Park of the Laments | |
---|---|
Artist | Alfredo Jaar |
Year | 2010 |
Dimensions | 5,500 cm× 5,500 cm(2160 in× 2160 in) |
Location | Indianapolis Museum of Art, Indianapolis |
39°49′37.73″N86°11′18″W / 39.8271472°N 86.18833°W | |
Owner | Alfredo Jaar and Galerie Lelong |
Park of the Laments is a public artwork by Chilean artist Alfredo Jaar, located in the Virginia B. Fairbanks Art & Nature Park: 100 Acres, in Indianapolis, Indiana, United States. The artwork consists of an enclosed park space in the form of a square placed within a square, the inner parameter being made from limestone-filled gabion baskets, and the outer from indigenous trees and shrubs. [1] The park space is only accessible by a concrete enclosed tunnel. The installation has a landscape design that consists of over 3,000 individual plant species from 53 different genera. [2]
Park of the Laments is situated in the woodland area southeast of the lake in 100 acres. The overall form of the park is a square within a square—one is rigid and made of limestone-filled gabion baskets, while the other consists of indigenous trees and shrubs. Natural, minimalist wooden benches, made from kiln-treated poplar, are built into the edge of an amphitheater of stairs, vines, and stones. The viewer begins their experience by walking down a concrete platform flanked on both sides with limestone-filled gabion baskets and indigenous shrubbery. During their walk, the baskets become taller in the form of a progressive step system that correlates with the actual topography of the landscape; the minimum height is approximately 2 feet (0.61 m) and the maximum is about 12 feet (3.7 m). At that point, the viewer is taken underground through a dark, pre-cast concrete box culvert tunnel (made of nine individual segments, attached and mortared together) and directed towards the sunlit area on the other end of the tunnel. The entire length of the tunnel is approximately 72 feet (22 m) in length. The visitor then proceeds up the stairs to reach the enclosed park area, where no other portion of the Art & Nature Park is visible due to both the surrounding gabion baskets and natural woodlands. There the visitor may sit or interact with the space and be surrounded by over 53 different indigenous plant species located within the installation (more than 3,000 plants total).
The artwork was installed at the Indianapolis Museum of Art in May 2010. [3] Park of the Laments is a project that follows along the lines of Jaar's Public Intervention series in which the viewer/visitor is an active participant within the environment and contributes to the underlying theme or concept of the project. Visitors enter the work outside the park and continue through a tunnel. Moving towards the light, they approach stairs that lead them above ground into the center of the park where they are greeted by an isolated, calm, and secluded area conducive to meditation and lamentation. Like many of Jaar's Interventions, the intention of the space's design is to initiate a physical, emotional, and psychological journey within the viewer, ultimately drawing parallels between the experience of physical space and human emotion. [4]
Alfred Jaar (b. 1956) is an artist, architect, and filmmaker who lives and works in New York and was born in Santiago de Chile. He attended Instituto Chileno-Norteamericano de Cultura, Santiago (1979) and University of Chile (1981). In addition to Park of the Laments, Jaar has created more than sixty "Public Interventions" around the world. Alfredo Jaar incorporates photography, film, text, and sculpture into works that look at the relationship between ethics and aesthetics. His works draw from first-hand witness accounts and research on issues such as toxic waste in Africa, gold mining in Brazil, and genocide in Rwanda. [5] Jaar has received many awards, including a John D. and Catherine T. MacArthur Foundation Award (2000); a Louis Comfort Tiffany Foundation Award (1987); and fellowships from the National Endowment for the Arts (1987); and the John Simon Guggenheim Memorial Foundation (1985). He has had major exhibitions at the Museum of Fine Arts (Houston), Houston (2005); Museum of Contemporary Art of Rome (2005); MIT List Visual Arts Center, Cambridge, Massachusetts (1999); and the Museum of Contemporary Art, Chicago (1992).
James Turrell is an American artist known for his work within the Light and Space movement. He is considered the "master of light" often creating art installations that mix natural light with artificial color through openings in ceilings thereby transforming internal spaces by ever shifting and changing color.
The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a 152-acre (62 ha) campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It is located at the corner of North Michigan Road and West 38th Street, about three miles north of downtown Indianapolis, northwest of Crown Hill Cemetery. There are exhibitions, classes, tours, and events, many of which change seasonally. The entire campus and organization was previously referred to as the Indianapolis Museum of Art, but in 2017 the campus and organization were renamed "Newfields" as part of a branding campaign. The "Indianapolis Museum of Art" now specifically refers to the main art museum building that acts as the cornerstone of the campus, as well as the legal name of the organization doing business as Newfields.
Nancy Holt was an American artist most known for her public sculpture, installation art, concrete poetry, and land art. Throughout her career, Holt also produced works in other media, including film and photography. Since 2018, her legacy has been cared for by Holt/Smithson Foundation.
Oldfields, also known as Lilly House and Gardens, is a 26-acre (11 ha) historic estate and house museum at Newfields in Indianapolis, Indiana, United States. The estate, an example of the American country house movement of the late nineteenth and early twentieth centuries, was designated a U.S. National Historic Landmark in 2003.
The Sutphin Fountain is a fountain located at the Newfields campus, directly adjacent to the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. The granite and concrete fountain was designed by Stuart O. Dawson of Sasaki, Dawson, DeMay Associates, Inc. in 1972.
