Funky Bones | |
---|---|
Artist | Atelier Van Lieshout |
Year | 2010 |
Type | sculpture, public art |
Medium | plywood, fiberglass |
Subject | skeleton |
Dimensions | 0.66 m× 12 m× 21 m(2.17 ft× 39 ft× 69 ft) |
Location | Indianapolis Museum of Art, Indianapolis |
39°49′38.78″N86°11′25.15″W / 39.8274389°N 86.1903194°W | |
Owner | Joep van Lieshout and Tanya Bonakdar Gallery |
Funky Bones is a public artwork by Atelier Van Lieshout, a Dutch artist collective led by Joep van Lieshout, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, which is on the grounds of Newfields in Indianapolis, Indiana, United States. The artwork, primarily made from fiberglass, consists of twenty white and black bone-shaped benches.
Funky Bones is situated in the Meadow region just south of the lake at 100 Acres. It is a site-specific artwork consisting of twenty white bone-shaped benches inscribed with black drawings of bones that together form a large stylized human skeleton. The artwork was constructed primarily from fiberglass, plywood, and concrete. Each bench is a fiberglass shell filled with a lightweight foam material. The fiberglass surface has been impregnated with pigment, carved, and coated in polyester resin. Plywood was used only during the detailing process of the black bone segments and is not visible in the completed artwork. The concrete component for this artwork is not visible but rather serves as a structural aid, anchoring and securing the individual benches into the ground. A standard ready-mix concrete was used for this application.
The skeleton is positioned with its arms spread out horizontally while the legs point straight down. The individual benches range in both length and width, but all are approximately 26 inches in height. The artwork was fabricated in Atelier Van Lieshout's studio in Rotterdam and shipped to the Indianapolis Museum of Art where it was installed by the design and installation crew. [1]
Funky Bones was installed at the Indianapolis Museum of Art in May 2010 and is currently on temporary loan. [2] The artwork arose from many disparate interests of Joep van Lieshout, the founder and head designer of AVL. These include human anatomy [3] and the history of the site. Concerning the original concept and inspiration behind Funky Bones, Joep van Lieshout stated:
I came up with [this] design that is not only a site specific artwork referring to the history of the continent, but also provides a function and will improve the stay of the park's visitors. Even as a child I knew the state Indiana and Indianapolis as an exotic place where the 'Indians' came from and were living, and even though this is not true, it is important for my proposition. Another field of interest is the history of art and especially in early developments of art from primitive and native cultures. In early art forms, techniques and skills were not so developed and the artworks were made in a very basic way, therefore art had a direct relation to the people, its time and environment. Native American art, design, and architecture produced beautiful artifacts, religion, and lifestyle, but after the appearance of the 'more advanced' culture from the east the original inhabitants were moved around and dispersed. The very few things that remained are their cultural heritage and artifacts scattered around. At this time of rapid production and consumption, their primitive lifestyle, close to nature, seems to become a necessary utopia. The dislocated Funky Bone benches installed in the park stand symbolic for the leftovers of their sold culture and the spread of Native Americans over the continent. [4]
In addition to resonating with the location's history, Funky Bones also has the functional purpose of providing an ideal spot for visitors to sit, picnic, lounge, or climb. [2] Joep van Lieshout observed visitors sitting on rocks during visits to the site, and decided to provide them with more comfortable seating arrangements in order to facilitate interaction, both among viewers as well as between viewer and art. [5] This degree of interactivity, and even fun, makes Funky Bones extremely child-friendly. [6]
