Georgia Totto O'Keeffe was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived.
Charles Henry Buckius Demuth was an American painter who specialized in watercolors and turned to oils late in his career, developing a style of painting known as Precisionism.
Kemper Museum of Contemporary Art opened in 1994 in Kansas City, Missouri. With a $5 million annual budget and approximately 75,000 visitors each year, it is Missouri's first and largest contemporary museum.
The Amon Carter Museum of American Art (ACMAA) is located in Fort Worth, Texas, in the city's cultural district. The museum's permanent collection features paintings, photography, sculpture, and works on paper by leading artists working in the United States and its North American territories in the nineteenth and twentieth centuries. The greatest concentration of works falls into the period from the 1820s through the 1940s. Photographs, prints, and other works on paper produced up to the present day are also an area of strength in the museum's holdings.
In art, a cloudscape is the depiction of a view of clouds or the sky. Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance. The terms cloudscape and skyscape are sometimes used interchangeably, although a skyscape does not necessarily require a view of clouds.
Judith Slaying Holofernes is a painting by the Italian early Baroque artist Artemisia Gentileschi, completed in 1612-13 and now at the Museo Capodimonte, Naples, Italy. The picture is considered one of her iconic works. The canvas shows Judith beheading Holofernes. The subject takes an episode from the apocryphal Book of Judith in the Old Testament, which recounts the assassination of the Assyrian general Holofernes by the Israelite heroine Judith. The painting shows the moment when Judith, helped by her maidservant Abra, beheads the general after he has fallen asleep in a drunken stupor. She painted a second version now in the Uffizi, Florence, somewhere between 1613 and 1621.
Venus and Cupid (Sleeping Venus) is a circa 1626 painting by Artemisia Gentileschi in the Virginia Museum of Fine Arts. Venus and Cupid is a depiction of a sleeping Venus, who reclines on a blue bed covering and rich crimson and gold tasseled pillow. She wears nothing except a thin wisp of transparent linen around her thigh. Her son Cupid fans her with richly colored peacock feathers as she drifts to sleep. He is gazing at her with an adored, raptured expression. In the background, there is a window looking out onto a moonlight landscape where a temple to the goddess lies. Venus's face has full cheeks, heavy lids, a prominent nose, and small protruding chin—all features of Gentileschi's own face. The body movements are natural: Venus's hand rests lightly on her side, her legs are gently laid together. The work blends together realism and classicism through its iconography and the artist's style.
Oriental Poppies, also called Red Poppies, is a 1927 oil-on-canvas painting by Georgia O'Keeffe. It is a close-up of two Papaver orientale flowers that fill the entire canvas.
Georgia O'Keeffe made a number of Red Canna paintings of the canna lily plant, first in watercolor, such as a red canna flower bouquet painted in 1915, but primarily abstract paintings of close-up images in oil. O'Keeffe said that she made the paintings to reflect the way she herself saw flowers, although others have called her depictions erotic, and compared them to female genitalia. O'Keeffe said they had misconstrued her intentions for doing her flower paintings: "Well – I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower – and I don't."
O’Keeffe at the University of Virginia, 1912–1914 is an exhibition of watercolors that Georgia O'Keeffe created over three summers in the early 20th century at the University of Virginia. Shown at the Georgia O'Keeffe Museum in Santa Fe, New Mexico, the exhibit opened November 4, 2016 and ran through September 10, 2017. A year later, on October 19, 2018, the exhibition opened at the Fralin Museum of Art on the grounds of the University of Virginia, where it remained on display until January 27, 2019.
The Flag is a painting by Georgia O'Keeffe (1918), that represents her anxiety about her brother being sent to fight in Europe during World War I, a war that was particularly controversial and dangerous due to its use of new modern weapons and tactics, like the machine gun, mustard gas, naval mines and torpedoes, high-powered artillery guns, and combat aircraft. Due to government restrictions on the freedom of speech included in the Espionage Act of 1917 the painting was not displayed until 1968. It is in the collection of the Milwaukee Art Museum.
The early works of American artist Georgia O'Keeffe are those made before she was introduced to the principles of Arthur Wesley Dow in 1912.
Black Iris, sometimes called Black Iris III, is a 1926 oil painting by Georgia O'Keeffe. Art historian Linda Nochlin interpreted Black Iris as a morphological metaphor for female genitalia. O'Keeffe rejected such interpretations in a 1939 text accompanying an exhibition of her work by writing: "Well—I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don't." She attempted to do away with sexualized readings of her work by adding a lot of detail.
Blue is the name of four paintings that Georgia O'Keeffe made in 1916. It was one of the sets of watercolors that she made exploring a monochromatic palette with designs that were non-representational of specific objects. The paintings were made on 15+7⁄8-by-11-inch sheets of Japanese tissue of the gampi tree.
Georgia O'Keeffe created a series of paintings of skyscrapers in New York City between 1925 and 1929. They were made after O'Keeffe moved with her new husband into an apartment on the 30th floor of the Shelton Hotel, which gave her expansive views of all but the west side of the city. She expressed her appreciation of the city's early skyscrapers that were built by the end of the 1920s. One of her most notable works, which demonstrates her skill at depicting the buildings in the Precisionist style, is the Radiator Building—Night, New York, of the American Radiator Building.
Georgia O'Keeffe made a set of paintings of Palo Duro Canyon while working as a department head and art instructor at West Texas State Normal College. The vibrant paintings reflect her development as an Abstract Expressionist, influenced by Arthur Wesley Dow.
The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, which she painted from the mid-1920s through the 1950s. She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. One of her paintings, Jimson Weed, sold for $44.4 million, making it the most expensive painting sold of a female artist's work as of 2014.
Sarah Ann Lillie Hardinge was a self-taught painter whose watercolors of Texas, painted between 1852 and 1856, provide rare, early pictorial documentation of the territory. She is among the earliest female painters to depict the state. She later patented a photo-finishing process called Pearletta Pictures.
Ida Ten Eyck O'Keeffe was an American visual artist known for oil paintings, watercolors, and monotypes. She was the younger sister of painter Georgia O'Keeffe.
Sky Above Clouds (1962–1965) is a series of seven cloudscape paintings by American artist Georgia O'Keeffe (1887–1986), completed at her home in Abiquiu, New Mexico, during her late period. Only four of the seven paintings share the same motif–a pink sky above the horizon with patches of cloudlets below it, progressing from smaller to larger canvases. The motif was influenced by her frequent air travel during the 1950s and early 1960s when she flew around the world. Sky above Clouds IV, the fourth version in the shared motif of the series, is eight feet high and 24 feet wide. It is the largest painting ever created by the artist, accomplished at the age of 77. Two of the seven paintings in the series are held by private collectors, while the rest are found in the National Gallery of Art, the Georgia O'Keeffe Museum, and the Art Institute of Chicago.
