Louis Comfort Tiffany was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. He was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany.
Mary Dimmick Harrison was the second wife of Benjamin Harrison, the 23rd president of the United States. She was nearly 25 years younger than Harrison, and was the niece of his first wife.
The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a 152-acre (62 ha) campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It is located at the corner of North Michigan Road and West 38th Street, about three miles north of downtown Indianapolis, northwest of Crown Hill Cemetery. There are exhibitions, classes, tours, and events, many of which change seasonally. The entire campus and organization was previously referred to as the Indianapolis Museum of Art, but in 2017 the campus and organization were renamed "Newfields" to better reflect the breadth of offerings and venues. The "Indianapolis Museum of Art" now specifically refers to the main art museum building that acts as the cornerstone of the campus, as well as the legal name of the organization doing business as Newfields.
Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York City, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll, Agnes F. Northrop, and Frederick Wilson.
Brown Memorial Park Avenue Presbyterian Church of Baltimore, Maryland, U.S., is a large, Gothic Revival-style church built in 1870 and located at Park Avenue and Lafayette Avenue in the city's Bolton Hill neighborhood. Named in memory of a 19th-century Baltimore financier, the ornate church is noted for its exquisite stained glass windows by renowned artist Louis Comfort Tiffany, soaring vaulted ceiling, and the prominent persons associated with its history. Maltbie Babcock, who was the church's pastor 1887–1900, wrote the familiar hymn, This is My Father's World. Storied virtuoso concert performer Virgil Fox was organist at Brown Memorial early in his career (1936–1946).
Reid Memorial Presbyterian Church is an architecturally significant building located at 11th and North "A" Streets in Richmond, Indiana. Designed by the Cleveland, Ohio architectural partnership of Sidney Badgley and William H. Nicklas the building was begun in 1904 and dedicated on May 13, 1906. The building committee had visited the Badgley and Nicklas-designed St. Paul's Methodist Episcopal Church which had been built by the Clement Studebaker family in South Bend, Indiana and the two churches have strikingly similar design elements in the sanctuaries. Reid Church was paid for by Daniel G. Reid in memory of his parents Daniel Reid and Anna Gray Reid. The church interiors and windows were designed by Louis Comfort Tiffany and the Tiffany Studios. The original organ designed by Hook and Hastings is still in use, though it was rebuilt in 1958 by the Wicks Organ Company. The organ was featured with a recital during the Organ Historical Society's 2007 convention in Indianapolis.
Numbers 1-0 is a public artwork by the American artist Robert Indiana, located at the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983.
J&R Lamb Studios, America's oldest continuously-run decorative arts company, is famous as a stained glass maker, preceding the studios of both John LaFarge and Louis C. Tiffany.
William Willet was an American portrait painter, muralist, stained glass designer, studio owner and writer. An early proponent of the Gothic Revival and active in the "Early School" of American stained glass, he founded the Willet Stained Glass and Decorating Company, a stained glass studio, with his wife Anne Lee Willet, in protest against the opalescent pictorial windows which were the rage at the turn of the twentieth century.
Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913. Connick's work is contained in many preeminent churches and chapels, including examples in Boston, Chicago, Detroit, New York City, Pittsburgh, San Francisco, Seattle, and Washington, D.C. He also authored the book Adventures in Light and Color in 1937. Connick's studio continued to operate, and remained a leading producer of stained glass, until 1986.
The First Presbyterian Church in the City of Philadelphia, Pennsylvania, is located on 21st and Walnut Streets, built in an array of architectural styles of leading Philadelphia architects. The First Presbyterian Church is located within the Rittenhouse Fitler Historic District.
Red Kimono on the Roof is an oil painting by American artist John Sloan, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana, USA. Painted in 1912, its down-to-earth subject matter and execution make it an excellent example of the work of the Ashcan School, which was active in New York City in the early years of the twentieth century.
Alfred Godwin (1850–1934) was an English-born stained-glass artist, who settled in Philadelphia, Pennsylvania.
Helen Maitland Armstrong (1869–1948) was an American stained glass artist who worked both solo and in partnership with her father, Maitland Armstrong. Her work is considered among the finest produced in America in the late 19th and early 20th centuries.
Frederick Wilson was a British stained glass artist best known for his work with Tiffany Studios. He was a prominent designer of ecclesiastical windows in the United States during the late 19th and early 20th centuries.
Nicola D'Ascenzo was an Italian-born American stained glass designer, painter and instructor. He is best known for creating stained glass windows for the Washington Memorial Chapel in Valley Forge, Pennsylvania; the Nipper Building in Camden, New Jersey; the Loyola Alumni Chapel of Our Lady at Loyola University Maryland; the Folger Shakespeare Library and Washington National Cathedral, both in Washington, D.C.
Art Nouveau temples are churches, chapels, synagogues, and mosques built in the style known as Art Nouveau in French and English languages, Jugendstil in Germany and Nordic countries, Secessionsstil in countries of former Austro-Hungary, Modernisme in Catalan, Modern in Russian, Stile Liberty or Stile Floreale in Italian. As National Romantic style is also referred to Art Nouveau, churches of that style are also listed here, as well as some temples not of pure Art Nouveau style but with distinctive Art Nouveau features.
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware. Prominently makers, from the 1890s onwards, are in France René Lalique, Emile Gallé and the Daum brothers, the American Louis Comfort Tiffany, Christopher Dresser in Scotland and England, and Friedrich Zitzman, Karl Koepping and Max Ritter von Spaun in Germany. Art Nouveau glass included decorative objects, vases, lamps, and stained glass windows. It was usually made by hand, and was usually colored with metal oxides while in a molten state in a furnace.
Harrison Center is a community-based arts nonprofit based in the Old Northside Historic District of Indianapolis, Indiana, United States. The center hosts 36 artists in 24/7 studios, eight galleries, and serves 93,000 annually.
