The Funeral of Patroclus is a 1778 oil-on-canvas painting by the French artist Jacques-Louis David. It shows the funeral for Patroclus during Trojan War, with his body and Achilles at the foot of the pyre and Hector resting on his chariot on the right. It was first exhibited at the Palazzo Mancini in Rome in September 1778, where it was a critical success. It was then lost until 1972, when it was acquired by the National Gallery of Ireland, its present home.
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
André-Aimé-René Masson was a French artist.
Abbot Joseph Marie Terray was a Controller-General of Finances during the reign of Louis XV of France, an agent of fiscal reform.
Louis-Michel le Peletier, Marquis of Saint-Fargeau was a French politician, Freemason and martyr of the French Revolution.
Pierre Max Rosenberg is a French art historian, curator, and professor. Rosenberg is the honorary president and director of the Musée du Louvre in Paris, and since 1995, he has held the 23rd seat of the Académie Française. He was Slade Professor of Fine Art at the University of Cambridge in 1987.
The Death of Marat is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793.
Jean-François Pierre Peyron was a French Neoclassical painter, printmaker, and art collector.
Joseph-Benoît Suvée was a Flemish painter strongly influenced by French neo-classicism.
The Coronation of Napoleon is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 10 metres (33 ft) wide by a little over 6 metres (20 ft) tall. The work is on display at the Louvre Museum in Paris.
Leonidas at Thermopylae is an oil-on-canvas painting by French artist Jacques-Louis David. The work currently hangs in the Louvre in Paris, France. David completed the massive work 15 years after he began, working on it from 1799 to 1803 and again in 1813–1814. Leonidas at Thermopylae was purchased, along with The Intervention of the Sabine Women, in November 1819 for 100,000 francs by Louis XVIII, the king of France. The piece depicts the Spartan king Leonidas prior to the Battle of Thermopylae. David's pupil Georges Rouget collaborated on it.
Equestrian Portrait of Count Stanislas Potocki is an oil painting on canvas completed by the French Neo-Classical painter Jacques-Louis David in 1781. A large-scale equestrian portrait, the work depicts a Polish politician, nobleman, and writer of the Enlightenment Period, Stanisław Kostka Potocki. The artist shows Potocki on horseback and wearing the sash of the Polish Order of the White Eagle. As Potocki tips his hat in a welcoming gesture to the viewer, the horse bows, while a dog can be seen barking in the lower left-hand corner of the painting.
Jean Ristat was a French poet and writer.
Jacques-Henri Sablet was a Swiss-French painter, part of a family of artists of Swiss origin. He was also known as Franz der Römer, Giacomo Sablez, Giacomo Sablé, Jacob Henry Sablet, Sablet le Jeune, Sablet le Romain or le peintre du Soleil.
The Loves of Paris and Helen is a 1788 oil-on-canvas painting by the French Neoclassical artist Jacques-Louis David, showing Helen of Troy and Paris from Homer's Iliad. It is now in the Louvre Museum.
Minerva Fighting Mars is an oil-on-canvas painting created in 1771 by the French artist Jacques-Louis David and now in the Louvre.
Diana and Apollo Killing Niobe's Children is a 1772 oil-on-canvas painting by the french artist Jacques-Louis David, now in the Dallas Museum of Art. He produced it to compete for the Prix de Rome. In the Rococo style which marked his early period, it was emblematic of the conflict between David and the Académie royale de peinture et de sculpture jury, which refused him the prize following a pre-arranged vote.
The Death of Seneca is a 1773 oil-on-canvas painting by the French artist Jacques-Louis David, now at the Petit Palais in Paris. It shows the suicide of Seneca the Younger. With its Boucher-like assembly of gesticulating figures, it was his third attempt to win the Prix de Rome, but lost to a painting on the same subject by Pierre Peyron. Peyron's had fewer details and a darker colour palette and was closer to the 'antique'. He was not only David's rival, but also initiated the new classicism which partly inspired David to produce his 1774 Erasistratus Discovering the Cause of Antiochus' Disease.
Psyche Abandoned is a c. 1795 painting by Jacques-Louis David, now in a private collection. It shows Psyche as a crouching female nude in profile against a blue sky with a hill in the background. She stares at the viewer with an expression of loss, pain, and betrayal. Thought to have been painted during David's imprisonment during the French Revolution, it dates from either 1794 or 1795. Vertical in format, it diverges from the academic conventions for representing the female nude.
The royal monastery of Saint-Bernard, better known as the Couvent des Feuillants or Les Feuillants Convent, was a Feuillant nunnery or convent in Paris, behind what is now numbers 229—235 rue Saint-Honoré, near its corner with rue de Castiglione. It was founded in 1587 by Henry III of France. Its church was completed in 1608 and dedicated to Saint Bernard of Clairvaux.
Portrait of Alphonse Leroy is a 1783 oil-on-canvas portrait of doctor and man-midwife Alphonse Leroy by the French Neoclassical artist Jacques-Louis David. It is now in the Musée Fabre in Montpellier, which bought it in 1829.
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