The Palace of Versailles is a former royal residence built by King Louis XIV located in Versailles, about 19 kilometers (12 mi) west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. About 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world.
Anne-Louis Girodet de Roussy-Trioson, also known as Anne-Louis Girodet-Trioson or simply Girodet, was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
The French Imperial Eagle refers to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon during the Napoleonic Wars.
Marie-Guillemine Benoist, born Marie-Guillemine de Laville-Leroux, was a French neoclassical, historical, and genre painter.
Napoleon Crossing the Alps is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. Initially commissioned by the King of Spain, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made across the Alps through the Great St Bernard Pass in May 1800.
The grand appartement de la reine is the Queen's grand apartment of the Palace of Versailles.
The Coronation of Napoleon is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 10 metres (33 ft) wide by a little over 6 metres (20 ft) tall. The work is on display at the Louvre Museum in Paris.
The Portrait of Pope Pius VII is an 1805 portrait of Pope Pius VII by the French painter Jacques-Louis David to thank the pope for assisting at the coronation of Napoleon I of France. Pope Pius appears in David's The Coronation of Napoleon, depicted as blessing the emperor, when in fact he was merely a spectator, assisting at the ceremony with a resigned expression throughout.
The Galerie des Batailles is a gallery occupying the first floor of the Aile du Midi of the Palace of Versailles, joining onto the grand and petit appartement de la reine. 120 m (390 ft) long and 13 m (43 ft) wide, it is an epigone of the grand gallery of the Louvre and was intended to glorify French military history from the Battle of Tolbiac to the Battle of Wagram.
Émile Drain (1890–1966) was a French actor and comedian.
Bonaparte at the Pont d’Arcole is an oil-on-canvas painting executed in 1796 by the French artist Antoine-Jean Gros. It depicts an episode during the Battle of Arcole in November 1796, with General Napoleon Bonaparte leading his troops to storm the bridge.
Jean-Charles Tardieu, also called "Tardieu-Cochin" was a successful French painter during the ages of Napoleon and of the Bourbon Restoration. His work was primarily historical, but also included landscapes, portraits and religious subjects.
Gioacchino Giuseppe Serangeli was a Roman painter, a pupil of Jacques-Louis David, who painted in France during the period of the French Revolution and the subsequent First French Empire. For some time he was one of the more fashionable painters of portraits of the new ruling class in France. His more mature paintings, done after his return to Italy, were also well regarded.
The Tennis Court Oath is an incomplete painting by Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis Court Oath at Versailles, one of the foundational events of the French Revolution.
Armand Montjoye, real name Jules Joseph Montjoye, was a 19th-century French painter and playwright.
The Sacred Squadron was an ad hoc cavalry unit which served briefly in the French Grande Armée during the final stage of the Emperor Napoleon's retreat from Moscow in 1812. It was remarkable in that it consisted - out of military necessity - entirely of officers, with those below the rank of colonel serving as troopers.
Portrait of Napoleon III, or initially called in French Portrait de S. M. l'Empereur is an oil painting of 1861 by the French painter Hippolyte Flandrin, depicting France's Emperor Napoleon III standing in his Grand Cabinet. It is held at the Musée de l'Histoire de France, in Paris. At its first presentation in the Universal Exhibition in 1862, the painting attracted praise for its true-to-life representation of Napoleon III.
Neoclassicism is a movement in architecture, design and the arts which was dominant in France between about 1760 to 1830. It emerged as a reaction to the frivolity and excessive ornament of the baroque and rococo styles. In architecture it featured sobriety, straight lines, and forms, such as the pediment and colonnade, based on Ancient Greek and Roman models. In painting it featured heroism and sacrifice in the time of the ancient Romans and Greeks. It began late in the reign of Louis XV, became dominant under Louis XVI, and continued through the French Revolution, the French Directory, and the reign of Napoleon Bonaparte, and the Bourbon Restoration until 1830, when it was gradually replaced as the dominant style by romanticism and eclecticism.
Napoleon I as Emperor, also known as Napoleon I in his Coronation Robes, is an oil on canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire and currently displayed at the Palace of Versailles. Gérard initially produced the painting as an official portrait of Napoleon I for his throne room at the Tuileries Palace. It was later moved to the Palace of Versailles. The painting spent time at the Louvre, at the Élysée Palace, then at the Château de Saint-Cloud before returning to Versailles in 1894.
The Musée de l'Histoire de France is a museum that was created by King Louis Philippe I in the Palace of Versailles and opened in 1837. At the time, it represented an ambitious project of national reconciliation between the hitherto competing narratives of the French monarchy and the French Revolution, to which Louis-Philippe devoted significant personal attention. Whereas it gradually faded in importance as a museum in the later 19th century, its lavish historicist decoration remains a major exemplar of the art of France's July Monarchy.
