Georgia Totto O'Keeffe was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived.
Alfred Stieglitz was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe.
Datura wrightii, commonly known as sacred datura, is a poisonous perennial plant species and ornamental flower of the family Solanaceae native to the Southwestern United States and northwestern Mexico. It is sometimes used as a hallucinogen due to its psychoactive alkaloids. D. wrightii is classified as an anticholinergic deliriant.
Barbara Buhler Lynes is an art historian, curator, professor, and preeminent scholar on the art and life of Georgia O'Keeffe. She retired on February 14, 2020 from her position as the Sunny Kaufman Senior Curator at the NSU Museum of Art in Fort Lauderdale, Florida to continue her scholarly work on O'Keeffe and American modernism. From 1999 to 2012, she served as the founding curator of the Georgia O'Keeffe Museum in Santa Fe, New Mexico, where she curated or oversaw more than thirty exhibitions of works by O'Keeffe and her contemporaries. Lynes was also the Founding Emily Fisher Landau Director of the Georgia O'Keeffe Museum Research Center from 2001 to 2012. Prior to her work at the Georgia O'Keeffe Museum, Lynes served as an independent consultant to the National Gallery of Art in Washington, D.C. from 1992 to 1999 and has taught art history at Vanderbilt University, Dartmouth College, Montgomery College, and the Maryland Institute College of Art (MICA).
Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.
The Georgia O'Keeffe Museum is dedicated to the artistic legacy of Georgia O'Keeffe, her life, American modernism, and public engagement. It opened on July 17, 1997, eleven years after the artist's death. It comprises multiple sites in two locations: Santa Fe, New Mexico, and Abiquiu, New Mexico. In addition to the founding Georgia O'Keeffe Museum in Santa Fe, the O'Keeffe includes: the Library and Archive within its research center at the historic A.M. Bergere house; the Education Annex for youth and public programming; Georgia O'Keeffe's historic Abiquiu Home and Studio; the O'Keeffe Welcome Center in Abiquiu; and Museum Stores in both Santa Fe and Abiquiu. Georgia O'Keeffe's additional home at the Ghost Ranch property is also part of the O'Keeffe Museum's assets, but is not open to the public.
Beatriz Milhazes is a Brazilian artist. She is known for her work juxtaposing Brazilian cultural imagery and references to western Modernist painting. Milhazes is a Brazilian-born collage artist and painter known for her large-scale works and vibrant colors. She has been called "Brazil's most successful contemporary painter."
Henrietta Mary Shore was a Canadian-born artist who was a pioneer of modernism. She lived a large part of her life in the United States, most notably California.
Agnes Lawrence Pelton (1881–1961) was a modernist painter who was born in Germany and moved to the United States as a child. She studied art in the United States and Europe. She made portraits of Pueblo Native Americans, desert landscapes and still lifes. Pelton's work evolved through at least three distinct themes: her early "Imaginative Paintings," art of the American Southwest people and landscape, and abstract art that reflected her spiritual beliefs. She was a first cousin of American sculptor Laura Gardin Fraser.
Katharine Nash Rhoades was an American painter, poet and illustrator born in New York City. She was also a feminist.
Helen S. "Reds" Torr (1886–1967) was an American early Modernist painter nicknamed "Reds" for her hair color. Torr worked alongside her artist husband Arthur Dove and friend Georgia O'Keeffe to develop a characteristically American style of Modernism in the 1920s.
Rebecca Salsbury James (1891–1968) was a self-taught American painter, born in London, England of American parents who were traveling with the Buffalo Bill Wild West Show. She settled in New York City, where she married photographer Paul Strand. Following her divorce from Strand, James moved to Taos, New Mexico where she fell in with a group that included Mabel Dodge Luhan, Dorothy Brett, and Frieda Lawrence. In 1937 she married William James, a businessman from Denver, Colorado who was then operating the Kit Carson Trading Company in Taos. She remained in Taos until her death in 1968.
Georgia O'Keeffe made a number of Red Canna paintings of the canna lily plant, first in watercolor, such as a red canna flower bouquet painted in 1915, but primarily abstract paintings of close-up images in oil. O'Keeffe said that she made the paintings to reflect the way she herself saw flowers, although others have called her depictions erotic, and compared them to female genitalia. O'Keeffe said they had misconstrued her intentions for doing her flower paintings: "Well – I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower – and I don't."
O’Keeffe at the University of Virginia, 1912–1914 is an exhibition of watercolors that Georgia O'Keeffe created over three summers in the early 20th century at the University of Virginia. Shown at the Georgia O'Keeffe Museum in Santa Fe, New Mexico, the exhibit opened November 4, 2016 and ran through September 10, 2017. A year later, on October 19, 2018, the exhibition opened at the Fralin Museum of Art on the grounds of the University of Virginia, where it remained on display until January 27, 2019.
The early works of American artist Georgia O'Keeffe are those made before she was introduced to the principles of Arthur Wesley Dow in 1912.
Black Iris, formerly called Black Iris III, is a 1926 oil painting by Georgia O'Keeffe. Art historian Linda Nochlin interpreted Black Iris as a morphological metaphor for female genitalia. O'Keeffe rejected such interpretations in a 1939 text accompanying an exhibition of her work, in which she wrote: "Well—I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don't." She attempted to do away with sexualized readings of her work by adding a lot of detail.
The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, which she painted from the mid-1920s through the 1950s. She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. One of her paintings, Jimson Weed, sold for $44.4 million, making it the most expensive painting sold of a female artist's work as of 2014.
Summer Days is a 1936 oil painting by the American 20th-century artist Georgia O'Keeffe. It depicts a buck deer skull with large antlers juxtaposed with a vibrant assortment of wildflowers hovering below. The skull and flowers are suspended over a mountainous desert landscape occupying the lower part of the composition. Summer Days is among several landscape paintings featuring animal skulls and inspired by New Mexico desert O'Keeffe completed between 1934 and 1936.
Constance Friess Holman was an American physician and civil rights activist. She practiced internal medicine in New York City, where she was "the first woman to become chief resident in medicine at New York Hospital".
