The Albani lion is a 1st-century Roman green basalt lion statue with a yellow marble sphere under one paw, in the Albani Collection in the Denon Wing of the Louvre (inventory number Ma 1355) in Paris, France. [1]
The Albani lion is possibly a reproduction of an earlier Greek bronze statue, as basalt was used in the 1st century AD for reproductions of Greek bronzes. [1]
Hercules is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.
The Louvre, or the Louvre Museum is a national art museum in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement and home to some of the most canonical works of Western art, including the Mona Lisa and the Venus de Milo. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French Kings.
Praxiteles of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.
A sphinx is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle.
Lysippos was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him.
Antoine-Louis Barye was a Romantic French sculptor most famous for his work as an animalier, a sculptor of animals. His son and student was the known sculptor Alfred Barye.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Arslan Tash, ancient Hadātu, is an archaeological site in Aleppo Governorate in northern Syria, around 30 kilometres (19 mi) east of Carchemish and the Euphrates and nearby the town of Kobanî.
The Sleeping Hermaphroditus is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus. It represents a subject that was much repeated in Hellenistic times and in ancient Rome, to judge from the number of versions that have survived. Discovered at Santa Maria della Vittoria, Rome, the Sleeping Hermaphroditus was immediately claimed by Cardinal Scipione Borghese and became part of the Borghese Collection. The "Borghese Hermaphroditus" was later sold to the occupying French and was moved to The Louvre, where it is on display.
The Diana of Versailles or Artemis, Goddess of the Hunt is a slightly over-lifesize marble statue of the Roman goddess Diana with a deer. It is currently located in the Musée du Louvre, Paris. The statue is also known as Diana with a Doe, Diana Huntress, and Diana of Ephesus. It is a partially restored Roman copy of a lost Greek bronze original attributed to Leochares, c. 325 BC.
The Apollo of Mantua and its variants are early forms of the Apollo Citharoedus statue type, in which the god holds the cithara in his left arm. The type-piece, the first example discovered, is named for its location at Mantua; the type is represented by neo-Attic Imperial Roman copies of the late 1st or early 2nd century, modelled upon a supposed Greek bronze original made in the second quarter of the 5th century BCE, in a style similar to works of Polyclitus but more archaic. The Apollo held the cythara against his extended left arm, of which in the Louvre example (illustration) a fragment of one twisting scrolling horn upright remains against his biceps.
The Ares Borghese is a Roman marble statue of the imperial era. It is 2.11m high. It is identifiable as Ares by the helmet and by the ankle ring given to him by his lover Aphrodite. This statue possibly preserves some features of an original work in bronze, now lost, of the 5th century BC.
The Venus Genetrix is a sculptural type which shows the Roman goddess Venus in her aspect of Genetrix, as she was honoured by the Julio-Claudian dynasty of Rome, which claimed her as their ancestor. Contemporary references identify the sculptor as a Greek named Arcesilaus. The statue was set up in Julius Caesar's new forum, probably as the cult statue in the cella of his temple of Venus Genetrix. Through this historical chance, a Roman designation is applied to an iconological type of Aphrodite that originated among the Greeks.
Apollo Sauroktonos is the title of several 1st - 2nd century AD Roman marble copies of an original by the ancient Greek sculptor Praxiteles. The statues depict a nude adolescent Apollo about to catch a lizard climbing up a tree. Copies are included in the collections of the Louvre Museum, the Vatican Museums, and the National Museums Liverpool.
The Apollo of Piombino or the Piombino Boy is a famous Greek bronze statuette in late Archaic style that depicts the god as a kouros or youth, or it may be a worshipper bringing an offering. The bronze is inlaid with copper for the boy's lips, eyebrows, and nipples. The eyes, which are missing, were of another material, perhaps bone or ivory.
The Athena of Velletri or Velletri Pallas is a type of classical marble statue of Athena, wearing a helmet.
Iberian sculpture, a subset of Iberian art, describes the various sculptural styles developed by the Iberians from the Bronze Age up to the Roman conquest. For this reason it is sometimes described as Pre-Roman Iberian sculpture.
The Medici lions are a pair of marble sculptures of lions: one of which is Roman, dating to the 2nd century AD, and the other a 16th-century pendant. Both were by 1598 placed at the Villa Medici, Rome. Since 1789 they have been displayed at the Loggia dei Lanzi in Florence. The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side.
The Lion of Venice is an ancient bronze sculpture of a winged lion in the Piazza San Marco of Venice, Italy, which came to symbolize the city – as well as one of its patron saints, St Mark – after its arrival there in the 12th century. The sculpture surmounts one of two large granite columns in the Square, thought to have been erected between 1172 and 1177 during the reign of Doge Sebastiano Ziani or about 1268, bearing ancient symbols of the two patron saints of Venice.
The Assyrian lion weights are a group of bronze statues of lions, discovered in archaeological excavations in or adjacent to ancient Assyria.
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