Kara Elizabeth Walker is an American contemporary painter, silhouettist, print-maker, installation artist, filmmaker, and professor who explores race, gender, sexuality, violence, and identity in her work. She is best known for her room-size tableaux of black cut-paper silhouettes. Walker was awarded a MacArthur fellowship in 1997, at the age of 28, becoming one of the youngest ever recipients of the award. She has been the Tepper Chair in Visual Arts at the Mason Gross School of the Arts, Rutgers University since 2015.
Betye Irene Saar is an African-American artist known for her work in the medium of assemblage. Saar is a visual storyteller and an accomplished printmaker. Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political, as she challenged negative ideas about African Americans throughout her career; Saar is best known for her art work that critiques American racism toward Blacks.
The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a 152-acre (62 ha) campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It is located at the corner of North Michigan Road and West 38th Street, about three miles north of downtown Indianapolis, northwest of Crown Hill Cemetery. There are exhibitions, classes, tours, and events, many of which change seasonally. The entire campus was previously referred to as the Indianapolis Museum of Art, but in 2017 the campus and organization were renamed "Newfields" to better reflect the breadth of offerings and venues. The "Indianapolis Museum of Art" now specifically refers to the main art museum building that acts as the cornerstone of the campus, as well as the legal name of the organization doing business as Newfields.
Camille Utterback is an interactive installation artist. Initially trained as a painter, her work is at the intersection of painting and interactive art. One of her most well-known installations is the work Text Rain (1999).
Numbers 1-0 is a public artwork by the American artist Robert Indiana, located at the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983.
Snowplow is an abstract outdoor sculpture by American artist Mark di Suvero located on the grounds of the Indianapolis Museum of Art. The sculpture was purchased in 1975 by the Indianapolis Sesquicentennial Commission and first installed in Indianapolis, Indiana in 1977.
Portrait of History, a public sculpture by Chinese American artists Zhou Brothers, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. The sculpture is located at the Blackford Street entrance to the Herron School of Art and Design. This piece is one of four public artworks on loan from the Indianapolis Museum of Art to IUPUI. The artworks were moved to the campus on March 22, 2009. Portrait of History is a bronze sculpture measuring 100 x 24 x 30 in and is mounted on an oval cement base.
Two Figures is a bronze sculpture by the English sculptor Barbara Hepworth, which was cast in an edition of seven copies. One of these is located at Newfields, the campus that also houses the Indianapolis Museum of Art in Indianapolis, Indiana. Other casts are at Southampton University, the Fred Jones Jr. Museum of Art at the University of Oklahoma, Commonwealth Park in Canberra Australia, and the Hakone Open-Air Museum, Hakone, Japan. The series were cast at the Morris Singer Foundry in London from 1968 onwards. Another cast of this work could also be found at the University of Birmingham Vale site, but is no longer present as of January 2, 2012.
Nymph and Fawn is a public artwork by American artist Isidore Konti and located within the Oldfields–Lilly House & Gardens estate on the grounds of the Indianapolis Museum of Art (IMA), near Indianapolis, Indiana. Created in 1917, the bronze sculpture is also a working fountain. It portrays a female nude pouring water from an urn while standing beside a small fawn.
Bench Around the Lake is a public artwork by Danish artist Jeppe Hein, located in the 100 Acres: The Virginia B. Fairbanks Art and Nature Park, in Indianapolis, Indiana, United States. The artwork consists of fifteen individually designed yellow interactive bench installations strategically placed throughout the park location. Some of the benches consist of multiple components or sections within one site.
Above and Below is an installation by American artist Maya Lin, the designer of the Vietnam Veterans Memorial in Washington, D.C. It is on display at and owned by the Indianapolis Museum of Art located in Indianapolis, Indiana, United States. The artwork was inspired by underground water systems in Indiana.
Mother and Child is a public artwork by the Russian-British artist Dora Gordine, located at the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. The cast bronze artwork was created in 1964 and portrays a woman kneeling beside a small child, both figures displaying joyful poses and expressions.
The Three Graces is a nearly life-size, figurative Carrara marble outdoor sculpture group located on the historic Oldfields estate on the campus of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana. The neoclassical marble sculpture depicts the Three Graces, minor goddesses of the Greco-Roman pantheon. The group consists of three women frontally oriented, standing in a row upon a base. The sculpture is modeled after a c. 1797 sculpture by Antonio Canova.
Acton is an artwork created by American artist James Turrell in 1976, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States of America. It consists of two rooms with an aperture between them, carefully illuminated such that the rectangular hole appears to be a flat, gray canvas until closer inspection reveals its three-dimensional nature.
Red Kimono on the Roof is an oil painting by American artist John Sloan, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana, USA. Painted in 1912, its down-to-earth subject matter and execution make it an excellent example of the work of the Ashcan School, which was active in New York City in the early years of the twentieth century.
Angel of the Resurrection is a massive stained glass window by the American Art Nouveau glass manufacturer Tiffany Studios, now in the collection of the Indianapolis Museum of Art (IMA). It was commissioned by former-First Lady Mary Dimmick Harrison as a memorial to her husband, President Benjamin Harrison. Completed in 1904, the window depicts the Archangel Michael calling for the dead to rise at the Second Coming.
The Seamstress is an 1893 oil painting by French artist Édouard Vuillard, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It is a small, intimate image of a woman sewing.
The House of the Deaf Woman and the Belfry at Eragny is an 1886 oil painting by French artist Camille Pissarro, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It is a view of Pissarro's neighbor's yard in Eragny, created during his brief period of experimentation with pointillism.
Rebecca and Eliezer at the Well is an oil painting by Italian artist Carlo Maratta, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It shows the story of Abraham's servant Eliezer giving Rebecca jewels to seal her betrothal to Isaac, after she had demonstrated the kindness foreseen by Abraham in offering water to Eliezer's camels.
A Subtlety is a 2014 piece of installation art by American artist Kara Walker. A Subtlety was dominated by its central piece, a white sculpture depicting a woman with African features in the shape of a sphinx, but also included fifteen other sculptures. These fifteen "attendants" to the sphinx were enlarged versions of contemporary blackamoors produced in China.
