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The Last Moments of Michel Lepeletier, The Death of Lepeletier de Saint-Fargeau or Lepeletier on his Deathbed was a 1793 painting by the French artist Jacques-Louis David.
It was removed in 1795 and entrusted to the artist, who still owned it on his death in Brussels. It was then sold by his family to the subject's daughter Louise Suzanne de Mortefontaine. After that sale it disappeared and most probably Louise destroyed it and as many engravings after it as possible in order to erase any trace of her father's part in the Revolution. It is only known through a drawing by Anatole Desvosge and an engraving by Tardieu which partially escaped destruction.
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
The Beaux-Arts de Paris, formally the École nationale supérieure des beaux-arts, is a French grande école whose primary mission is to provide high-level fine arts education and training. The art school, which is part of the Paris Sciences et Lettres University, is located on two sites: Saint-Germain-des-Prés in Paris, and Saint-Ouen.
Saint-Fargeau is a station of the Paris Métro, serving Line 3bis. The station owes its name to its location under Place Saint-Fargeau, which was named after the politician Louis-Michel Lepeletier de Saint-Fargeau (1760-1793) who had participated in the French Revolution and was assassinated in 1793, allegedly for voting for the execution of Louis XVI.
Thérésa Cabarrus, Madame Tallien was a Spanish-born French noblewoman and socialite who became Princess of Chimay during her lifetime.
The Musée Carnavalet in Paris is dedicated to the history of the city. The museum occupies two neighboring mansions: the Hôtel Carnavalet and the former Hôtel Le Peletier de Saint Fargeau. On the advice of Baron Haussmann, the civil servant who transformed Paris in the latter half of the 19th century, the Hôtel Carnavalet was purchased by the Municipal Council of Paris in 1866; it was opened to the public in 1880. By the latter part of the 20th century, the museum was full to capacity. The Hôtel Le Peletier de Saint Fargeau was annexed to the Carnavalet and opened to the public in 1989.
Louis-Michel le Peletier, Marquis of Saint-Fargeau was a French politician, Freemason and martyr of the French Revolution.
Amédée Louis Michel le Peletier, comte de Saint-Fargeau, also spelled Lepeletier or Lepelletier, was a French entomologist, and specialist in the Hymenoptera.
The Death of Marat is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. Art historian T. J. Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it".
Anatole Devosge was a French painter.
Pierre-Nolasque Bergeret was a French painter, pioneer lithographer and designer of medals and costumes for the stage, who studied with Jacques-Louis David.
Séduisant was a 74-gun ship of the line of the French Navy, lead ship of her class.
Charles-Nicolas Cochin was a French engraver, designer, writer, and art critic. To distinguish him from his father of the same name, he is variously called Charles-Nicolas Cochin le Jeune, Charles-Nicolas Cochin le fils, or Charles-Nicolas Cochin II.
The Death of Socrates is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. In this story, Socrates has been convicted of corrupting the youth of Athens and introducing strange gods, and has been sentenced to die by drinking poison hemlock. Socrates uses his death as a final lesson for his pupils rather than fleeing when the opportunity arises, and faces it calmly. The Phaedo depicts the death of Socrates and is also Plato's fourth and last dialogue to detail the philosopher's final days, which is also detailed in Euthyphro, Apology, and Crito.
The name le Peletier may refer to:
Claude-André Deseine was a French sculptor and the elder brother of Louis-Pierre Deseine.
Nicolas-Henri Tardieu, called the "Tardieu the elder", was a prominent French engraver, known for his sensitive reproductions of Antoine Watteau's paintings. He was appointed graveur du roi to King Louis XV of France. His second wife, Marie-Anne Horthemels, came from a family that included engravers and painters. She is known as an engraver in her own right. Nicolas-Henri and Marie-Anne Tardieu had many descendants who were noted artists, most of them engravers.
The Tennis Court Oath is an incomplete painting by the French Neoclassical artist Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis Court Oath at Versailles, one of the foundational events of the French Revolution.
Château de Saint-Fargeau is a 17th-century, Renaissance château located in the commune of Saint-Fargeau in the department of Yonne, in the Burgundy region of France.
Suzanne le Peletier was a French aristocrat.
The Puisaye is a natural and historical region of France, now divided between the departments of Loiret, Nièvre and Yonne. Its historical and administrative center is the town of Saint-Fargeau. Its inhabitants are known as Poyaudins.
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