The Palace of Versailles is a former royal residence commissioned by King Louis XIV located in Versailles, about 18 kilometres (11 mi) west of Paris, in the Yvelines Department of Île-de-France region in France.
The Hôtel des Invalides, commonly called Les Invalides, is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and an Old Soldiers' retirement home, the building's original purpose. The buildings house the Musée de l'Armée, the museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the Cathedral of Saint-Louis-des-Invalides, the national cathedral of the French military. It is adjacent to the Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine to some of France's leading military figures, most notably the tomb of Napoleon.
Anne-Louis Girodet de Roussy-Trioson, also known as Anne-Louis Girodet-Trioson or simply Girodet, was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
Jean-Baptiste Regnault was a French painter.
The French Imperial Eagle refers to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon I during the Napoleonic Wars.
Marie-Guillemine Benoist, born Marie-Guillemine Laville-Leroux, was a French neoclassical, historical, and genre painter.
Napoleon Crossing the Alps is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. Initially commissioned by the King of Spain, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made along the Alps through the Great St Bernard Pass in May 1800.
The grand appartement de la reine is the Queen's grand apartment of the Palace of Versailles.
The Coronation of Napoleon is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 10 metres (33 ft) wide by a little over 6 metres (20 ft) tall. The work is on display at the Louvre Museum in Paris.
The Portrait of Pope Pius VII is an 1805 portrait of Pope Pius VII by the French painter Jacques-Louis David to thank the pope for assisting at the coronation of Napoleon I of France. Pope Pius appears in David's The Coronation of Napoleon, depicted as blessing the emperor, when in fact he was merely a spectator, assisting at the ceremony with a resigned expression throughout.
Jean-Charles Tardieu, also called "Tardieu-Cochin" was a successful French painter during the ages of Napoleon and of the Bourbon Restoration. His work was primarily historical, but also included landscapes, portraits and religious subjects.
Gioacchino Giuseppe Serangeli was a Roman painter, a pupil of Jacques-Louis David, who painted in France during the period of the French Revolution and the subsequent First French Empire. For some time he was one of the more fashionable painters of portraits of the new ruling class in France. His more mature paintings, done after his return to Italy, were also well regarded.
The Tennis Court Oath is an incomplete painting by the French Neoclassical artist Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis Court Oath at Versailles, one of the foundational events of the French Revolution.
Armand Montjoye, real name Jules Joseph Montjoye, was a 19th-century French painter and playwright.
Portrait of Napoleon III is an oil painting of 1861 by the French painter Hippolyte Flandrin, depicting France's Emperor Napoleon III standing in his Grand Cabinet. It is held at the Musée de l'Histoire de France, in Paris. At its first presentation in the Universal Exhibition in 1862, the painting attracted praise for its true-to-life representation of Napoleon III.
Neoclassicism is a movement in architecture, design and the arts which emerged in France in the 1740s and became dominant in France between about 1760 to 1830. It emerged as a reaction to the frivolity and excessive ornament of the baroque and rococo styles. In architecture it featured sobriety, straight lines, and forms, such as the pediment and colonnade, based on Ancient Greek and Roman models. In painting it featured heroism and sacrifice in the time of the ancient Romans and Greeks. It began late in the reign of Louis XV, became dominant under Louis XVI, and continued through the French Revolution, the French Directory, and the reign of Napoleon Bonaparte, and the Bourbon Restoration until 1830, when it was gradually replaced as the dominant style by romanticism and eclecticism.
Napoleon I as Emperor, also known as Napoleon I in his Coronation Robes, is an oil-on-canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire and currently displayed at the Palace of Versailles. Gérard initially produced the painting as an official portrait of Napoleon I for his throne room at the Tuileries Palace. It was later moved to the Palace of Versailles. The painting spent time at the Louvre, at the Élysée Palace, then at the Château de Saint-Cloud before returning to Versailles in 1894.
The Musée de l'Histoire de France is a museum that was created by King Louis Philippe I in the Palace of Versailles and opened in 1837. At the time, it represented an ambitious project of national reconciliation between the hitherto competing narratives of the French monarchy and the French Revolution, to which Louis-Philippe devoted significant personal attention. Whereas it gradually faded in importance as a museum in the later 19th century, its lavish historicist decoration remains a major exemplar of the art of France's July Monarchy.
La Bataille d'Aboukir by Antoine-Jean Gros is an oil-on-canvas painting commissioned by Joachim Murat in 1805 and completed in 1806. The painting is piece of Napoleonic propaganda known for its attention to historical detail and emotional intensity. It was in the National Palace of Naples in 1808 and was bought for the Musée du Luxembourg in 1833. Since 1835, it has been in the collection of the Palace of Versailles. An original sketch, Murat Defeating the Turkish Army at Aboukir, was completed before the larger painting, and it is now on display at the Detroit Institute of Arts. The final work served as Gros's submission for the Salon of 1806.
Interview Between Napoleon and Francis II after the Battle of Austerlitz is an 1812 history painting by the French artist Antoine-Jean Gros. It portrays the meeting of Napoleon, Emperor of France, and Francis II of Austria in the aftermath of the Battle of Austerlitz in December 1805. Francis requested an interview to discuss terms and days after Napoleon's crushing victory over Austria and its Russian allies. The meeting took place in the Moravian countryside about ten miles south of the battlefield and agreed an immediate armistice to be followed by the Treaty of Pressburg a few weeks later.
