Dora Gordine was an Estonian Jewish Modernist figurative and portraitist sculptor. Her early career was influenced by the Noor Eesti group of artists who favoured Art Nouveau. She moved to Paris and on her third marriage, to Hon. Richard Hare (1907–66), her career expanded to the extent that some critics regarded her as amongst the finest sculptors of her generation. She specialized in portrait sculptures attracting international admirers from the political, social, artistic, literary and theatrical worlds. Her legacy also includes a number of public space pieces. Her latter career was not as prolific or as fêted and Gordine was relatively unknown at the time of her death. Major exhibitions in London in 2006 and 2009 have revived her standing and her former home is now a museum.
Numbers 1-0 is a public artwork by the American artist Robert Indiana, located at the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983.
Snowplow is an abstract outdoor sculpture by American artist Mark di Suvero located on the grounds of the Indianapolis Museum of Art. The sculpture was purchased in 1975 by the Indianapolis Sesquicentennial Commission and first installed in Indianapolis, Indiana in 1977.
Mother's Helper is a public sculpture by American artist Derek Chalfant located on the Indiana University – Purdue University Indianapolis (IUPUI) campus near downtown Indianapolis, Indiana. The piece is located in a small alcove near the ramp to the west entrance of the Joseph T. Taylor Hall at 815 W. Michigan Street.
Portrait of History, a public sculpture by Chinese American artists Zhou Brothers, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. The sculpture is located at the Blackford Street entrance to the Herron School of Art and Design. This piece is one of four public artworks on loan from the Indianapolis Museum of Art to IUPUI. The artworks were moved to the campus on March 22, 2009. Portrait of History is a bronze sculpture measuring 100 x 24 x 30 in and is mounted on an oval cement base.
Coal Miner is a public artwork by Polish American artist John J. Szaton (1907–1966) which is located in two US State capitals; the original, commissioned in 1963 in Springfield, Illinois, as well as a copy on the west lawn of the Indiana State House in Indianapolis The statues commemorate coal miners who had lost their lives in those states' mining industry. The 7-foot (2.1 m) tall statue rests on a 3-foot (0.91 m) square, granite base supported by a cement foundation that is 4–6 inches (100–150 mm) thick.
Two Figures is a bronze sculpture by the English sculptor Barbara Hepworth, which was cast in an edition of seven copies. One of these is located at Newfields, the campus that also houses the Indianapolis Museum of Art in Indianapolis, Indiana. Other casts are at Southampton University, the Fred Jones Jr. Museum of Art at the University of Oklahoma, Commonwealth Park in Canberra Australia, and the Hakone Open-Air Museum, Hakone, Japan. The series were cast at the Morris Singer Foundry in London from 1968 onwards. Another cast of this work could also be found at the University of Birmingham Vale site, but is no longer present as of January 2, 2012.
Stumbling Man is an outdoor sculpture by American artist David K. Rubins (1902–1985) located on the grounds of the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. The sculpture is cast bronze and is in the shape of a man crouched upon the ground.
Sundial, Boy With Spider is an outdoor sculpture and functional sundial by American artist Willard Dryden Paddock (1873–1956). It is located within the Oldfields estate on the grounds of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana, United States. The bronze sculpture, cast by the Gorham Manufacturing Company, depicts a boy sitting cross-legged with an open scroll in his lap.
Nymph and Fawn is a public artwork by American artist Isidore Konti and located within the Oldfields–Lilly House & Gardens estate on the grounds of the Indianapolis Museum of Art (IMA), near Indianapolis, Indiana. Created in 1917, the bronze sculpture is also a working fountain. It portrays a female nude pouring water from an urn while standing beside a small fawn.
LOVE is an artwork by American pop artist Robert Indiana (1928–2018), located at the Indianapolis Museum of Art at Newfields in Indianapolis, Indiana, United States. It was created in 1970 as the first sculptural form of the artist's 1965 LOVE painting and has been on continuous exhibition at the Indianapolis Museum of Art since it was acquired in 1975.
La Hermana del Hombre Bóveda is a public artwork by Spanish artist Pablo Serrano, located at Newfields, the museum campus that houses the Indianapolis Museum of Art near downtown Indianapolis, Indiana. The artwork is an abstract bronze piece which tops a granite fountain.
The Three Graces is a nearly life-size, figurative Carrara marble outdoor sculpture group located on the historic Oldfields estate on the campus of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana. The neoclassical marble sculpture depicts the Three Graces, minor goddesses of the Greco-Roman pantheon. The group consists of three women frontally oriented, standing in a row upon a base. The sculpture is modeled after a c. 1797 sculpture by Antonio Canova.
Female Herm and Male Herm are a set of two neoclassical marble herms in the outdoor sculpture collection of the historic Oldfields estate, located on the campus of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana. Together the herms depict either Dionysus and a Maenad or a dryad and a satyr.
Memories of Prague is a public artwork by American artist David Louis Rodgers, the Indianapolis Museum of Art at Newfields (IMA), which is near downtown Indianapolis, Indiana.
The Four Seasons are a set of four stone allegorical putti, each representing a traditional, temperate season. These are a part of the outdoor sculpture collection of the historic Oldfields estate, located on the campus of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana.
Healing of Abiku Children is a piece created by the Nigerian artist Twins Seven-Seven in 1973, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States of America. It consists of a large wooden plaque intricately carved and dyed with pigment to depict an important Yoruba ceremony. In it, a mother consults with a priest to keep her abiku twins in this world, rather than dying and being reborn to her over and over.
This wooden female ancestor figure by an unknown Senufo artisan is part of the African collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Carved in the first half of the 20th century, it displays the artist's skill with form and respect for the powerful female half of the primordial couple.
Family Group is a sculpture by Henry Moore. It was his first large-scale bronze sculpture, and his first large bronze with multiple castings. Made for Barclay School in Stevenage, it evolved from drawings in the 1930s, through a series of models to bronze castings in 1950–51. It also one of the last important sculptures that Moore developed from preliminary drawings: in future, he worked mainly from found objects, maquettes and models.
