Susa was an ancient city in the lower Zagros Mountains about 250 km (160 mi) east of the Tigris, between the Karkheh and Dez Rivers in Iran. One of the most important cities of the Ancient Near East, Susa served as the capital of Elam and the Achaemenid Empire, and remained a strategic centre during the Parthian and Sasanian periods.
Elam was an ancient civilization centered in the far west and southwest of modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq. The modern name Elam stems from the Sumerian transliteration elam(a), along with the later Akkadian elamtu, and the Elamite haltamti. Elamite states were among the leading political forces of the Ancient Near East. In classical literature, Elam was also known as Susiana, a name derived from its capital Susa.
An ibex is any of several species of wild goat , distinguished by the male's large recurved horns, which are transversely ridged in front. Ibex are found in Eurasia, North Africa and East Africa. The name ibex comes from Latin, borrowed from Iberian or Aquitanian, akin to Old Spanish bezerro "bull", modern Spanish becerro "yearling". Ranging in height from 70 to 110 centimetres (27–43 in) and weighing 90 to 120 kilograms (200–270 lb), ibex can live up to 20 years. Three closely related varieties of goats found in the wild are not usually called ibex: the markhor, western tur, and eastern tur.
Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with different forms of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece, and Rome. The art of pre-literate societies is normally referred to as prehistoric art and is not covered here. Although some pre-Columbian cultures developed writing during the centuries before the arrival of Europeans, on grounds of dating these are covered at pre-Columbian art and articles such as Maya art, Aztec art, and Olmec art.
The word zoomorphism derives from Ancient Greek: ζωον, romanized: zōon, lit. 'animal' and Ancient Greek: μορφη, romanized: morphē, lit. 'form; shape'. In the context of art, zoomorphism could describe art that imagines humans as non-human animals. It can also be defined as art that portrays one species of animal like another species of animal or art that uses animals as a visual motif, sometimes referred to as "animal style." In ancient Egyptian religion, deities were depicted in animal form which is an example of zoomorphism in not only art but in a religious context. It is also similar to the term therianthropy; which is the ability to shape shift into animal form, except that with zoomorphism the animal form is applied to a physical object. It means to attribute animal forms or animal characteristics to other animals, or things other than an animal; similar to but broader than anthropomorphism. Contrary to anthropomorphism, which views animal or non-animal behavior in human terms, zoomorphism is the tendency of viewing human behavior in terms of the behavior of animals. It is also used in literature to portray the act of humans or objects with animalistic behavior or features. The use of zoomorphism served as a decorative element to objects that are typically quite simple in shape and design.
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters.
The Proto-Elamite period, also known as Susa III, is a chronological era in the ancient history of the area of Elam, dating from c. 3100 BC to 2700 BC. In archaeological terms this corresponds to the late Banesh period. Proto-Elamite sites are recognized as the oldest civilization in the territory of present-day Iran. The Proto-Elamite script is an Early Bronze Age writing system briefly in use before the introduction of Elamite cuneiform.
The Ziwiye hoard is a treasure hoard containing gold, silver, and ivory objects, also including a few gold pieces with the shape of human face, that was uncovered on in Ziwiyeh plat near Saqqez city in Kurdistan Province, Iran, in 1947.
The Burney Relief is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
Luristan bronzes are small cast objects decorated with bronze sculpture from the Early Iron Age which have been found in large numbers in Lorestān Province and Kermanshah in western Iran. They include a great number of ornaments, tools, weapons, horse-fittings and a smaller number of vessels including situlae, and those found in recorded excavations are generally found in burials. The ethnicity of the people who created them remains unclear, though they may well have been Iranian, possibly related to the modern Lur people who have given their name to the area. They probably date to between about 1000 and 650 BC.
The Oxus treasure is a collection of about 180 surviving pieces of metalwork in gold and silver, most relatively small, and around 200 coins, from the Achaemenid Persian period which were found by the Oxus river about 1877–1880. The exact place and date of the find remain unclear, but is often proposed as being near Kobadiyan. It is likely that many other pieces from the hoard were melted down for bullion; early reports suggest there were originally some 1500 coins, and mention types of metalwork that are not among the surviving pieces. The metalwork is believed to date from the sixth to fourth centuries BC, but the coins show a greater range, with some of those believed to belong to the treasure coming from around 200 BC. The most likely origin for the treasure is that it belonged to a temple, where votive offerings were deposited over a long period. How it came to be deposited is unknown.
The Gebel el-Arak Knife, also Jebel el-Arak Knife, is an ivory and flint knife dating from the Naqada II period of Egyptian prehistory, showing Mesopotamian influence. The knife was purchased in 1914 in Cairo by Georges Aaron Bénédite for the Louvre, where it is now on display in the Sully wing, room 633. At the time of its purchase, the knife handle was alleged by the seller to have been found at the site of Gebel el-Arak, but it is today believed to come from Abydos.
The art of Mesopotamia has survived in the record from early hunter-gatherer societies on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Age by the Neo-Assyrian and Neo-Babylonian empires. Widely considered to be the cradle of civilization, Mesopotamia brought significant cultural developments, including the oldest examples of writing.
The prehistory of the Iranian plateau, and the wider region now known as Greater Iran, as part of the prehistory of the Near East is conventionally divided into the Paleolithic, Epipaleolithic, Neolithic, Chalcolithic, Bronze Age and Iron Age periods, spanning the time from the first settlement by archaic humans about a million years ago until the beginning of the historical record during the Neo-Assyrian Empire, in the 8th century BC.
The Statue of Iddi-Ilum is a 21st-century BCE statue of the praying figure of Iddi-ilum, the military governor, or Shakkanakku, of the ancient city-state of Mari in eastern Syria. The headless statue was discovered at the Royal Palace of Mari during excavations directed by French archaeologist André Parrot. The statue was made of soapstone and bears an inscription identifying the figure and dedicating it to the goddess Ishtar or Inanna. The statue is now displayed at the Musée du Louvre in Paris. He was contemporary of the Third Dynasty of Ur, and probably their vassal.
The Hurrian foundation pegs, also known as the Urkish lions, are twin copper foundation pegs each in the shape of a lion that probably came from the ancient city of Urkesh in Syria. The pegs were placed at the foundation of the temple of Nergal in the city of Urkesh as mentioned in the cuneiform inscriptions on them. The inscription on the two pegs and the associated stone tablet is the oldest known text in the Hurrian language. One of the lions is now housed, along with its limestone tablet, in the Musée du Louvre in Paris. The second lion is on display at the Metropolitan Museum of Art in New York.
Persian pottery or Iranian pottery is the pottery made by the artists of Persia (Iran) and its history goes back to early Neolithic Age. Agriculture gave rise to the baking of clay, and the making of utensils by the people of Iran. Through the centuries, Persian potters have responded to the demands and changes brought by political turmoil by adopting and refining newly introduced forms and blending them into their own culture. This innovative attitude has survived through time and influenced many other cultures around the world.
Persian art or Iranian art has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.
Indus–Mesopotamia relations are thought to have developed during the second half of 3rd millennium BCE, until they came to a halt with the extinction of the Indus valley civilization after around 1900 BCE. Mesopotamia had already been an intermediary in the trade of lapis lazuli between the Indian subcontinent and Egypt since at least about 3200 BCE, in the context of Egypt-Mesopotamia relations.
The Sukkalmah Dynasty, also Epartid Dynasty after the founder Eparti/Ebarat, was an early dynasty of West Asia in the ancient region of Elam, to the southeast of Babylonia. It corresponds to the latest part of the Old Elamite period.
