Gian LorenzoBernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter and a man of the theatre: he wrote, directed and acted in plays, for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.
Nicolas Poussin was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
Armand Jean du Plessis, 1st Duke of Richelieu, known as Cardinal Richelieu, was a French statesman and prelate of the Catholic Church. He became known as l'Éminence rouge, or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and from the red robes that they customarily wear.
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Philippe de Champaigne was a Brabançon-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie royale de peinture et de sculpture in Paris, the premier art institution in the Kingdom of France in the eighteenth century.
A bust is a sculpted or cast representation of the upper part of the human body, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood.
This is a list of events that occurred in the year 1638 in art.
The Borghese Collection is a collection of Roman sculptures, old masters and modern art collected by the Roman Borghese family, especially Cardinal Scipione Borghese, from the 17th century on. It includes major collections of Caravaggio, Raphael, and Titian, and of ancient Roman art. Cardinal Scipione Borghese also bought widely from leading painters and sculptors of his time, and Scipione Borghese's commissions include two portrait busts by Gian Lorenzo Bernini. Most of the collection remains intact and on display at the Galleria Borghese, although a significant sale of classical sculpture was made under duress to the Louvre in 1807.
Events from the year 1636 in art.
A Van Dyke is a style of facial hair named after the 17th-century Flemish painter Anthony van Dyck (1599–1641). The artist's name is today normally spelt as "van Dyck", though there are many variants, but when the term for the beard became popular "Van Dyke" was more common in English. A Van Dyke specifically consists of any growth of both a moustache and goatee with all hair on the cheeks shaved. Even this particular style, though, has many variants, including a curled moustache versus a non-curled one and a soul patch versus none. The style is sometimes called a "Charlie" after King Charles I of England, who was painted with this type of beard by van Dyck. "Pike-devant" or "pickedevant" are other little-known synonyms for a Van Dyke beard.
The National Gallery is the primary British national public art gallery, sited on Trafalgar Square, in central London. It is home to one of the world's greatest collections of Western European paintings. Founded in 1824, from an initial purchase of 36 paintings by the British Government, its collections have since grown to about 2,300 paintings by roughly 750 artists dating from the mid-13th century to 1900, most of which are on display. This page lists some of the highlights of the collection.
Armand Jean de Vignerot du Plessis, 2nd Duke of Richelieu, was a French naval officer and nobleman. His surname has also been spelled Vignerod Duplessis.
The bust of Thomas Baker is a 1638 marble portrait sculpture created by the Italian artist Gian Lorenzo Bernini, with much of the bust undertaken by a pupil of Bernini, probably Andrea Bolgi. It is currently held in the Victoria and Albert Museum, London, who purchased the bust in 1921 for 1480 English guineas.
The Bust of Cardinal Richelieu is a marble sculpture by the Italian sculptor Gian Lorenzo Bernini, situated at the Louvre in Paris.
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection.
The Triple Portrait of Henrietta Maria is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce a triple portrait of himself to send to Italy so that Bernini could produce a bust of him. When the bust arrived, the queen ordered a bust of herself by Bernini and commissioned van Dyck to produce a similar triple portrait. The left-facing profile and full-on view are in the Royal Collection, whilst the right-facing profile is probably the portrait of the queen now in the Memphis Brooks Museum of Art.
Everhard or Eberhard Jabach was a French businessman, art collector, and director of the French East India Company. He was born in Cologne in the Holy Roman Empire but later naturalised as a French subject.
Portrait of Cardinal Richelieu is a portrait painting by the Flemish-born French painter Philippe de Champaigne, Richelieu's favourite portraitist. It was painted a few months before the cardinal's death, in 1642, and is now in the Musée des Beaux-Arts of Strasbourg. Its inventory number is 987–2–1.
Costanza Bonarelli, also known as Costanza Bonucelli or Costanza Piccolomini Bonucelli, was an Italian noblewoman, merchant and art dealer, descended from a Sienese noble family. She is known for being portrayed by the artist Gian Lorenzo Bernini in the bust now exhibited at the National Museum of Bargello in Florence, created between 1636 and 1638.
The incomplete original version: Portrait of Cardinal Richelieu , Musée des Beaux-Arts de Strasbourg
Charles I in Three Positions , also known as the Triple portrait of Charles I, Van Dyck, 1635 or 1636, Royal Collection
