| Entry of Christ into Jerusalem | |
|---|---|
 | |
| Artist | Anthony van Dyck |
| Year | 1617 |
| Type | Oil painting on canvas |
| Dimensions | 151 cm× 229.2 cm(59.5 in× 90.25 in) |
| Location | Indianapolis Museum of Art, Indianapolis |
Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels, the event celebrated on Palm Sunday. [1]
Van Dyck's presentation of Jesus' entry into Jerusalem is quite consistent with the biblical accounts. The ass foal he rides is almost entirely enveloped by his robes of rich blue and crimson. He is surrounded by his disciples on foot, and jubilantly welcomed by a crowd of locals who lay branches in his path. It is a very youthful, vigorous work, full of bright colors and slashing brushstrokes. The restlessness and muscularity of the figures are very Baroque. [1] The naturalism and large size of figures gives them tremendous immediacy, lending drama to the narrative. [2]
Painted when van Dyck was only about 18, Entry of Christ into Jerusalem demonstrates his early mastery of the medium. He was already Peter Paul Rubens' principal assistant. While already working on developing his own, more robust style, van Dyck was heavily influenced by Rubens, as can be seen in the vibrant colors, dynamic composition, and grand scale. [2]
From November 2012 to March 2013, this painting was on display at the Prado as part of an exhibit called "The Young van Dyck." Covering his output from ages 16 to 22, this exhibit collected some 90 artworks from when he resided in Antwerp. This tally included 30 large, ambitious artworks like Entry of Christ into Jerusalem. [3] This particular work, though, was noted as one of his most experimental, as the young artist sought to heighten the visual impact of his works. [4]
Entry of Christ into Jerusalem was purchased by Mr. and Mrs. Herman C. Krannert in 1958 as a gift for the Herron School of Art, which later evolved, in part, into the IMA. It is currently on view in the William C. Griffith Jr. and Carolyn C. Griffith Gallery and has the accession number 58.3. [5]
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
Cornelis de Vos was a Flemish painter, draughtsman and art dealer. He was one of the leading portrait painters in Antwerp and is best known for his sensitive portraits, in particular of children and families. He was also successful in other genres including history, religious and genre painting. He was a regular collaborator with Rubens.
Hendrick van Balen or Hendrick van Balen I was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper support. His favourite themes were mythological and allegorical scenes and, to a lesser extent, religious subjects. The artist played an important role in the renewal of Flemish painting in the early 17th century and was one of the teachers of Anthony van Dyck.
The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
Jan Boeckhorst or Johann Bockhorst was a German-born Flemish Baroque painter and draughtsman who worked most of his career in Antwerp. He was a versatile artist who produced history paintings, genre scenes and portraits in a style influenced by the trio of leading Antwerp painters Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens. Boeckhorst also worked as a designer of cartoons for tapestries.
Theodoor Boeyermans, Theodor Boeyermans or Theodor Boeijermans was a Flemish painter active in Antwerp who painted Baroque history paintings and group portraits informed by the tradition of Peter Paul Rubens and Anthony van Dyck.
Willem van Herp (I) or Willem van Herp the Elder (variations on first name: 'Guilliam', 'Gilliam' and 'Guillaume') (c. 1614 in Antwerp – 1677) was a Flemish Baroque painter specializing in religious paintings and small cabinet paintings of "low-life" genre scenes. He operated a large workshop and through his good connections with Antwerp art dealers helped spread the Flemish Baroque style internationally.
Sir Peter Paul Rubens was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Schelte a Bolswert or Schelte Adamsz. Bolswert was a Frisian engraver who worked most of his career in Antwerp where he was one of the lead engravers in Rubens' workshop. He is known for his reproductive works after Rubens and Anthony van Dyck.
Still Life with a Chinese Porcelain Jar is a 1669 oil painting by Dutch artist Willem Kalf, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It is a sumptuous still life displaying the sort of costly wares that flowed through the Netherlands during its heyday as a trade center.
Entry of Christ into Jerusalem is an 1125 fresco by the Master of San Baudelio de Berlanga, originally located at San Baudelio de Berlanga but now on display in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Christ and seven disciples entering Jerusalem to the acclaim of its inhabitants.
The Crowning with Thorns is an oil painting on canvas created ca. 1618–1620 by the Flemish artist Anthony van Dyck. He produced it aged 20 during his first Antwerp period, when he was the main studio assistant and pupil of Peter Paul Rubens. The painting shows Rubens' influence in its relatively sombre palette, chiaroscuro and highly realistic portrayal of musculature. Van Dyck seems to have completed it early during his stay in Italy, since it also shows the influence of Titian and other Venetian painters, as seen in the treatment of Jesus' face.
Madonna and Child is a 1621–1627 painting by Anthony van Dyck, now in the Galleria nazionale di Parma.
St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
Peeter Symons or Peeter Simons was a Flemish painter only known for his collaboration with Rubens in 1636 on the commission from the Spanish king Philip IV of Spain to create a series of mythological paintings to decorate the Torre de la Parada, a hunting lodge of the king near Madrid.
Nicolaas Rockox (1560–1640), was an art patron and collector, numismatist, humanist, philanthropist and mayor of Antwerp. He was a close personal friend and important patron of Peter Paul Rubens. His residence in Antwerp was a centre where Antwerp's humanists and artists congregated and housed a large collection of artworks, antiques, rare objects and coins. It is now a museum known as the Snijders&Rockox House. He was knighted by Archduke Albert and Isabella, the Governor General of the Habsburg Netherlands.
Jesus Insulted by the Soldiers is an 1865 oil on canvas painting by Édouard Manet, his last religious work. It is now in the Art Institute of Chicago, to which it was left in 1925 by James Deering, heir to the Deering Harvester Company.
