Wittenberg Cranach Altarpiece | |
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Artist | Lucas Cranach the Elder and Lucas Cranach the Younger |
Year | 1547 |
Medium | Oil on hardwood |
Movement | German Renaissance |
Dimensions | 103.5 cm× 233 cm(40.7 in× 92 in) |
Location | Wittenberg |
Owner | Evangelical Lutheran City and Parish Church of St.Mary's in Wittenberg |
Wittenberg Cranach Altarpiece (or Reformation Altarpiece) is one of the major Lutheran winged altarpieces created by Lucas Cranach the Elder and his son Lucas Cranach the Younger for the Evangelical Lutheran City and Parish Church of St. Mary's in Wittenberg, Germany. The altarpiece depicts the key figures of Lutheranism associated with the parish church of Wittenberg. [1]
The Schneeberg Altarpiece, Weimar Altarpiece and Gotha Altarpiece are other important examples of the relatively small number of attempts to continue the tradition of the altarpiece giving an explicitly Lutheran interpretation. This phase was mostly finished by 1555.
The triptych altarpiece was installed at the high altar of the Wittenberg City Parish Church of St. Mary's in 1547, one year after Luther's death, and it is believed to be consecrated by Johannes Bugenhagen, who was the pastor at St. Mary's church in Wittenberg and a good friend of Martin Luther. [2] Lucas Cranach the Elder designed the altar and painted most of the front panel, while his son Lucas Cranach the Younger painted the panels on the back and finished his father's work on the front. The altarpiece was restored in 2016. [3]
The Wittenberg altarpiece is a visualization of several major principles of the Protestant Reformation, and serves as a portrayal of Lutheran sacramental theology. On the front, the middle panel and the inner two wings depict the three sacraments recognized by Luther, namely the Baptism, Eucharist and Absolution. The frontal middle panel depicts Jesus Christ instituting the Lord's Supper with Martin Luther portrayed as one of the apostles, and sitting next to Luther on the left is the printer Hans Lufft, who published the Luther Bible. In the left inner wing, Philipp Melanchthon baptizes a baby, in accordance with the Lutheran affirmation of infant baptism, assisted by two godparents; the godfather depicted on the left is Lucas Cranach the Elder. [4] The inner right panel depicts Johannes Bugenhagen, the pastor of this church at the time of the painting, absolving one man's sins (referred to as the Office of the Keys), and excluding another man who is impenitent. On the predella, Martin Luther is shown delivering a sermon and preaching the Word of God, a central tenet of Reformation, with crucified Christ depicted in the middle in reference to Christocentric nature of the new faith; Luther's wife Katharina von Bora is shown among the congregants. On the back panel, the risen Christ in glory is depicted in the middle, with side panels depicting the Old Testament narratives of Abraham's sacrifice and Moses with the Brazen Serpent. [5]
Philip Melanchthon was a German Lutheran reformer, collaborator with Martin Luther, the first systematic theologian of the Protestant Reformation, an intellectual leader of the Lutheran Reformation, and influential designer of educational systems.
Wittenberg, is the fourth-largest town in Saxony-Anhalt, Germany. Wittenberg is situated on the River Elbe, 60 kilometers (37 mi) north of Leipzig and 90 kilometers (56 mi) south-west of Berlin, and has a population of 46,008 (2018).
Lucas Cranach the Younger was a German Renaissance painter and portraitist, the son of Lucas Cranach the Elder and brother of Hans Cranach.
Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion.
Martin Bucer was a German Protestant reformer based in Strasbourg who influenced Lutheran, Calvinist, and Anglican doctrines and practices. Bucer was originally a member of the Dominican Order, but after meeting and being influenced by Martin Luther in 1518 he arranged for his monastic vows to be annulled. He then began to work for the Reformation, with the support of Franz von Sickingen.
Katharina von Bora, after her wedding Katharina Luther, also referred to as "die Lutherin", was the wife of the German reformer Martin Luther and a seminal figure of the Protestant Reformation. Although little is known about her, she is often considered to have been important to the Reformation, her marriage setting a precedent for Protestant family life and clerical marriage.
Crypto-Calvinism is a pejorative term describing a segment of those members of the Lutheran Church in Germany who were accused of secretly subscribing to Calvinist doctrine of the Eucharist in the decades immediately after the death of Martin Luther in 1546. It denotes what was seen as a hidden Calvinist belief, i.e., the doctrines of John Calvin, by members of the Lutheran Church. The term crypto-Calvinist in Lutheranism was preceded by terms Zwinglian and Sacramentarian. Also, Jansenism has been accused of crypto-Calvinism by Roman Catholics.
