Woman at the Wheel | |
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Directed by | Paul Martin |
Written by |
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Produced by | Max Pfeiffer |
Starring | |
Cinematography | Fritz Böttger |
Edited by | Klaus Stapenhorst |
Music by | Harald Böhmelt |
Production company | |
Distributed by | UFA |
Release date |
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Running time | 74 minutes |
Country | Germany |
Language | German |
Woman at the Wheel (German : Frau am Steuer) is a 1939 German romantic comedy film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Leo Slezak. It was the last German film featuring Harvey, who had been the leading box office star in Germany during the 1930s, although she made two further films after moving to France.
The film reunited Harvey and Fritsch who had appeared in several hit films together including The Three from the Filling Station and Congress Dances . It was based on a play by the Hungarian writer Pál Barabás. Harvey was unhappy with the screenplay, which she felt made her character too unsympathetic, but was contractually obliged to appear in the production. [1]
The film's sets were designed by the art director Erich Kettelhut. Location shooting took place in Budapest and Vienna.
A young office worker in Budapest proposes to his colleague, who accepts. However he is fired because all male employees of the company have to be married (and his ceremony took place three days too late). He finds himself unemployed and works as a house husband while his wife is successful at the office and enjoys being the family breadwinner. Feeling emasculated he eventually leaves her and moves back in with his mother. His former boss tries to affect a reconciliation by re-employing him at the company, but he now has to work under his wife which he finds unbearable. The dispute is eventually resolved when she announces that she is pregnant and will be leaving work to care for their expanding family.
Lilian Harvey was a British-German actress and singer, long based in Germany, where she is best known for her role as Christel Weinzinger in Erik Charell's 1931 film Der Kongreß tanzt.
Willy Fritsch was a German theater and film actor, a popular leading man and character actor from the silent-film era to the early 1960s.
Der Kongress tanzt is a German musical comedy film produced in 1931 by Ufa, directed by Erik Charell, starring Lilian Harvey as Christel Weinzinger, the glove seller, Willy Fritsch as Tsar Alexander I of Russia and his doppelgänger, Uralsky, Otto Wallburg as Bibikoff, his Adjutant, Conrad Veidt as Prince Metternich, Carl-Heinz Schroth as his Secretary, Pepi, Lil Dagover as the Countess and Alfred Abel as the King of Saxony.
Paul Martin was a Hungarian film director and screenwriter who worked for many years in the German film industry. He directed 60 films between 1932 and 1967. He was romantically involved with the film star Lilian Harvey and directed her in a number of films until he left her in 1938 for the actress Frauke Lauterbach. They made one final film Woman at the Wheel together during the filming of which their relationship remained cold.
Burglars is a 1930 German musical comedy film directed by Hanns Schwarz and starring Ralph Arthur Roberts, Lilian Harvey, Willy Fritsch, and Heinz Rühmann. It is also known in English by the alternative title Murder For Sale. It is based on the French play "Guignol le cambrioleur" by Louis Verneuil, who co-wrote the screenplay. A French-language version, titled Flagrant délit, was filmed at the same time. The film was intended by the studio UFA as a follow-up to the hit musical The Three from the Filling Station.
The Temporary Widow is a 1930 British-German comedy film, an English-language parallel version directed by Gustav Ucicky and starring Anglo-German actress and singer Lilian Harvey, Laurence Olivier in his first film role, and Athole Stewart.
Hocuspocus is a 1930 German comedy film parallel version directed by Gustav Ucicky, starring Anglo-German Lilian Harvey, Willy Fritsch, and Oskar Homolka. It was the first adaptation of the 1926 play Hokuspokus by Curt Goetz, but used different role names.
The Three from the Filling Station is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch, Heinz Rühmann, and Oskar Karlweis. Produced by Erich Pommer, the film was a major success for the UFA studio, outgrossing even The Blue Angel. Several songs composed by Werner R. Heymann and performed by the Comedian Harmonists have remained popular up to today. The film also had a heavy influence on Hollywood musicals during the 1930s.
Let's Live Tonight is a 1935 American musical comedy film directed by Victor Schertzinger and starring Lilian Harvey, Tullio Carminati and Janet Beecher. The film was made as part of an unsuccessful attempt to establish Harvey, who was a top box office draw in Germany, as a major star in Hollywood. Harvey was under contract to Fox Film, but was loaned out to Columbia Pictures for the production. After making it, Harvey returned to Europe, first to Britain to appear in Invitation to the Waltz and then to Germany, where she starred in Black Roses, which relaunched her German career.
Chaste Susanne is a 1926 German silent comedy film directed by Richard Eichberg and starring Lilian Harvey, Willy Fritsch and Ruth Weyher. It is based on the 1910 operetta Die keusche Susanne composed by Jean Gilbert with a libretto by Georg Okonkowski. In Britain it was released under the alternative title The Girl in the Taxi in reference to The Girl in the Taxi in the English version of the operetta. The film's art direction is by Jacek Rotmil. It was filmed at the Johannisthal Studios in Berlin.
Her Dark Secret is a 1929 German silent comedy film directed by Johannes Guter and starring Lilian Harvey, Willy Fritsch, and Harry Halm. The film reunited Harvey and Fritsch, who had previously appeared together in Chaste Susanne (1926), although this time, their characters become a couple at the end of the film. This provided a template for a number of popular films over the following decade, such as The Three from the Filling Station. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Jacek Rotmil.
The Curse is a 1924 Austrian drama film directed by Robert Land and starring Lilian Harvey, Oscar Beregi and Albert Heine. It was shot at the Sievering Studios.
Capriccio is a 1938 German historical comedy film directed by Karl Ritter and starring Lilian Harvey, Viktor Staal and Paul Kemp. The film is set in 18th century France, where a young woman enjoys a series of romantic adventures. The director, Ritter, was attempting to recreate the style of a René Clair comedy. The film's content was criticised by both Joseph Goebbels and Adolf Hitler. Harvey made only one further film in Germany before leaving for France.
Black Roses is a 1935 German historical drama film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Willy Birgel. A separate English-language version Black Roses was also made with Harvey reprising her role opposite Esmond Knight. She also starred in a French version. The film was Harvey's comeback in German cinema, following her attempt to at Hollywood and then British films. One source suggested that Harvey paid for the English version of the film to be made out of her own money, as she still hoped to break into the English-speaking market.
Princess Trulala is a 1926 German silent comedy film directed by Erich Schönfelder and Richard Eichberg and starring Lilian Harvey, Dina Gralla and Harry Halm. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by art director Kurt Richter. As was common in her silent films, Harvey's heroine has to choose between several different suitors.
Lucky Kids is a 1936 German romantic comedy film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch, and Paul Kemp. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Erich Kettelhut.
Fanny Elssler is a 1937 German historical drama film directed by Paul Martin and starring Lilian Harvey, Rolf Moebius, and Willy Birgel. It was loosely based on the life of the dancer Fanny Elssler. It was shot at the Babelsberg Studios with location filming in Vienna. The film's sets were designed by the art director Erich Kettelhut.
Seven Slaps is a 1937 German comedy film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Alfred Abel. Like the earlier Lucky Kids, which had the same director and stars, it was an attempt to create a German version of screwball comedy. While the previous film had a New York setting, this takes place in London. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Erich Kettelhut. It was loosely remade in 1970 as Slap in the Face.
A Blonde Dream is a 1932 German musical comedy film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Willi Forst. A separate English-language version Happy Ever After was made as a co-production with Gainsborough Pictures. A French-language version was also released.
Derby is a 1949 West German sports film directed by Roger von Norman and starring Hannelore Schroth, Willy Fritsch, and Heinz Engelmann.