Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
Anne-Louis Girodet de Roussy-Trioson, also known as Anne-Louis Girodet-Trioson or simply Girodet, was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
The Death of Marat is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. Art historian T. J. Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it".
Louis Nicolas Philippe Auguste, comte de Forbin was the French painter and antiquary who succeeded Vivant Denon as curator of the Musée du Louvre and the other museums of France.
The Salon d'Hercule is on the first floor of the Château de Versailles and connects the Royal Chapel in the North Wing of the château with the grand appartement du roi.
Alexandre-Évariste Coccinelle Fragonard was a French painter and sculptor in the troubadour style. He received his first training from his father and drew from him his piquant subjects and great facility, perfecting them under Jacques-Louis David. His parents were Jean-Honoré Fragonard and Marie-Anne Fragonard.
Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1793), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.
The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome.
The Coronation of Napoleon is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 10 metres (33 ft) wide by a little over 6 metres (20 ft) tall. The work is on display at the Louvre Museum in Paris.
Michelle Sentuary, married name Jean-Cyrille Guesnon de Bonneuil, was a French overseas agent during the French Revolution and First French Empire. Inspiring André Chénier and others, she was a lady "celebrated for her beauty and her agreeable spirit" according to the formula of Charles de Lacretelle himself a friend of Chénier. She stands for thousands of women in modern and contemporary historiography, and has had several biographies in biographical dictionaries. She was the mother of Amédée Despans-Cubières.
Charles François de Riffardeau, marquis, then duc de Rivière was French ambassador to the Sublime Porte of the Ottoman Empire, 1815–1821, for which service he was made duc in 1825. He played a role in getting the Venus de Milo for the Musée du Louvre.
Léon Matthieu Cochereau was a French painter.
Leonidas at Thermopylae is an oil-on-canvas painting by French artist Jacques-Louis David. The work currently hangs in the Louvre in Paris, France. David completed the massive work 15 years after he began, working on it from 1799 to 1803 and again in 1813–1814. Leonidas at Thermopylae was purchased, along with The Intervention of the Sabine Women, in November 1819 for 100,000 francs by Louis XVIII, the king of France. The piece depicts the Spartan king Leonidas prior to the Battle of Thermopylae. David's pupil Georges Rouget collaborated on it.
The Galerie des Batailles is a gallery occupying the first floor of the Aile du Midi of the Palace of Versailles, joining onto the grand and petit appartement de la reine. 120 m (390 ft) long and 13 m (43 ft) wide, it is an epigone of the grand gallery of the Louvre and was intended to glorify French military history from the Battle of Tolbiac to the Battle of Wagram.
Erasistratus Discovering the Cause of Antiochus' Disease is a 1774 oil painting by French neoclassical artist Jacques-Louis David. The work is a history painting depicting an episode from Plutarch's Lives in which Greek court physician Erasistratus diagnoses the illness of Antiochus, the son of Seleucus I, as lovesickness for his stepmother Stratonice. The painting was awarded the 1774 Prix de Rome by the Académie royale de peinture et de sculpture.
Pierre-François Berruer was a French sculptor. He is known for the twelve statues that decorate the front of the Grand Théâtre de Bordeaux.
Christ on the Cross is a 1782 oil-on-canvas painting by the French Neoclassical artist Jacques-Louis David. It was commissioned by marshal Louis de Noailles and his wife Catherine de Cossé-Brissac for their family chapel in the église des Capucins in Paris. One of David's few religious works, it is now in the église Saint-Vincent in Mâcon.
Minerva Fighting Mars is an oil-on-canvas painting created in 1771 by Jacques-Louis David and now in the Louvre.
Portrait of Alphonse Leroy is a 1783 oil-on-canvas portrait of doctor and man-midwife Alphonse Leroy by the French Neoclassical artist Jacques-Louis David. It is now in the Musée Fabre in Montpellier, which bought it in 1829.
Jules Jean-Baptiste François de Chardebœuf, Comte de Pradel was a French nobleman and government official.