Atelier Van Lieshout (AVL) is a multidisciplinary company that operates internationally in the field of contemporary art, design, and architecture. Joep van Lieshout (born 1963), founder of AVL, is a Dutch artist born in Ravenstein, The Netherlands. He received his formal education and training from the Academy of Modern Art in Rotterdam (1980–1985), Ateliers '63 in Haarlem (1985-1987), and from the Villa Arson in Nice, France (1987). Joep van Lieshout formed the AVL studio group in 1995 in Rotterdam, The Netherlands, where the company continues to design and fabricate their widely exhibited works. Atelier Van Lieshout has attained international recognition for objects-based projects that balance on the boundary between art, architecture and design.[ citation needed ] Recurring themes in the work of AVL include self-sufficiency, power, politics, and the more classical themes of life and death. [7] The name Atelier Van Lieshout emphasizes the fact that, although Joep van Lieshout founded and leads the collective, the work produced stems from the creative impulses of the entire team. [8]
For Funky Bones, AVL's most relevant recurring themes are domestication, politics, complex functioning systems, and the re-contextualization of familiar, domestic objects. The Atelier van Lieshout claims to make no distinction between "real artworks" and "just building something for someone." [9] The studio group focuses on creating artworks whose design principles challenge conventional ideas of utility and functionality by reinventing how the viewer perceives or approaches an object and the environment in which it is placed. This is achieved by the implementation of non-traditional materials and color palettes, odd or unusual subject matter, and through the strategic positioning or locale of the artwork. [9] Funky Bones is impossible to see in its entirety except at a distance, preferably from above. Moving close enough to actually interact with it produces an entirely different perspective. [3]
In general, the bones require regular cleaning in order to maintain their white color. Instrumental analysis involving the artwork's color and gloss levels has been recorded for future reference. [10]
In the 2012 novel The Fault in Our Stars , by Indianapolis-based author John Green, the sculpture is the location of a romantic picnic, having been picked by one of the characters as being the most Dutch place in Indianapolis. Funky Bones was recreated in Pittsburgh, Pennsylvania for the 2014 film adaptation. The replica was built by set designers, with help from the artist and Sarah Urist Green, wife of John Green, and former Curator of Contemporary Art at the Indianapolis Museum of Art. [11] In 2017, PopSugar named Funky Bones to its list of "22 Public Works of Art You Have to Visit in Your Lifetime". [12]
Municipal Museum Boijmans Van Beuningen is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from its two most important donors, Frans Jacob Otto Boijmans and Daniël George van Beuningen. The museum is located at the Museumpark in the district Rotterdam Centrum, close to the Kunsthal and the Natural History Museum.
The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a 152-acre (62 ha) campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It is located at the corner of North Michigan Road and West 38th Street, about three miles north of downtown Indianapolis, northwest of Crown Hill Cemetery. There are exhibitions, classes, tours, and events, many of which change seasonally. The entire campus and organization was previously referred to as the Indianapolis Museum of Art, but in 2017 the campus and organization were renamed "Newfields" as part of a branding campaign. The "Indianapolis Museum of Art" now specifically refers to the main art museum building that acts as the cornerstone of the campus, as well as the legal name of the organization doing business as Newfields.
The Willem de Kooning Academy is a Dutch academy of media, art, design, leisure and education based in Rotterdam. It was named after one of its most famous alumni, Dutch fine artist Willem de Kooning.
The Sutphin Fountain is a fountain located at the Newfields campus, directly adjacent to the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. The granite and concrete fountain was designed by Stuart O. Dawson of Sasaki, Dawson, DeMay Associates, Inc. in 1972.
Bench Around the Lake is a public artwork by Danish artist Jeppe Hein, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, in Indianapolis, Indiana, United States. The artwork consists of fifteen individually designed yellow interactive bench installations strategically placed throughout the park location. Some of the benches consist of multiple components or sections within one site.
Stratum Pier is an interactive overlook by American artist Kendall Buster. The functional sculpture is located at the Indianapolis Museum of Art's 100 Acres: Virginia B. Fairbanks Art & Nature Park.
La Hermana del Hombre Bóveda is a public artwork by Spanish artist Pablo Serrano, located at Newfields, the museum campus that houses the Indianapolis Museum of Art near downtown Indianapolis, Indiana. The artwork is an abstract bronze piece which tops a granite fountain.
