The Senufo people, also known as Siena, Senefo, Sene, Senoufo, and Syénambélé, are a West African ethnolinguistic group. They consist of diverse subgroups living in a region spanning the northern Ivory Coast, the southeastern Mali and the western Burkina Faso. One sub-group, the Nafana, is found in north-western Ghana.
A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment, and often employed for rituals and rites. Masks have been used since antiquity for both ceremonial and practical purposes, as well as in the performing arts and for entertainment. They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body.
The Krahn are an ethnic group of Liberia and Ivory Coast. This group belongs to the Kru language family and its people are sometimes referred to as the Wee, Guéré, Sapo, or Wobe. It is likely that Western contact with the Kru language is the primary reason for the development of these different names.
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as: African-American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
The Baule or Baoulé are a Akan people and one of the largest ethnicities in Côte d'Ivoire. The Baoulé are traditionally farmers who live in the centre of Côte d'Ivoire, in a French braid shaped region between the rivers Bandama and N'Zi. This area broadly encompasses the regions around the cities of Bouaké and Yamoussoukro. The Baoulé have come to play a relatively important role in the recent history of Côte d'Ivoire: the State's first President, Félix Houphouët-Boigny, was a Baoulé; additionally, since the Ivorian cocoa boom of the 1960-1970s, the Baoulé have also become one of the most widespread ethnicities throughout the country, especially in the Southern forests where they are amongst the most numerous planters of cocoa, rubber, and coffee and sometimes seem to outnumber the local native ethnic groups.
The Bassa people are a West African ethnic group primarily native to Liberia. The Bassa people are a subgroup of the larger Kru people of Liberia and Ivory Coast. They form a majority or a significant minority in Liberia's Grand Bassa, Rivercess, Margibi and Montserrado counties. In Liberia's capital of Monrovia, they are the largest ethnic group. With an overall population of about 1.05 million, they are the second largest ethnic group in Liberia (18%), after the Kpelle people (26%). Small Bassa communities are also found in Sierra Leone and Ivory Coast.
The Yaka are an African ethnic group found in southwestern Democratic Republic of the Congo, with Angola border to their west. They number about 300,000 and are related to the Suku people. They live in the forest and savanna region between the Kwango River and the Wamba River. They speak the Yaka language).
The Grebo or Glebo people are an ethnic group or subgroup within the larger Kru group of Africa, a language and cultural ethnicity, and to certain of its constituent elements. Within Liberia members of this group are found primarily in Maryland County and Grand Kru County in the southeastern portion of the country, but also in River Gee County and Sinoe County. The Grebo population in Côte d'Ivoire are known as the Krumen and are found in the southwestern corner of that country.
The Dan are a Mande ethnic group from northwestern Ivory Coast and neighboring Liberia. There are approximately 700,000 members of the group and their largest settlement is Man, Ivory Coast. Neighboring peoples include the Krahn, Kpelle and Mano. They are officially known as Yacouba in Ivory Coast.
Traditional African masks play an important role in ceremonies, rituals, and masquerades across West, Central, and Southern Africa. Ceremonies in which masks are worn include harvest celebrations, funerals, rites of passage, weddings, and coronations. In some societies, masks and masquerades are also used to settle disputes and communal conflicts.
Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
Female Herm and Male Herm are a set of two neoclassical marble herms in the outdoor sculpture collection of the historic Oldfields estate, located on the campus of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana. Together the herms depict either Dionysus and a Maenad or a dryad and a satyr.
Healing of Abiku Children is a piece created by the Nigerian artist Twins Seven-Seven in 1973, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States of America. It consists of a large wooden plaque intricately carved and dyed with pigment to depict an important Yoruba ceremony. In it, a mother consults with a priest to keep her abiku twins in this world, rather than dying and being reborn to her over and over.
Kuba art comprises a diverse array of media, much of which was created for the courts of chiefs and kings of the Kuba Kingdom. Such work often featured decorations, incorporating cowrie shells and animal skins as symbols of wealth, prestige and power. Masks are also important to the Kuba. They are used both in the rituals of the court and in the initiation of boys into adulthood, as well as at funerals. The Kuba produce embroidered raffia textiles which in the past was made for adornment, woven currency, or as tributary goods for funerals and other seminal occasions. The wealth and power of the court system allowed the Kuba to develop a class of professional artisans who worked primarily for the courts but also produced objects of high quality for other individuals of high status.
This Magbo helmet mask for an Oro society member was created by Yoruba artist Onabanjo of Itu Meko. It is currently located in the African collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Created around 1880-1910, it depicts a varied cast of community members carved of wood, colored with pigment, and mounted on a curved bar surmounting the helmet.
This wooden female ancestor figure by an unknown Senufo artisan is part of the African collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Carved in the first half of the 20th century, it displays the artist's skill with form and respect for the powerful female half of the primordial couple.
Masks are the most important art form of the Dan people of Liberia. The Dan people refer to these masks as gle or ge, terms that refers both to the physical mask and the individual spirits the mask is believed to embody during masquerade performances.
N'tomo masks are used by the Bambara people of West Africa. There are six male initiation societies that young males must pass through before becoming a man. N'tomo Dyo is the first of these through which boys pass before their circumcision. The mask represents the legendary ancestor of the Bambara and it is a symbol of protection.
Harrison Eiteljorg was an American philanthropist, businessman, and patron of the arts. The Eiteljorg Museum of American Indians and Western Art was named after him for his donation of visual arts by indigenous peoples of the Americas and Western American paintings and sculptures. Until his death in 1997, Eiteljorg served as chairman of the museum's board.
Holly Wilson is a Native American artist from Oklahoma. She is an enrolled member of the Delaware Nation and is of Cherokee descent.
