| Crucifixion | |
|---|---|
 | |
| Artist | Barnaba da Modena |
| Year | 1375 |
| Type | Tempera and gold on panel |
| Dimensions | 100 cm× 67 cm(41 in× 26.5 in) |
| Location | Indianapolis Museum of Art, Indianapolis |
Crucifixion is a 1375 panel painting by Italian artist Barnaba da Modena, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts the crucifixion of Jesus in tempera and gold. [1]
There is a distinct division in this image between the celestial upper half and the heavy, earthbound lower half. [1] The upper section is serene, with a gold background enveloping Jesus, the good thief (whose soul is being borne up to Heaven), and the bad thief (whose soul is being torn out by demons). The bottom part of the panel, however, is crammed full of figures and narratives. A swooning Mary is supported by attendants, including John. Mary Magdalene and a boy to quench Jesus' thirst with vinegar stand at the foot of the cross. To the right, soldiers gamble for the clothes of the condemned. Just above them rides Pontius Pilate. His banner is emblazoned with S.P.Q.R., standing for Rome, while above Jesus' head is the mocking I.N.R.I. This clash of old and new in their respective standards reiterates the divided nature of the painting. [2]
Although Modena used a conservative style, his figures are highly expressive. His ability to create such lively, emotive figures made him the foremost painter in late fourteenth century Genoa. [3]
The IMA acquired Crucifixion in 1924, courtesy of the James E. Roberts Fund. It has the accession number 24.5. [3]
The Last Supper is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John – specifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.
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Crucifixion is an ancient method of execution.
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Jacobello del Fiore was a Venetian painter in the late fourteenth century and early fifteenth century. His early work is in the Late Gothic style popularized by Altichiero da Verona and Jacopo Avanzi, two of his contemporaries, while his mature work displays a local Venetian style established by the school of Paolo Veneziano, an artist and workshop proprietor with notable Byzantine inspiration in his work. This stylistic return to his roots sets him apart from Niccolò di Pietro and Zanino di Pietro, Venetian contemporaries he is often associated with. During his lifetime, he received commissions primarily on the Adriatic coast and in Venice.
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The Crucifixion and Last Judgement diptych consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop. This diptych is one of the early Northern Renaissance oil-on-panel masterpieces, renowned for its unusually complex and highly detailed iconography, and for the technical skill evident in its completion. It was executed in a miniature format; the panels are just 56.5 cm (22.2 in) high by 19.7 cm (7.8 in) wide. The diptych was probably commissioned for private devotion.
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Rebecca and Eliezer at the Well is an oil painting by Italian artist Carlo Maratta, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It shows the story of Abraham's servant Eliezer giving Rebecca jewels to seal her betrothal to Isaac, after she had demonstrated the kindness foreseen by Abraham in offering water to Eliezer's camels.
Entry of Christ into Jerusalem is an 1125 fresco by the Master of San Baudelio de Berlanga, originally located at San Baudelio de Berlanga but now on display in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Christ and seven disciples entering Jerusalem to the acclaim of its inhabitants.
Triptych of the Annunciation is a 1483 triptych by the Flemish artist known only as the Master of the Legend of Saint Ursula, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts the Annunciation on the central panel, while the surrounding panels and the outside of the wings are covered in various pairs of male saints.
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The Crucifixion is an egg tempera painting created by Ioannis Moskos. Moskos was a Greek painter originally from Crete. He migrated to Venice. Two other painters named Moskos were active during the same period. Their names were Elias Moskos and Leos Moskos. Leos and Ioannis were both in Venice during the same period. Ioannis was a member of the Late Cretan School. He was active from 1650 to 1721. Forty-four of his paintings survived.
The Crucifixion is a tempera painting by Konstantinos Paleokapas. Paleokapas was a Greek painter from the island of Crete. He was active during the early part of the 1600s. Six of his works survived, four are signed. The Crucifixion is one of the most popular events in human history. The scene has been duplicated countless times. Many crucifixion paintings were created by painters from the island of Crete. Some painters included El Greco, Andreas Pavias, Georgios Markazinis and Ioannis Moskos. Paleokapas created his own version of the popular subject. His crucifixion painting followed the prototype of many other paintings thematically. He added both the dice players and the resurrection of the dead. Andreas Pavias’s The Crucifixion (Pavias) and Margkazinis’s The Crucifixion (Margkazinis) both feature the popular pictorial representation of Mathews gospel. Paleokapas’s Crucifixion is located at the Gonia Monastery in Crete.