Alfredo Jaar is a Chilean-born artist, architect, photographer and filmmaker who lives in New York City. He is mostly known as an installation artist, often incorporating photography and covering socio-political issues and war—the best known perhaps being the 6-year-long The Rwanda Project about the 1994 Rwandan genocide. He has also made numerous public intervention works, like The Skoghall Konsthall one-day paper museum in Sweden, an early electronic billboard intervention A Logo For America, and The Cloud, a performance project on both sides of the Mexico-USA border. He has been featured on Art:21. He won the Hasselblad Award for 2020.
The Birch Bayh Federal Building and U.S. Courthouse, formerly known as the U.S. Courthouse and Post Office and as the Federal Building, is a courthouse of the United States District Court for the Southern District of Indiana, located in Indianapolis. It is a distinguished example of Beaux-Arts architecture, and was listed in the National Register of Historic Places in 1974. Constructed from 1902 to 1905, the United States District Court for the District of Indiana met here until it was subdivided in 1928; the United States Circuit Court for the District of Indiana met here until that court was abolished in 1912. It was listed on the National Register of Historic Places as "U.S. Courthouse and Post Office" in 1974. The courthouse was renamed in honor of Senator Birch Bayh in 2003.
American Bison, is a public sculpture by American wire sculptor William E. Arnold, located in Indianapolis, Indiana within White River State Park. The sculpture is a life-sized male bison constructed of barbed wire, densely coiled and woven. The figure is facing north and stands on a rough limestone block base. It is located on the west end of the Washington Street Bridge at the entrance to the Indianapolis Zoo. It is 5'9" in height, 7'2" in length and 2'2" in width. The barbed wire bison with the limestone pedestal weighs 17 tons.
Restful Place is a public artwork by Ho-Chunk artist Truman Lowe, located at Indianapolis Art Center in Indianapolis, Indiana, United States. Restful Place was installed as part of the Center's ARTSPARK initiative.
LOVE is an artwork by American pop artist Robert Indiana (1928–2018), located at the Indianapolis Museum of Art at Newfields in Indianapolis, Indiana, United States. It was created in 1970 as the first sculptural form of the artist's 1965 LOVE painting and has been on continuous exhibition at the Indianapolis Museum of Art since it was acquired in 1975.
Bench Around the Lake is a public artwork by Danish artist Jeppe Hein, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, in Indianapolis, Indiana, United States. The artwork consists of fifteen individually designed yellow interactive bench installations strategically placed throughout the park location. Some of the benches consist of multiple components or sections within one site.
Above and Below is an installation by American artist Maya Lin, the designer of the Vietnam Veterans Memorial in Washington, D.C. It is on display at and owned by the Indianapolis Museum of Art located in Indianapolis, Indiana, United States. The artwork was inspired by underground water systems in Indiana.
Stratum Pier is an interactive overlook by American artist Kendall Buster. The functional sculpture is located at the Indianapolis Museum of Art's 100 Acres: Virginia B. Fairbanks Art & Nature Park.
Eden II is a public artwork by the Finnish artist Tea Mäkipää, located on the grounds of the Indianapolis Museum of Art in Indianapolis, Indiana. It is a mixed-media installation, consisting of a derelict ship on the lake and a guardhouse and its equipment on the shore. It was commissioned in 2010 by the Indianapolis Museum of Art for its sculpture garden, known as the 100 Acres Park.
The Virginia B. Fairbanks Art & Nature Park: 100 Acres, also referred to as the 100 Acres or Fairbanks Park, is a public interactive art park located on the Newfields campus in Indianapolis, Indiana, United States.
Funky Bones is a public artwork by Atelier Van Lieshout, a Dutch artist collective led by Joep van Lieshout, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, which is on the grounds of Newfields in Indianapolis, Indiana, United States. The artwork, primarily made from fiberglass, consists of twenty white and black bone-shaped benches.
Indianapolis Island is a public artwork by American artist Andrea Zittel, located in the Virginia B. Fairbanks Art & Nature Park: 100 Acres, in Indianapolis, Indiana. The artwork consists of an inhabitable, white fiberglass structure that is mounted onto a floating dock system and installed in the park's lake. Each summer season it is occupied by resident(s) who can choose to modify the island's structure and interior design according to their own individual needs.
Free Basket is a public artwork by the Cuban artist group Los Carpinteros, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, in Indianapolis, Indiana, United States. The artwork is in the form of an international basketball court with twenty-four red or blue steel arches that travel throughout the court, mimicking the trajectory of two bouncing basketballs. Two of the arches terminate with their own regulation size basketball hoop, netting, and backboard.
The Marx Lounge is an art exhibition by the Chilean artist Alfredo Jaar. It was first presented at the Liverpool Biennial art exhibition in England in 2010 and was later shown at the Biennial again in 2016. The exhibit has subsequently been presented at the Stedelijk Museum Amsterdam's SMBA space and the Andalusian Center for Contemporary Art (CAAC). For the exhibition a large space was transformed into a red reading room with sofas, reading lamps and a large reading table on which a large collection of books was installed.
{{cite web}}
: CS1 maint: numeric names: authors list (link)