The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
Willem Claesz. Heda was a Dutch Golden Age artist from the city of Haarlem devoted exclusively to the painting of still life. He is known for his innovation of the late breakfast genre of still life painting.
Kraak ware or Kraak porcelain is a type of Chinese export porcelain produced mainly in the late Ming Dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). It was among the first Chinese export wares to arrive in Europe in mass quantities, and was frequently featured in Dutch Golden Age paintings of still life subjects with foreign luxuries.
Municipal Museum Boijmans Van Beuningen is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from the two most important collectors of Frans Jacob Otto Boijmans and Daniël George van Beuningen. It is located at the Museumpark in the district Rotterdam Centrum, close to the Kunsthal and the Natural History Museum.
Abraham Hendriksz van Beijeren or Abraham van Beyeren was a Dutch Baroque painter of still lifes. Little recognized in his day and initially active as a marine painter, he is now considered one of the most important painters of still lifes, and still lifes of fish and so-called 'pronkstillevens', i.e. sumptuous still lifes of luxurious objects.
Adriaen van Utrecht was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders. The two artists are considered the main inventors of the genre of the pronkstillevens, i.e. still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals. Van Utrecht also painted a number of flower still lifes. He was a regular collaborator with leading Antwerp painters who had been pupils or assistants of Peter Paul Rubens, such as Jacob Jordaens, David Teniers the Younger, Erasmus Quellinus II, Gerard Seghers, Theodoor Rombouts, Abraham van Diepenbeeck and Thomas Willeboirts Bosschaert.
Willem Kalf was one of the most prominent Dutch still-life painters of the 17th century, the Dutch Golden Age. We first get acquainted with Willem Kalf through Arnold Houbraken, in his Groot Schilderboek, who speaks very highly of him. In fact, Kalf was a highly regarded and celebrated artist during his own lifetime. This was due to his extensive art knowledge and what we gain from Houbraken, his affable personality. His claim to fame now rests mostly on his mature still lifes, pronkstilleven in Dutch, which feature the most exotic and luxurious objects. This can be seen in for example, Still life with nautilus beaker and porcelain lidded bowl from 1662, which became an iconic piece of western art.
Hubert Vos was a Dutch painter who was born Josephus Hubertus Vos in Maastricht. He studied at the Académie Royale des Beaux-Arts in Brussels and with Fernand Cormon in Paris. He exhibited widely in Paris, Amsterdam, Brussels, Dresden and Munich. From 1885 to 1892, he worked in England, where he exhibited at the Royal Academy between 1888 and 1891. He was a member of the Royal Society of British Artists.
Osias Beert or Osias Beert the Elder was a Flemish painter active in Antwerp who played an important role in the early development of flower and "breakfast"-type still lifes as independent genres in Northern European art. He has been recognized as one of the most influential artists of the earliest generation of still life painters in Flanders. He contributed in particular to the development of still lifes placed on table tops featuring festive culinary delights as well as of sumptuous floral bouquets, typically displayed in Wan Li vases.
Chinese porcelain in European painting is known from the 16th century, following the importation of Chinese porcelain wares into Europe.
Pronkstilleven is a style of ornate still life painting, which was developed in the 1640s in Antwerp from where it spread quickly to the Dutch Republic.
Battle Between Carnival and Lent is an oil painting by Dutch artist Jan Miense Molenaer, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Painted roughly 1633–1634, it depicts a brawl between rowdy peasants, representing Carnival, and a group of monks, representing Lent. The rowdy combatants are armed with comical implements representing their sides, such as a peasant with a beer tankard battling a monk armed with fish.
This covered jar with a carp design is a piece of porcelain from the Jiajing period of the Ming Dynasty in China, currently located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Created between 1522 and 1566, it is exceptionally large and elaborate and would have been a source of great prestige for its owner.
The shigaraki ware storage jar is part of the Japanese collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Created in about 1550, during the Muromachi period, it was at some point broken, which would severely limit its utility. However, it was carefully preserved through the centuries as an art object.
This vase with a nine peach design is part of the Chinese collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States. It is a fine piece of Jingdezhen porcelain with overglaze decoration dating from the Qianlong period of the Qing dynasty, so it was made between 1736 and 1795.
The Fondation Custodia is an art collection in the 7th arrondissement of Paris, focusing on European Old Master works, including works by Dutch, Flemish, Italian and French artists. It was founded in 1947 by the collector and art historian Frits Lugt and his wife Jacoba Lugt-Klever to house their collection of drawings, prints and paintings. Located at 121 rue de Lille, it occupies the Hôtel Turgot, an 18th-century mansion.
Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels, the event celebrated on Palm Sunday.
The Suermondt-Ludwig-Museum is an art museum in Aachen, Germany. Founded in 1877, its collection includes works by Aelbrecht Bouts, Joos van Cleve, Anthony van Dyck, Otto Dix and Max Beckmann.
Still Life with Cheeses, Almonds and Pretzels is a painting by the Dutch artist Clara Peeters, c. 1615. It is a still life, painted in oils on a wooden panel, measuring 34.5 cm × 49.5 cm. Peeters has painted her signature in the handle of the silver bridal knife. The painting is displayed in the Mauritshuis museum in The Hague.
Baron Willem van Dedem, also styled as Willem, Baron van Dedem, (1929–2015) was a Dutch businessman, art collector, art historian and philanthropist. He donated artworks to the National Gallery in London, the Rijksmuseum and the Mauritshuis.
