| Crucifixion | |
|---|---|
 | |
| Artist | Lucas Cranach the Elder |
| Year | 1532 |
| Medium | oil on panel |
| Dimensions | 76 cm× 55 cm(30 in× 21.5 in) |
| Location | Indianapolis Museum of Art, Indianapolis, Indiana |
Crucifixion is an oil painting by German artist Lucas Cranach the Elder. One of many versions of the subject painted by Cranach, this one, created in 1532, is now in the Indianapolis Museum of Art.
The bottom half of the painting is crowded with figures, all symbolically arranged to the left and the right of Christ. On the right is the Virgin Mary, who is held by John the Evangelist, and Mary Magdalene is holding onto the Cross. The Good Thief and Longinus gaze directly at him, alluding to their salvation. There is a sharp contrast to those on the right, which includes Roman soldiers who are avoiding his gaze and the Impenitent thief, depicted as bald and bloated. Behind them are contemporary figures, who are considered unenlightened, as they have not yet borne witness to Christ. [1]
The painting emphasizes Jesus Christ's sacrifice, and uses the witnesses to show recognition of the event of his death as a clear reference to new Lutheran theology; sinful mankind is only redeemed through Christ, not through the Catholic church.
Cranach was the court painter to the electors of Saxony in Wittenberg, an area in the heart of the emerging Protestant faith. His patrons were powerful supporters of Martin Luther, and Cranach used his art as a symbol of the new faith. Cranach made numerous portraits of Luther, and provided woodcut illustrations for Luther's German translation of the Bible. Crucifixion should be seen through the lens of this new reformed religion. [2]
The Indianapolis Museum of Art purchased the painting in 2000, using funding from the Clowes Collection. The provenance of Crucifixion is ambiguous, and the Indianapolis Museum of Art is attempting to learn where the painting originated. [3]
Albert of Brandenburg was a German cardinal, elector, Archbishop of Mainz from 1514 to 1545, and Archbishop of Magdeburg from 1513 to 1545.
A crucifix is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the corpus.
Wittenberg, is the fourth-largest town in Saxony-Anhalt, Germany. Wittenberg is situated on the River Elbe, 60 kilometers (37 mi) north of Leipzig and 90 kilometers (56 mi) south-west of Berlin, and has a population of 46,008 (2018).
Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion.
The National Gallery of Denmark is the Danish national gallery, located in the centre of Copenhagen.
The Protestant Reformation during the 16th century in Europe almost entirely rejected the existing tradition of Catholic art, and very often destroyed as much of it as it could reach. A new artistic tradition developed, producing far smaller quantities of art that followed Protestant agendas and diverged drastically from the southern European tradition and the humanist art produced during the High Renaissance. The Lutheran churches, as they developed, accepted a limited role for larger works of art in churches, and also encouraged prints and book illustrations. Calvinists remained steadfastly opposed to art in churches, and suspicious of small printed images of religious subjects, though generally fully accepting secular images in their homes.
The Crucifixion of St. Peter is a fresco painting by the Italian Renaissance master Michelangelo Buonarroti. It is housed in the Cappella Paolina, Vatican Palace, in the Vatican City, Rome. It is the last fresco executed by Michelangelo.
All Saints' Church, commonly referred to as Schlosskirche to distinguish it from the Stadtkirche of St. Mary's, sometimes known as the Reformation Memorial Church, is a Lutheran church in Wittenberg, Saxony-Anhalt, Germany. It is the site where, according to Philip Melanchthon, the Ninety-five Theses were posted by Martin Luther in 1517, launching the beginning of the Protestant Reformation.
Stabat Mater is a compositional form in the crucifixion of Jesus in art depicting the Virgin Mary under the cross during the crucifixion of Christ alongside John the apostle.
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The canvas was completed during Titian's fifth decade of painting, and is one of the works marking a shift toward his extensive exploration of tragedy and human suffering.
The Entombment is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych altarpiece. The now-lost altarpiece is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller panels would have been paired in a format similar to Bouts's 1464–1468 Altarpiece of the Holy Sacrament. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost. The Entombment was first recorded in a mid-19th century Milan inventory and has been in the National Gallery, London, since its purchase on the gallery's behalf by Charles Lock Eastlake in 1861.
Crucifixion Diptych — also known as Philadelphia Diptych, Calvary Diptych, Christ on the Cross with the Virgin and St. John, or The Crucifixion with the Virgin and Saint John the Evangelist Mourning — is a diptych by the Early Netherlandish artist Rogier van der Weyden, completed c. 1460, today in the Philadelphia Museum of Art. The panels are noted for their technical skill, visceral impact and for possessing a physicality and directness unusual for Netherlandish art of the time. The Philadelphia Museum of Art describes work as the "greatest Old Master painting in the Museum."
The Crucifixion and Last Judgement diptych consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop. This diptych is one of the early Northern Renaissance oil-on-panel masterpieces, renowned for its unusually complex and highly detailed iconography, and for the technical skill evident in its completion. It was executed in a miniature format; the panels are just 56.5 cm (22.2 in) high by 19.7 cm (7.8 in) wide. The diptych was probably commissioned for private devotion.
Crucifixion is a 1375 panel painting by Italian artist Barnaba da Modena, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts the crucifixion of Jesus in tempera and gold.
Law and Gospel is one of a number of thematically linked, allegorical panel paintings by Lucas Cranach the Elder from about 1529. The paintings, intended to illustrate Lutheran ideas of salvation, are exemplars of Lutheran Merkbilder, which were simple, didactic illustrations of Christian doctrine.
Cupid complaining to Venus is an oil painting by Lucas Cranach the Elder. Nearly 20 similar works by Cranach and his workshop are known, from the earliest dated version in Güstrow Palace of 1527 to one in the Burrell Collection, Glasgow, dated to 1545, with the figures in a variety of poses and differing in other details. The Metropolitan Museum of Art notes that the number of extant versions suggests that this was one of Cranach's most successful compositions.
Law and Grace is considered one of the most important paintings by Lucas Cranach the Elder. This work, in the collection of the National Gallery in Prague, is one of the two oldest known versions of this theme, and was executed in 1529. It is also called the Prague type and provided the model for a series of other paintings including an early 16th-century copy that is also kept in the Prague National Gallery's collection of Old European art. It is the best-known and most influential allegory depicting the fundamental tenets of Luther's reform of the church.
The Dead Christ Mourned is an oil painting on canvas of c. 1604 by Annibale Carracci. It was in the Orleans Collection before arriving in Great Britain in 1798. In 1913 it was donated to the National Gallery, London, which describes it as "perhaps the most poignant image in [its] collection of the pietà – the lamentation over the dead Christ following his crucifixion – and one of the greatest expressions of grief in Baroque art".
Lamentation over the Dead Body of Christ is an oil painting on wood panel completed by a follower of the German Renaissance artist Lucas Cranach the Elder during the 1530s. It is considered to be among the most valued works of art to have been plundered from Polish collections during World War II.
Wittenberg Cranach Altarpiece is one of the major Lutheran winged altarpieces created by Lucas Cranach the Elder and his son Lucas Cranach the Younger for the Evangelical Lutheran City and Parish Church of St.Mary's in Wittenberg, Germany. The altarpiece depicts the key figures of the Lutheranism associated with the parish church of Wittenberg.
