The Lomellini Family

Last updated

The Lomellini Family
Anthony van Dyck - The Lomellini Family.jpg
Artist Anthony van Dyck
Yearc.1625–1627
Medium Oil on canvas
Dimensions269 cm× 254 cm(106 in× 100 in)
Location Scottish National Gallery, Edinburgh

The Lomellini Family is a portrait painting by the Flemish Baroque painter Anthony van Dyck. A group portrait of a landed Genoese family, it is in the Scottish National Gallery in Edinburgh.

Contents

Painting

Van Dyck spent the years 1621–1627 in the city of Genoa, painting portraits for the city's wealthiest and most prominent patrons. This work is considered his grandest and most encompassing. It was commissioned by Giacomo Lomellini, the Doge of Genoa, and depicts his family, though he himself does not appear in the work. This is because incumbent doges were forbidden from being depicted, to prevent self-promotion. Lomellini's two eldest sons stand next to his second wife, and to her left are their two youngest children. [1] It was acquired by the Royal Institution in 1830, and transferred to the gallery in 1859. [2]

See also

Related Research Articles

<span class="mw-page-title-main">Scottish National Gallery</span> Part of National Galleries Scotland in Edinburgh

The National is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859.

<span class="mw-page-title-main">Anthony van Dyck</span> Flemish Baroque artist (1599–1641)

Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.

<span class="mw-page-title-main">Bernardo Strozzi</span> Italian painter (c. 1581–1644)

Bernardo Strozzi, named il Cappuccino and il Prete Genovese, was an Italian Baroque painter and engraver. A canvas and fresco artist, his wide subject range included history, allegorical, genre and portrait paintings as well as still lifes. Born and initially mainly active in Genoa, he worked in Venice in the latter part of his career. His work exercised considerable influence on artistic developments in both cities. He is considered a principal founder of the Venetian Baroque style. His powerful art stands out by its rich and glowing colour and broad, energetic brushstrokes.

<span class="mw-page-title-main">Gonzales Coques</span> Flemish painter (c. 1616–1684)

Gonzales Coques was a Flemish painter of portraits and history paintings. Because of his artistic proximity to and emulation with Anthony van Dyck he received the nickname de kleine van Dyck. Coques was also active as an art dealer.

<span class="mw-page-title-main">Cornelius Johnson (artist)</span> English painter (1593–1661)

Cornelius Johnson or Cornelis Janssens van Ceulen was an English painter of portraits of Dutch or Flemish parentage. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died.

<span class="mw-page-title-main">Cornelis de Wael</span> Flemish painter

Cornelis de Wael was a Flemish painter, engraver and merchant who was primarily active in Genoa in Italy. He is known for his genre paintings, battle scenes, history paintings and still lifes. Through his art work, support for Flemish painters working in Italy and role as an art dealer, he played an important role in the artistic exchange between Italy and Flanders in the first half of the 17th century. His work also had an influence on local painters such as Alessandro Magnasco, particularly through his scenes of despair and irony.

<i>Equestrian Portrait of Charles I</i> Painting by Anthony van Dyck

The Equestrian Portrait of Charles I is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.

<i>Charles I with M. de St Antoine</i> Painting by Anthony van Dyck

Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.

<span class="mw-page-title-main">Jan Roos (painter)</span> Flemish painter active in Genoa (1591–1638)

Jan Roos, was a Flemish artist who, after training in Antwerp, mainly worked in Italy where he was called Giovanni Rosa. He was known for his still life paintings of flowers and vegetables, mythological and religious scenes and portraits. His style of still life painting had an important influence on the art of the local painters of the Genoese school.

<i>Saint Martin Dividing his Cloak</i> (van Dyck) Painting by Anthony van Dyck

St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.

<span class="mw-page-title-main">Guilliam van Deynum</span>

Guilliam van Deynum or Guilliam van Deynen was a Flemish painter, illuminator and miniaturist. He was mainly a portrait artist. After training in Antwerp he spent in the early 17th century a decade in Genoa where he was a successful portrait painter. He returned to Flanders where he worked in Brussels as a portrait painter to the Governors of the Habsburg Netherlands Archduke Albert and the Infanta Isabella.

<span class="mw-page-title-main">Jan Hovaert</span>

Jan Hovaert or Giovanni Hovart was a Flemish painter who after training in Antwerp spent his known active career in Italy. He was initially a collaborator in the studio of the de Wael brothers in Genoa and later developed an independent practice. While he appears to have enjoyed the patronage of the nobility of Genoa, the scope of his oeuvre is not very well understood. A few portraits and a history painting have been attributed to him.

<i>Lord John Stuart and His Brother, Lord Bernard Stuart</i> Painting by Anthony van Dyck

Lord John Stuart and His Brother, Lord Bernard Stuart is a large oil painting by Anthony van Dyck, executed c. 1638. The life-size double portrait depicts the two youngest sons of Esmé Stewart, 3rd Duke of Lennox: Lord John Stewart (1621–1644) and Lord Bernard Stuart (1622–1645), aged about 17 and 16 respectively. The painting measures 237.5 cm × 146.1 cm, and has been in the collection of the National Gallery, London, since 1988.

<i>Portrait of a Lady Holding a Fan</i> Painting by Artemisia Gentileschi

Portrait of a Lady Holding a Fan is a painting by the Italian artist Artemisia Gentileschi. Executed in the mid-1620s, it is part of the collection of The Sovereign Military Order of Malta. There is no firm idea who the sitter is, although some historians have wondered if the portrait is indeed a self-portrait. However, given the rich clothing and jewellery of the sitter, this is unlikely.

<span class="mw-page-title-main">Giacomo Lomellini</span> Doge of the Republic of Genoa

Giacomo Lomellini was the 97th Doge of the Republic of Genoa.

Delia Mary, Lady Millar C.V.O., was the wife of the British art historian and Surveyor of the Queen’s Pictures, Sir Oliver Nicholas Millar and an art historian in her own right. A specialist in the art of the Victorian era, she was appointed Commander of the Royal Victorian Order in recognition of her services to the Royal Collection.

<span class="mw-page-title-main">Margaret Lemon</span> English artists model (born c. 1614)

Margaret Lemon was an English artist's model. She was the most painted female commoner of the seventeenth century, and she was the partner of Anthony van Dyck.

<span class="mw-page-title-main">Palazzo Giacomo Lomellini</span> Palace in Genoa, Italy

The Palazzo Giacomo Lomellini, also known as the Palazzo Patrone, is a building located in Largo Zecca at number 2 in Genoa, included on 13 July 2006 in the list of the 42 palaces inscribed in the Rolli di Genova that became World Heritage by UNESCO on that date.

<span class="mw-page-title-main">Palazzo Gio Vincenzo Imperiale</span> Palace in Genoa, Italy

The Palazzo Vincenzo Imperiale is a building in Campetto at number 8a, in the area of the Soziglia Market in the historical centre of Genoa. The building was included in the list of palaces included in the Rolli di Genova, UNESCO World Heritage List sites. Designed and decorated in the second half of the 16th century by Giovan Battista Castello, it constitutes one of the major Mannerist creations in Liguria.

Lomellini is an Italian surname of Genoese origin.

References

  1. The Lomellini Family, National Galleries Scotland , retrieved 30 August 2021
  2. The Lomellini Family, Art UK , retrieved 30 August 2021