Apollo and Daphne or Apollo in Love with Daphne is a 1661-1664 oil on canvas painting by Nicolas Poussin, produced just before the painter's death and now in the Louvre Museum.
The painter gave it to Cardinal Camillo Massimi [1] and it later entered Guillaume Guillon Lethière's collection. In 1832 it was bought from the collection of Sébastien Érard by Charles Paillet, expert commissioner for the French royal collections. His suggestion that the Musée des beaux-arts de Rouen bought it was rejected and it was instead bought by its current owner in 1869. [2]
Nicolas Coustou was a French sculptor and academic.
Jean-Marc Moret is a Swiss archaeologist and art historian. He was a professor of art history and archaeology at the Université Louis Lumière. He took part in the excavation in Metaponto with Antonio De Siena and in Palmyra with the Polish team led by Michal Gawlikowski. He also started two excavations in Italy, in Ostia Antica and in Garaguso (Basilicata). He is known as a major specialist of ancient iconography. His master work, l'Ilioupersis dans la céramique Italiote, is considered to be an important publication on South Italian vase painting and iconography.
François Hinard was a French historian of the Roman Republic.
François Nau was a French Catholic priest, mathematician, Syriacist, and specialist in oriental languages. He published a great number of eastern Christian texts and translations for the first and often only time.
Edmond Couchot was a French digital artist and art theoretician who taught at the University Paris VIII.
Christiane Ziegler, is a French Egyptologist, curator, director emeritus of the Department of Egyptian Antiquities of the Louvre Museum and editorial director of the archaeological mission from the Louvre Museum at Saqqara, Egypt.
Nicolas-Sébastien Adam, also called "Adam the Younger", was a French sculptor working in the Neoclassical style. He was born in Nancy and died in Paris.
Philippe Saunier is a French art historian who is chief curator at the Bureau de l'inventaire des collections et de la circulation des biens culturels at ministry of culture. He was formerly with the Musée d'Orsay and the Musée Picasso in Paris. He is the author with Thea Burns of L'art du pastel (2014) which was translated into English and published by Abbeville Press in 2015 as The art of the pastel.
Gustave Achille Gaston Migeon was a French historian of the arts of the world.
Claude Rolley was a French archaeologist, emeritus at the University of Burgundy, writer on art, archaeology of Greece and Gaule.
Madeleine Laurain-Portemer was a 20th-century French historian, specializing in the history of Mazarin and his time, married to Jean Portemer (1911-1998).
Pierre Eugène Alexandre Marot was a 20th-century French medievalist historian, director of the École Nationale des Chartes. He was a member of the Institut de France, the Académie de Stanislas, the Société des Amis de Notre-Dame and the Académie des Inscriptions et Belles-Lettres
The Société d'étude du XVIIe is a French learned society established in Paris in 1948 along the status of an association loi de 1901 in order to bring together specialists of this period and to develop studies on this century.
Naïdé Ferchiou was a Tunisian archaeologist whose work dealt mainly with Roman North Africa. She excavated at several important sites, including Abthugni.
Nacéra Benseddik is an Algerian historian, archaeologist and epigrapher. She was born in Bordj Bou Arreridj on 4 December 1949.
Antoine de Ratabon was a French aristocrat who served as an arts and architecture administrator during the reign of Louis XIV. He was the first Director of the Académie de Peinture et de Sculpture from 1655 to 1670 as well as the Surintendant des Bâtiments from 1656 to 1664.
Louis-Antoine Prat is a French art historian and art collector, specialized in drawings.
Philippe Loiseleur des Longchamps Deville was a French historian.
Holy Family, also called The Rest on the Flight into Egypt, is an oil on canvas painting by the French Rococo artist Antoine Watteau, now in the Hermitage Museum, Saint Petersburg. Variously dated between 1714 and 1721, Holy Family is possibly the rarest surviving religious subject in Watteau's art, related to either the Gospel of Matthew, or the Gospel of Pseudo-Matthew; it depicts the Virgin, the Christ Child, and Saint Joseph amid a landscape, surrounded by putti.