Nicolas Poussin was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
Et in Arcadia ego is a 1637–38 painting by Nicolas Poussin (1594–1665), the leading painter of the classical French Baroque style. It depicts a pastoral scene with idealized shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes the Latin inscription "Et in Arcadia ego", which is translated to "Even in Arcadia, there am I" or "I too was in Arcadia". Poussin also painted another version of the subject in 1627 under the same title.
Gaspard Dughet, also known as Gaspard Poussin, was a French painter born in Rome.
The Glass House, or Johnson house, is a historic house museum on Ponus Ridge Road in New Canaan, Connecticut, built in 1948–49. It was designed by architect Philip Johnson as his own residence. It has been called his "signature work".
Events from the year 1648 in art.
Nicolas Chaperon was a French painter, draughtsman and engraver, a student in Paris of Simon Vouet whose style he adopted before he was further matured by his stay in Rome (1642–51) in the studio of Nicolas Poussin.
Landscape with the Ashes of Phocion is a 1648 painting, also known as Landscape with the Ashes of Phocion (Collected by His Widow) and The Ashes of Phocion Collected by his Widow, by French artist Nicolas Poussin. Phocion was an Athenian statesman from the 4th century BC.
Landscape with Polyphemus is a 1649 oil painting by French artist Nicolas Poussin. It is held in the Hermitage Museum, in Saint Petersburg.
Armand Jean de Vignerot du Plessis, 2nd Duke of Richelieu, was a French naval officer and nobleman. His surname has also been spelled Vignerod Duplessis.
The Four Seasons was the last set of four oil paintings completed by the French painter Nicolas Poussin (1594–1665). The set was painted in Rome between 1660 and 1664 for the Duc de Richelieu, the grand-nephew of Cardinal Richelieu. Each painting is an elegiac landscape with Old Testament figures conveying the different seasons and times of the day. Executed when the artist was in failing health suffering from a tremor in his hands, the Seasons are a philosophical reflection on the order in the natural world. The iconography evokes not only the Christian themes of death and resurrection but also the pagan imagery of classical antiquity: the poetic worlds of Milton's Paradise Lost and Virgil's Georgics. The paintings currently hang in a room on their own in the Louvre in Paris.
By his absolute humility, by his effacement of himself, by his refusal to use any tricks or overstate himself, Poussin has succeeded in identifying himself with nature, conceived as a manifestation of the divine reason. The Seasons are among the supreme examples of pantheistic landscape painting.
Jamais peut-être, dans toute la peinture occidentale, des choses aussi nombreuses et parfois si difficiles n'avaient été dites avec une telle simplicité. Jamais un peintre ne s'était aussi pleinement identifié à l'ordre du monde. Mais cette identification n'est ni « une projection » ni une confidence : là est le sens de cette impersonalité que l'on a pu reprocher à Poussin, et qui fait sa grandeur.
Jean Lemaire (1598–1659) was a French painter. He is also known as Lemaire-Poussin, due to his frequent close collaborations with Nicolas Poussin. He specialised in landscapes and classical architectural scenes, populated with mythological figures in classical dress.
Landscape with Orpheus and Eurydice is a 124 × 200 cm oil-on-canvas painting by the French artist Nicolas Poussin, painted between 1650 and 1653. It depicts a mythological subject in the classical style and is in the collection of the Louvre in Paris.
The Inspiration of the Poet is an oil-on-canvas in the classical style by the artist Nicolas Poussin, painted between 1629 and 1630. It is currently held and exhibited at the Louvre in Paris.
Village Fête is an oil-on-canvas by French artist of the Baroque Claude Lorrain, painted in 1639 and given to Louis XIV in 1693 together with its companion Seaport at Sunset, by landscape architect and gardener André Le Nôtre. It is currently held and exhibited at the Louvre in Paris.
Karel Philips Spierincks was a Flemish painter who spent his active career in Italy. He painted mainly landscapes with putti or mythological scenes in a classicizing style which show the influence of François Duquesnoy and Nicolas Poussin as well as religious paintings.
The Adoration of the Shepherds is a painting of 1633–34 by the French painter Nicolas Poussin (1594–1665), now in the National Gallery, London. It is in oils on canvas, and measures 97.2 by 74 centimetres. Unusually for Poussin, it is signed "N. Pusin.fe" ["fecit"] on the stone at lower right. By 1637, soon after it was painted, it was owned by Cardinal Gian Carlo de' Medici (1611–1663), the second son of Grand Duke Cosimo II of Tuscany and was placed in his villa outside Florence.
Landscape with Two Nymphs is a c.1659 oil-on-canvas painting by the French artist Nicolas Poussin. The painting is in the collection of Musée Condé of the Château de Chantilly in Chantilly, France.
Landscape with the Burial of St. Serapia is an 1639–40 oil painting by the French artist Claude Lorrain. It was one of several paintings commissioned from the artist on behalf of King Philip IV of Spain. It is now in the collection of the Prado Museum in Madrid, Spain.
The legendary rape of the Sabine women is the subject of two oil paintings by Nicolas Poussin. The first version was painted in Rome about 1634 or 1635 and is now in the Metropolitan Museum of Art in New York City, catalogued as The Abduction of the Sabine Women. The second, painted in 1637 or 1638, is in the Louvre in Paris, catalogued as L'enlèvement des Sabines.
Glass House version
Louvre version
