
The Steel of Madrid is a 1608 play by the Spanish writer Lope de Vega, considered part of the Spanish Golden Age of literature.
Ana Caro de Mallén was a poet and playwright of the Spanish Golden Age.
Ana Beatriz Vázquez Argibay, better known as Ana Marzoa, is an Argentine-Spanish actress.
Manuel Andrés González was a Spanish writer and actor known for his role as Julián Pastor in the TV series La que se avecina.
Amarilis was a pseudonymous poet from Peru in the early 17th century. She is known from a single poem in the form of an epístola, or epistle, titled Amarilis a Belardo. The title, which translates to Amarilis to Belardo in English, refers to Amarilis' polite manner of addressing "Belardo," whose true identity is known as Spanish playwright Lope de Vega. De Vega published this epistle in La Filomena (1621), which is a book of lyrical poems and epic poetry including both Amarilis' epistle and his response to it. While Lope de Vega defends himself from libel in the second half of La Filomena, the book can also be regarded as a look into the playwright's more personal life. Amarilis a Belardo is lengthy and conveys Amarilis' feelings of isolation due to her responsibilities as a nun, as well as her frustrations from being in Peru instead of Spain. Her identity remains a mystery, with certain scholars even doubting she ever existed, but Amarilis is generally believed to have been a woman.
Casilda Iturrizar, also known as the Epalza widow, was a Spanish philanthropist and businessperson from Bilbao in the Basque Country. Iturrizar sought to help the most disadvantaged members of Bilbao society using her fortune for charity. The street where she lived, a hospital wing, and a city park were named after her.
Arroz y tartana is a Spanish prime-time television miniseries based on the 1894 novel of the same name by Vicente Blasco Ibáñez. Produced by Intercartel for Televisión Española (TVE) and Generalitat Valenciana, it was directed by José Antonio Escrivá, with screenplay by Horacio Valcárcel. Its two episodes adapting the novel were broadcast on La Primera of Televisión Española on 19 November 2003.
