 Overview | |
   Statue of Tiber Shown within Rome | |
| Location | Campus Martius |
|---|---|
| Coordinates | 41°53′50″N12°28′45″E / 41.8972°N 12.4791°E |
| Type | Statue |
| History | |
| Founded | 1st or 2nd century CE |
The Statue of the Tiber river with Romulus and Remus is a large statue from ancient Rome exhibited at the Louvre museum in Paris, France. It is an allegory of the Tiber river that waters the city of Rome.
The Tiber is depicted as a middle-aged man, bearded and reclining, according to the typical pattern for representations of river gods. In his hands, he holds the attributes that signify the benefits he bestows on Rome:
Under the right arm of the god lies the she-wolf which, according to legend, suckled the twins Romulus and Remus who had been abandoned in the Tiber and would later go on to found the city of Rome.
The base of the statue is decorated with reliefs depicting a scene of grazed fields, one of boatmen, and another relating to the tale of Aeneas.
The statue is 3.17 m wide, 2.22 m tall, and 1.31 m deep. [1] It is carved from marble taken from Mount Pentelicus near Athens, Greece. [1]
The statue was discovered in 1512 in Rome at the site of the Temple of Isis and Serapis, near the present-day basilica of Santa Maria sopra Minerva. [2] The statue undoubtedly decorated a fountain situated on the path leading to the sanctuary. It mirrored a statue of the Nile river (now preserved in the Vatican) in which Romulus and Remus are replaced by a crowd of children representing pygmies.
After their discovery, the two statues were initially preserved in the papal collections. Following the Treaty of Tolentino (1797) between the French Republic and the Papal States, they were transferred to the Louvre, where their presence was attested in 1811. In 1815, after the defeat of Napoleon, the statue of the Nile was returned to the Vatican. However, the statue of the Tiber was offered by the pope Pius VII to the French king Louis XVIII and remained in the Louvre.
The image of the statue of the Tiber was widely circulated and it became the subject of numerous marble or bronze replicas.
The date of the sculpture is uncertain. It was probably installed after the fire at the Temple of Isis in 80 CE. But it could be from the later Hadrian period (117–138 CE).
The founding of Rome is a legendary event much embellished by later Roman myth. Archaeological evidence indicates that Rome was developed from earlier hilltop villages and was never so singularly founded. Habitation of the Italian peninsula goes back far into prehistory; evidence of settlement on the Capitoline hill goes back to 1700–1350 BC, in line with more general archaeological evidence of settled habitation c. 1600 BC. Evidence of graves on the site goes back to 1000 BC. Likely influenced by a trend for city-state formation emerging from Greece, these hilltop settlements agglomerated into a single polity by the later eighth century BC.
In Roman mythology, Romulus and Remus are twin brothers whose story tells of the events that led to the founding of the city of Rome and the Roman Kingdom by Romulus, following his fratricide of Remus. The image of a she-wolf suckling the twins in their infancy has been a symbol of the city of Rome and the ancient Romans since at least the 3rd century BC. Although the tale takes place before the founding of Rome around 750 BC, the earliest known written account of the myth is from the late 3rd century BC. Possible historical bases for the story, and interpretations of its various local variants, are subjects of ongoing debate.
In Roman mythology, Faustulus was the shepherd who found the infant Romulus and his twin brother Remus along the banks of the Tiber River as they were being suckled by the she-wolf, Lupa. According to legend, Faustulus carried the babies back to his sheepfold for his wife Acca Larentia to nurse them. Faustulus and Acca Larentia then raised the boys as their own. Romulus later killed King Amulius of Alba Longa and his brother Remus before founding the city of Rome "in the place where they [Romulus and Remus] had been raised."
RheaSilvia, also known as Ilia, was the mythical mother of the twins Romulus and Remus, who founded the city of Rome. Her story is told in the first book of Ab Urbe Condita Libri of Livy and in Cassius Dio's Roman History. The Legend of Rhea Silvia recounts how she was raped by Mars while she was a Vestal Virgin and as a result became the mother of Romulus and Remus, the founders of Rome. This event was portrayed numerous times in Roman art and mentioned in the Aeneid and the works of Ovid.
The Vatican Museums are the public museums of Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.
A serapeum is a temple or other religious institution dedicated to the syncretic Greco-Egyptian deity Serapis, who combined aspects of Osiris and Apis in a humanized form that was accepted by the Ptolemaic Greeks of Alexandria. There were several such religious centers, each of which was called a serapeion/serapeum or poserapi, coming from an Egyptian name for the temple of Osiris-Apis.