Johannes Bugenhagen, also called Doctor Pomeranus by Martin Luther, was a German theologian and Lutheran priest who introduced the Protestant Reformation in the Duchy of Pomerania and Denmark in the 16th century. Among his major accomplishments was organization of Lutheran churches in Northern Germany and Scandinavia. He has also been called the "Second Apostle of the North".
The Protestant Reformation during the 16th century in Europe almost entirely rejected the existing tradition of Catholic art, and very often destroyed as much of it as it could reach. A new artistic tradition developed, producing far smaller quantities of art that followed Protestant agendas and diverged drastically from the southern European tradition and the humanist art produced during the High Renaissance. The Lutheran churches, as they developed, accepted a limited role for larger works of art in churches, and also encouraged prints and book illustrations. Calvinists remained steadfastly opposed to art in churches, and suspicious of small printed images of religious subjects, though generally fully accepting secular images in their homes.
All Saints' Church, commonly referred to as Schlosskirche to distinguish it from the Stadtkirche of St. Mary's, sometimes known as the Reformation Memorial Church, is a Lutheran church in Wittenberg, Saxony-Anhalt, Germany. It is the site where, according to Philip Melanchthon, the Ninety-five Theses were posted by Martin Luther in 1517, launching the beginning of the Protestant Reformation.
Johannes Aepinus (1499–1553) was a German Lutheran theologian, the first Superintendent of Hamburg from 1532 to 1553, presiding as spiritual leader over the Lutheran state church of Hamburg.
The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome.
After Luther's objections to large public religious images had started to fade, Lucas Cranach the Elder, along with his son and workshop began to work on a number of altarpieces of the Last Supper, among other subjects.
The Stadt- und Pfarrkirche St. Marien zu Wittenberg is the civic church of the German town of Lutherstadt Wittenberg. The reformers Martin Luther and Johannes Bugenhagen preached there and the building also saw the first celebration of the mass in German rather than Latin and the first ever distribution of the bread and wine to the congregation – it is thus considered the mother-church of the Protestant Reformation. In 1996, it was inscribed on the UNESCO World Heritage List along with Castle Church of All Saints (Schlosskirche), the Lutherhaus, the Melanchthonhaus, and Martin Luther's birth house and death house in Eisleben, because of its religious significance and testimony to the lasting, global influence of Protestantism.
Elisabeth Cruciger, a German writer, was the first female poet and hymnwriter of the Protestant Reformation and a friend of Martin Luther.
Lutheran art consists of all religious art produced for Lutherans and the Lutheran churches. This includes sculpture, painting, and architecture. Artwork in the Lutheran churches arose as a distinct marker of the faith during the Reformation era and attempted to illustrate, supplement and portray in tangible form the teachings of Lutheran theology.
Gregor Brück (1485–1557) was a 16th-century figure of the Reformation, and Saxon Chancellor. He is also known by his latinised name Gregorius Pontanus. His role in the early 16th century in Germany, as legal advisor to Martin Luther, may be said to earn him the title of Lawyer of the Reformation. Although now much forgotten or unknown, his contribution to European history was almost certainly world-changing.
Law and Grace is considered one of the most important paintings by Lucas Cranach the Elder. This work, in the collection of the National Gallery in Prague, is one of the two oldest known versions of this theme and was executed in 1529. It is also called the Prague type and provided the model for a series of other paintings including an early-16th-century copy that is also kept in the Prague National Gallery's collection of Old European art. It is the best-known and most influential allegory depicting the fundamental tenets of Luther's reform of the church.
The Schneeberg Altarpiece is a Lutheran winged altarpiece created in 1539 by Lucas Cranach the Elder for the Church of St. Wolfgang in Schneeberg in Saxony, Germany. The altarpiece was commissioned in 1531–1532 by the Elector of Saxony John I of Saxony and installed in the church in 1539, making it the first Protestant altarpiece of Reformation which is considered a Saxon masterpiece of art.
Weimar Cranach Altarpiece is a Lutheran winged altarpiece created by Lucas Cranach the Elder and his son Lucas Cranach the Younger between 1552 and 1555 for the Church of St. Peter und Paul in Weimar, Germany.