Massacre of the Innocents | |
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Artist | Nicolas Poussin ![]() |
Year | c. 1628 |
Medium | Oil on canvas |
Dimensions | 147 cm (58 in) × 171 cm (67 in) |
Location | Musée Condé |
Accession No. | PE 305 ![]() |
Identifiers | Joconde work ID: 00000077253 |
The Massacre of the Innocents (French : Le Massacre des Innocents) is a 1625-1632 painting by Nicolas Poussin, showing the Massacre of the Innocents. [1] It was probably commissioned by the Roman collector Vincenzo Giustiniani, probably in memory of the tragic fate of the Giustiniani children taken hostage by the Ottoman Empire in 1564. It remained in the Palazzo Giustiniani until 1804, when it was bought by Lucien Bonaparte. It then passed through several other hands before being bought in London by Henri d'Orleans, Duke of Aumale. It is now in the Musée Condé in Chantilly, France.[ citation needed ]
Nicolas Poussin was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
The Château de Chantilly is a historic French château located in the town of Chantilly, Oise, about 50 kilometres north of Paris. The site comprises two attached buildings: the Petit Château, built around 1560 for Anne de Montmorency, and the Grand Château, which was destroyed during the French Revolution and rebuilt in the 1870s. The château is owned by the Institut de France, which received it from Henri d'Orléans, Duke of Aumale.
The painter Francis Bacon was largely self-taught as an artist. As well as other visual artists, Bacon drew inspiration from the poems of T. S. Eliot, Ezra Pound and Yeats, the plays of Aeschylus, Sophocles and Shakespeare; Proust and Joyce's Ulysses.
The Musée du Luxembourg is a museum at 19 rue de Vaugirard in the 6th arrondissement of Paris. Established in 1750, it was initially an art museum located in the east wing of the Luxembourg Palace and in 1818 became the first museum of contemporary art. In 1884 the museum moved into its current building, the former orangery of the Palace. The museum was taken over by the French Ministry of Culture and the French Senate in 2000, when it began to be used for temporary exhibitions, and became part of the Réunion des Musées Nationaux in 2010.
Nicolas Chaperon was a French painter, draughtsman and engraver, a student in Paris of Simon Vouet whose style he adopted before he was further matured by his stay in Rome (1642–51) in the studio of Nicolas Poussin.
The Musée Condé – in English, the Condé Museum – is a French museum located inside the Château de Chantilly in Chantilly, Oise, 40 km north of Paris. In 1897, Henri d'Orléans, Duke of Aumale, son of Louis Philippe I, bequeathed the château and its collections to the Institut de France. It included rooms remodeled as museum spaces and those left as residential quarters in the styles of the 18th and 19th centuries.
Jacques Stella was a French painter, a leading exponent of the neoclassical style of Parisian Atticism.
The Flight into Egypt is an oil-on-canvas painting by the French artist Nicolas Poussin painted in 1657 or 1658. It was originally kept in the Musée du Louvre, then was transferred to the Musée des Beaux-Arts de Lyon.
The Sickness of Antiochus or Stratonice and Antiochus is an 1840 painting by the French artist Jean-Auguste-Dominique Ingres. It is now in the Musée Condé in Chantilly.
Venus and Adonis or View of Grottaferrata with Venus, Adonis and a River Divinity is an oil-on-canvas painting executed c.1626 by the French artist Nicolas Poussin. It is held in the Musée Fabre, in Montpellier.
Theseus Rediscovering His Father's Sword is a c.1638 painting by Nicolas Poussin and Jean Le Maire, acquired in London by Henri d'Orléans, Duke of Aumale in 1860, moved to his château de Chantilly in 1871 and now in the Musée Condé at Chantilly. The Uffizi and the Wildenstein collection hold autograph copies of the work, but X-ray examination has shown much retouching of the Chantilly version and so it is accepted as the original of the composition.
1805, Cuirassiers Before the Charge, also known as Cuirassiers of 1805, before battle or 1805, is an 1878 painting by Ernest Meissonier depicting a line of Napoleonic cuirassiers before making a cavalry charge. It is on display at the Musée Condé, in Chantilly.
Landscape with Two Nymphs is a c.1659 oil-on-canvas painting by the French artist Nicolas Poussin. The painting is in the collection of Musée Condé of the Château de Chantilly in Chantilly, France.
Eugène Goyet, was a French artist. Beginning in 1827 his work was regularly selected for exhibition in the annual Paris Salon. He achieved his greatest success as a painter of religious subjects, with his paintings of Christ and various saints installed in churches and public buildings across France. A successful portrait painter, his most prestigious commission was his 1847 portrait of Pope Pius IX. He was the son of self-taught artist Jean-Baptiste Goyet, and husband of the pastel portrait artist Zoé Goyet.
The Death of Germanicus is a painting made in 1627 by Nicolas Poussin for Francesco Barberini. It is kept at the Minneapolis Institute of Art.
Apollo and Daphne or Apollo in Love with Daphne is an oil on canvas painting by Nicolas Poussin, from 1661-1664, produced shortly before the painter's death. It is held in the Louvre, in Paris.
Camillus Handing the Falerian Schoolmaster over to his Pupils is an oil on canvas painting by Nicolas Poussin, from 1637. It is held in the Louvre, in Paris, since its seizure for the state in 1794.
The Judgement of Solomon is an oil on canvas painting of the judgement of Solomon by the French artist Poussin, from 1649. Produced during his 1647-1649 stay in Rome, it is now in the Louvre, in Paris. It measures 101 by 150 cm. Art historians largely consider it as one of the artist masterpieces, in the art of the 17th century French School and French art as a whole. Several engravings were produced of the work.
Eliezer and Rebecca or Eliezer Giving Abraham's Presents to Rebecca is an oil-on-canvas paintings by Nicolas Poussin, dating to c.1647–1649, commissioned by silk merchant and banker Jean Pointel and is now in the Louvre. Another similar version is at the Fitzwilliam Museum, whilst another is in a private collection and shows Rebecca quenching Eliezer's thirst rather than Eliezer giving the gifts.