The Ficus Ruminalis was a wild fig tree that had religious and mythological significance in ancient Rome. It stood near the small cave known as the Lupercal at the foot of the Palatine Hill and was the spot where according to tradition the floating makeshift cradle of Romulus and Remus landed on the banks of the Tiber. There they were nurtured by the she-wolf and discovered by Faustulus. The tree was sacred to Rumina, one of the birth and childhood deities, who protected breastfeeding in humans and animals. St. Augustine mentions a Jupiter Ruminus.
The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity. Praxiteles' Aphrodite was shown nude, reaching for a bath towel while covering her pubis, which, in turn leaves her breasts exposed. Up until this point, Greek sculpture had been dominated by male nude figures. The original Greek sculpture is no longer in existence; however, many Roman copies survive of this influential work of art. Variants of the Venus Pudica are the Venus de' Medici and the Capitoline Venus.
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.
Serapis or Sarapis is a Graeco-Egyptian God. The cult of Serapis was created during the third century BC on the orders of Greek Pharaoh Ptolemy I Soter of the Ptolemaic Kingdom in Egypt as a means to unify the Greeks and Egyptians in his realm.
The Capitoline Wolf is a bronze sculpture depicting a scene from the legend of the founding of Rome. The sculpture shows a she-wolf suckling the mythical twin founders of Rome, Romulus and Remus. According to the legend, when King Numitor, grandfather of the twins, was overthrown by his brother Amulius in Alba Longa, the usurper ordered them to be cast into the Tiber River. They were rescued by a she-wolf that cared for them until a herdsman, Faustulus, found and raised them.
The Esquiline Venus, depicting the goddess Venus, is a smaller-than-life-size Roman nude marble sculpture of a female in sandals and a diadem headdress. It is widely viewed as a 1st-century AD Roman copy of a Greek original from the 1st century BC. It is also a possible depiction of the Ptolemaic ruler Cleopatra VII.
The Crouching Venus is a Hellenistic model of Venus surprised at her bath. Venus crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. To judge by the number of copies that have been excavated on Roman sites in Italy and France, this variant on Venus seems to have been popular.
Romulus was the legendary founder and first king of Rome. Various traditions attribute the establishment of many of Rome's oldest legal, political, religious, and social institutions to Romulus and his contemporaries. Although many of these traditions incorporate elements of folklore, and it is not clear to what extent a historical figure underlies the mythical Romulus, the events and institutions ascribed to him were central to the myths surrounding Rome's origins and cultural traditions.
The Venus Genetrix is a sculptural type which shows the Roman goddess Venus in her aspect of Genetrix, as she was honoured by the Julio-Claudian dynasty of Rome, which claimed her as their ancestor. Contemporary references identify the sculptor as a Greek named Arcesilaus. The statue was set up in Julius Caesar's new forum, probably as the cult statue in the cella of his temple of Venus Genetrix. Through this historical chance, a Roman designation is applied to an iconological type of Aphrodite that originated among the Greeks.
The Sleeping Ariadne, housed in the Vatican Museums in Vatican City, is a Roman Hadrianic copy of a Hellenistic sculpture of the Pergamene school of the 2nd century BC, and is one of the most renowned sculptures of Antiquity. The reclining figure in a chiton bound under her breasts half lies, half sits, her extended legs crossed at the calves, her head pillowed on her left arm, her right thrown over her head. Other Roman copies of this model exist: one, the "Wilton House Ariadne", is substantially unrestored, while another, the "Medici Ariadne" found in Rome, has been "seriously reworked in modern times", according to Brunilde Sismondo Ridgway. Two surviving statuettes attest to a Roman trade in reductions of this familiar figure. A variant Sleeping Ariadne is in the Prado Museum, Madrid. A later Roman variant found in the Villa Borghese gardens, Rome, is at the Louvre Museum.
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The Temple of Isis and Serapis was a double temple in Rome dedicated to the Egyptian deities Isis and Serapis on the Campus Martius, directly to the east of the Saepta Julia. The temple to Isis, the Iseum Campense, stood across a plaza from the Serapeum dedicated to Serapis. The remains of the Temple of Serapis now lie under the church of Santo Stefano del Cacco, and the Temple of Isis lay north of it, just east of Santa Maria sopra Minerva. Both temples were made up of a combination of Egyptian and Hellenistic architectural styles. Much of the artwork decorating the temples used motifs evoking Egypt, and they contained several genuinely Egyptian objects, such as couples of obelisks in red or pink granite from Syene.
The Tomb of the Haterii is an Ancient Roman funerary monument, constructed between c. 100 and c. 120 CE along the Via Labicana to the south-east of Rome. It was discovered in 1848 and is particularly noted for the numerous artworks, particularly reliefs, found within.
J. Le Gall, « Les Bas-reliefs de la statue du Tibre », in Revue archéologique, 1944.
