Louis XIII Crowned by Victory is a 1635 oil on canvas painting by Philippe de Champaigne. [1] [2] Probably commissioned by Cardinal Richelieu, it shows Louis XIII, King of France, crowned by a personification of Victory to mark his forces' victory in the Siege of La Rochelle. Since 1796 it has been in the Louvre, in Paris. [3] [4]
The House of Bourbon is a dynasty that originated in the Kingdom of France as a branch of the Capetian dynasty, the royal House of France. Bourbon kings first ruled France and Navarre in the 16th century. A branch descended from the French Bourbons came to rule Spain in the 18th century and is the current Spanish royal family. Further branches, descended from the Spanish Bourbons, held thrones in Naples, Sicily, and Parma. Today, Spain and Luxembourg have monarchs of the House of Bourbon. The royal Bourbons originated in 1272, when Robert, the youngest son of King Louis IX of France, married the heiress of the lordship of Bourbon. The house continued for three centuries as a cadet branch, serving as nobles under the direct Capetian and Valois kings.
The Palace of Versailles is a former royal residence commissioned by King Louis XIV located in Versailles, about 11 miles (18 km) west of Paris, France.
Poitou was a province of west-central France whose capital city was Poitiers. Both Poitou and Poitiers are named after the Pictones Gallic tribe.
Louis XIII was King of France from 1610 until his death in 1643 and King of Navarre from 1610 to 1620, when the crown of Navarre was merged with the French crown.
Anne of Austria was Queen of France from 1615 to 1643 by marriage to King Louis XIII. She was also Queen of Navarre until the kingdom's annexation into the French crown in 1620. After her husband's death, Anne was regent to her son Louis XIV during his minority until 1651.
Louis II de Bourbon, Prince of Condé, known as le Grand Condé, was a French military commander. A brilliant tactician and strategist, he is regarded as one of France's greatest generals, particularly celebrated for his triumphs in the Thirty Years' War and his campaigns during the Franco-Dutch War.
The Louis d'or is any number of French coins first introduced by Louis XIII in 1640. The name derives from the depiction of the portrait of King Louis on one side of the coin; the French royal coat of arms is on the reverse. The coin was replaced by the French franc at the time of the revolution and later the similarly valued Napoléon. The actual value of the coins fluctuated according to monetary and fiscal policy, but in 1726 the value was stabilized.
Duke of Orléans was a French royal title usually granted by the King of France to one of his close relatives, or otherwise inherited through the male line. First created in 1344 by King Philip VI for his younger son Philip, the title was recreated by King Charles VI for his younger brother Louis, who passed the title on to his son and then to his grandson, the latter becoming King Louis XII. The title was created and recreated six times in total, until 1661, when Louis XIV bestowed it upon his younger brother Philippe, who passed it on to his male descendants, who became known as the "Orléans branch" of the Bourbons.
The Siege of La Rochelle was a result of a war between the French royal forces of Louis XIII of France and the Huguenots of La Rochelle in 1627–1628. The siege marked the height of the struggle between the Catholics and the Protestants in France, and ended with a complete victory for King Louis XIII and the Catholics.
Louis II was Duke of Anjou and Count of Provence from 1384 to 1417; he claimed the Kingdom of Naples, but only ruled parts of the kingdom from 1390 to 1399. His father, Louis I of Anjou—the founder of the House of Valois-Anjou—was a younger son of King John II of France and the adopted son of Queen Joanna I of Naples. When his father died during a military campaign in Naples in 1384, Louis II was still a child. He inherited Anjou from his father, but his mother, Marie of Blois, could not convince his uncles, John, Duke of Berry and Philip II, Duke of Burgundy, to continue her husband's war for Naples. The Provençal nobles and towns refused to acknowledge Louis II as their lawful ruler, but Marie of Blois persuaded them one after another to swear fealty to him between 1385 and 1387.
The Napoleon Tiara was a papal tiara given to Pope Pius VII in June 1805 a few months after he presided at the coronation of Napoleon I. While lavishly decorated with jewels, it was deliberately too small and heavy to be worn and meant as an insult to the Pope. In the painting of The Coronation of Napoleon by Jacques-Louis David, the tiara is held behind the Pope by one of his aides.
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris.
Located at 6, rue Notre-Dame-des-Victoires, in the 2nd arrondissement of Paris, The Basilica of Notre-Dame-des-Victoires is one of ten minor basilicas located in the Île-de-France region of France. It was begun as an Abbey church, and constructed between 1629 and 1740 in the French classical style. Its name was given by King Louis XIII, who dedicated it to his victory over the Protestants at La Rochelle in 1628 during the French Wars of Religion. Notre-Dame-des-Victoires is famous for the ex voto offerings left there by the faithful. Over 37,000 devotional plaques, silver and gold hearts, as well as military decorations, have been left at the basilica. The closest Métro station is 'Bourse'.
The First French Empire, officially the French Republic, then the French Empire after 1809 and also known as Napoleonic France, was the empire ruled by Napoleon Bonaparte, who established French hegemony over much of continental Europe at the beginning of the 19th century. It lasted from 18 May 1804 to 3 May 1814 and again briefly from 20 March 1815 to 7 July 1815, when Napoleon was exiled to St. Helena.
The Huguenot rebellions, sometimes called the Rohan Wars after the Huguenot leader Henri de Rohan, were a series of rebellions of the 1620s in which French Calvinist Protestants (Huguenots), mainly located in southwestern France, revolted against royal authority. The uprising occurred a decade after the death of Henry IV who, himself originally a Huguenot before converting to Catholicism, had protected Protestants through the Edict of Nantes. His successor Louis XIII, under the regency of his Italian Catholic mother Marie de' Medici, became more intolerant of Protestantism. The Huguenots responded by establishing independent political and military structures, establishing diplomatic contacts with foreign powers, and openly revolting against central power. The Huguenot rebellions came after two decades of internal peace under Henry IV, following the intermittent French Wars of Religion of 1562–1598.
The History of Constantine is a series of tapestries designed by the Flemish artist Peter Paul Rubens and Italian artist Pietro da Cortona depicting the life of Constantine I, the first Christian Roman emperor. In 1622, Rubens painted the first twelve oil sketches that were used as guides, and the tapestries themselves were woven in the workshop of Marc Comans and François de la Planche in the Faubourg Saint-Marcel in Paris by 1625, transforming each small sketch into a sumptuous creation of wool, silk, and gold and silver threads that could easily fill a wall. An additional five designs were painted by Cortona in 1630 and woven in the atelier of Cardinal Francesco Barberini in Rome over the next decade.
Events of the year 1610 in France.
Allegory of Wealth is a circa 1640 painting by the French Baroque artist Simon Vouet. Allegory of Wealth is its traditional title, though Nicolas Milovanovic argues that it should instead be entitled Allegory of Contempt for Wealth and the Louvre entitles it Allegory of Faith and of Contempt for Wealth.
Events from the year 1621 in France.
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