The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word Acropolis is from the Greek words ἄκρον and πόλις. The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops, the supposed first Athenian king.
The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period. Dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC. It was rediscovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it had become one of the most famous works of ancient Greek sculpture in the world.
An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, in the Renaissance and more recently, military commanders.
The Temple of Athena Nike is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike.
The Archaeological Museum of Thessaloniki is a museum in Thessaloniki, Central Macedonia, Greece. It holds and interprets artifacts from the Prehistoric, Archaic, Classical, Hellenistic and Roman periods, mostly from the city of Thessaloniki but also from the region of Macedonia in general.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
The Perserschutt, a German term meaning "Persian debris" or "Persian rubble", refers to the bulk of architectural and votive sculptures that were damaged by the invading Persian army of Xerxes I on the Acropolis of Athens in 480 BC, in the Destruction of Athens during the Second Persian invasion of Greece.
The marble Kritios Boy or Kritian Boy belongs to the Early Classical period of ancient Greek sculpture. It is the first statue from classical antiquity known to use contrapposto; Kenneth Clark called it "the first beautiful nude in art" The Kritios Boy is thus named because it is attributed, on slender evidence, to Kritios, who worked together with Nesiotes or their school, from around 480 BC. As currently mounted, the statue is considerably smaller than life-size at 117 cm, including the supports that replace the missing feet.
Kore is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues.
The Athena of Velletri or Velletri Pallas is a type of classical marble statue of Athena, wearing a helmet.
Moschophoros is an ancient Greek statue of the Archaic period, also known in English as The Calf Bearer. It was excavated in fragments in the Perserschutt on the Acropolis of Athens in 1864. The statue, dated c. 560 BC and estimated to have originally measured 1.65 meters (5.4 ft) in height, is now in the Acropolis Museum in Athens, Greece.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The Diana of Gabii is a statue of a woman in drapery which probably represents the goddess Artemis and is traditionally attributed to the sculptor Praxiteles. It became part of the Borghese collection and is now conserved in the Louvre with the inventory number Ma 529.
The Peplos Kore is an ancient sculpture from the Acropolis of Athens. It is considered one of the most well-known examples of Archaic Greek art. Kore is a type of archaic Greek statue that portray a young woman with a stiff posture looking straight forward. Although this statue is one of the most famous examples of a kore, it is actually not considered a typical one. The statue is not completely straight, her face is leaned slightly to the side, and she is standing with her weight shifted to one leg. The other part of the statues name, peplos, is based on the popular archaic Greek gown for women. When the statue was found it was initially thought that she was wearing a peplos, although it is now known that she is not.
The Korai of the Acropolis of Athens are a group of female statues (Korai), discovered in the Perserschutt of the Acropolis of Athens in the last quarter of the nineteenth century, all of the same typology and clear votive function. Through them it is possible to trace the stylistic evolution of Archaic Attic sculpture for almost a century, from 570 to 480 BC. This demonstrates in particular the beginning and development of Ionian influence on Athenian art of the second half of the 6th century BC. This was the period when Ionian elements first appear in the architectural works of the Peisistratids and close connections between Ionia and Athens developed. Towards the end of the 6th century BC this influence is seen to be overcome, or rather absorbed, and a new style is born, the so-called Severe style, with increasing Peloponnesian influence.
The Kore of Lyons is a Greek statue of Pentelic marble depicting a bust of a young girl of the kore type, conserved at the musée des beaux-arts de Lyon, France. Deriving from the Athenian Acropolis, it is generally dated to the 540s BC. Considered the centrepiece of the museum's antiquities department, the statue was acquired between 1808 and 1810.
The Nike of Callimachus also known as The Dedication of Callimachus, is a statue that the Athenians created in honour of Callimachus.
The ʿAin Ghazal statues are a number of large-scale lime plaster and reed statues discovered at the archeological site of ʿAin Ghazal in Amman, Jordan, dating back to approximately 9000 years ago, from the Pre-Pottery Neolithic C period. A total of 15 statues and 15 busts were discovered in 1983 and 1985 in two underground caches, created about 200 years apart.
The Achaemenid destruction of Athens was carried out by the Achaemenid Army of Xerxes I during the Second Persian invasion of Greece, and occurred in two phases over a period of two years, in 480–479 BCE.
The Persian Rider is an archaic Greek equestrian sculpture, c. 520–500 BCE, that once stood on the Acropolis of Athens. Only fragmentary remains survive; the lower torso and legs of the rider and the head, forelegs and chest of the horse. It was found west of the Erechtheion in 1886 and reconstructed by Franz Studniczka. Significant amounts of the original surface painting remains on the statue including the multicoloured pattern on the leggings of the rider which is thought to indicate that he was Persian or Scythian, hence the name. The sculpture now stands in the Acropolis Museum.