Eden II is a public artwork by the Finnish artist Tea Mäkipää, located on the grounds of the Indianapolis Museum of Art in Indianapolis, Indiana. It is a mixed-media installation, consisting of a derelict ship on the lake and a guardhouse and its equipment on the shore. It was commissioned in 2010 by the Indianapolis Museum of Art for its sculpture garden, known as the 100 Acres Park.
The Virginia B. Fairbanks Art & Nature Park: 100 Acres, also referred to as the 100 Acres or Fairbanks Park, is a public interactive art park located on the Newfields campus in Indianapolis, Indiana, United States.
Team Building (Align) is a public artwork by American artist collective Type A, located on the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States. It was commissioned by the Indianapolis Museum of Art for their 100 Acres Park sculpture garden, which opened in 2010. It consists of two 30' aluminum rings suspending in midair, aligned such that their shadows merge at noon on the summer solstice.
Park of the Laments is a public artwork by Chilean artist Alfredo Jaar, located in the Virginia B. Fairbanks Art & Nature Park: 100 Acres, in Indianapolis, Indiana, United States. The artwork consists of an enclosed park space in the form of a square placed within a square, the inner parameter being made from limestone-filled gabion baskets, and the outer from indigenous trees and shrubs. The park space is only accessible by a concrete enclosed tunnel. The installation has a landscape design that consists of over 3,000 individual plant species from 53 different genera.
Indianapolis Island is a public artwork by American artist Andrea Zittel, located in the Virginia B. Fairbanks Art & Nature Park: 100 Acres, in Indianapolis, Indiana. The artwork consists of an inhabitable, white fiberglass structure that is mounted onto a floating dock system and installed in the park's lake. Each summer season it is occupied by resident(s) who can choose to modify the island's structure and interior design according to their own individual needs.
Free Basket is a public artwork by the Cuban artist group Los Carpinteros, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, in Indianapolis, Indiana, United States. The artwork is in the form of an international basketball court with twenty-four red or blue steel arches that travel throughout the court, mimicking the trajectory of two bouncing basketballs. Two of the arches terminate with their own regulation size basketball hoop, netting, and backboard.
Erik Gerardus Franciscus van Lieshout is a Dutch contemporary artist most widely known for his installations. In 2018, he won the Heineken Prize for Art.
Jeanne van Heeswijk is a Dutch visual artist and curator. Her work often focuses on social practice art, or the relationship between space, geography and urban renewal. She lives and works in Rotterdam in the Netherlands.
Joep van Lieshout, is a Dutch artist and sculptor born in Ravenstein, Netherlands, and founder of Atelier Van Lieshout (AVL).
The Hendrik Chabot Award is an annual award for visual artists presented by the Prins Bernhard Cultuurfonds, section South Holland. The prize ceremony is in the city hall of Rotterdam, where the prize is given by The Mayor of Rotterdam and the King's Commissioner in the province. The reward is named after the Rotterdam artist Hendrik Chabot.
The Netherlands Design Institute is a former institute for the promotion of design in the Netherlands. It was located in the premises of the former Museum Fodor at Keizersgracht in Amsterdam. Its mission was to stimulate high quality design in the Netherlands, to stimulating the interest in it, and to encouraging discussion about the profession.
Domestikator is a 2015 architectural sculpture by Atelier Van Lieshout. The work has been the subject of considerable controversy wherein on October 7, 2017 The President of the Louvre in Paris, France, Jean-Luc Martinez objected to the work in which two interlocking buildings appear to be engaged in a sexual act and pulled it from the exhibition Hors Les Murs, held in the Tuileries Garden where it would have been displayed nearby a playground and instead the work was displayed by the Centre Georges Pompidou in the front square outside of that art institution for a simultaneous run. Domestikator is a 2015 architectural sculpture created by the Dutch artist collective Atelier Van Lieshout, known for their provocative and often controversial works that blur the boundaries between art, architecture, and social commentary. Domestikator, in particular, attracted widespread attention and debate due to its provocative subject matter, which combines elements of sexuality, power dynamics, and urban design.