Art of Noise were a British avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of "Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award.
Rarities is a compilation album by Swedish pop duo Roxette, released from 10 February 1995 by EMI exclusively in Southeast Asia and South America. The record is composed of previously released b-sides, demos, single mixes and remixes, as well as several songs from the duo's 1993 performance for MTV Unplugged. As of 2001, the compilation has sold in excess of a million copies worldwide.
Summer in Paradise is the twenty-seventh studio album by American rock band the Beach Boys, released on August 3, 1992, by Brother Records. Produced by Terry Melcher, it is the only album not to feature any new contributions from Brian Wilson, and has been regarded as the band's critical and commercial low point, failing to chart in either the US or UK and receiving almost unanimously negative reviews. In North America, it was the group's first album to be released only on CD and cassette, with a rare vinyl pressing released only in South Korea. The Beach Boys did not record another album of predominately original material until That's Why God Made the Radio in 2012. Summer in Paradise was left out of Capitol's Beach Boys CD reissue campaign of 2000 to 2001, as well as all other reissues for most of the group's discography. Both it and its predecessor, Still Cruisin', are currently out of print. Summer in Paradise, along with Still Cruisin, were pulled from later re-releases due to poor public reception.
Daniel Patrick Lohner, frequently known as Renholdër, is an American musician and record producer best known for his work with Nine Inch Nails and A Perfect Circle. In 2020, he was inducted into the Rock and Roll Hall of Fame as a member of Nine Inch Nails.
I'm Talking are an Australian funk-pop rock band, which featured vocalists Kate Ceberano and Zan Abeyratne. They formed in 1983 in Melbourne and provided top ten hit singles "Trust Me", "Do You Wanna Be?" and "Holy Word" and a top fifteen album, Bear Witness, before disbanding in 1987. The group reunited in October 2018, and went on a 2019 tour as well as a series of small venue shows.
Boom Boom Chi Boom Boom is the third studio album by Tom Tom Club, released in 1988. It includes a cover of the Velvet Underground's "Femme Fatale", with David Byrne, Lou Reed, and Jerry Harrison. The track "Suboceana" was released as a single in the UK in late 1988 and received some radio airplay. In the US, a 12-inch single of the song was released, which featured a remix by Marshall Jefferson, and contains the track "Devil, Does Your Dog Bite". That song is a bonus on the Japanese issue of the album that has the original 10 songs. The track "Don't Say No" was released as a single in the UK, Europe, and Australia. The 7" version was remixed by Tuta Aquino and various 12" releases included acid house remixes by Marshall Jefferson. "Challenge of the Love Warriors" is played over the ending credits of Mary Lambert's 1987 mystery thriller Siesta though it is not included on the soundtrack album, also released in 1987, from Miles Davis and Marcus Miller.
Underground Lovers are an Australian pop-rock band whose sound encompasses elements of indie rock, electronic music, and shoegaze. Founding members Glenn Bennie and Vincent Giarrusso formed the group GBVG in 1988, and by May 1990, they had changed the name of the group to Underground Lovers and were joined by Richard Andrew (drums), Maurice Argiro, and Philippa Nihill.
B in the Mix: The Remixes is the first remix album by American singer Britney Spears. It was released on November 22, 2005, by Jive Records.
"Appears" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax on November 10, 1999 as the sixth single from her second studio album Loveppears (1999), which was released on the same day. Alongside this, it has been released in several other territories with different release dates under her Western alias Ayu. It also served as Hamasaki's first limited edition single, limiting physical sales to 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, "Appears" is a dance song written in third person perspective, and is about the third person watching what appears to be a happy and loving relationship. Upon its release, "Appears" received positive reviews from music critics. Alexey Eremenko, writing for AllMusic, selected the track as the best song from the album and her career. However, an editor from CD Journal criticized the amount of remixes on the CD single.
Set is the second studio album by English pop band Thompson Twins. Released in February 1982, it was the second album they recorded for their own T Records imprint, which was released by Arista Records/Hansa.
12″ers is a remix album by the English singer-songwriter Phil Collins, the lead vocalist and drummer for the rock band Genesis. The album contains remixed versions of six tracks from his 1985 album No Jacket Required. All special extended remixes are by John 'Tokes' Potoker, except for "One More Night" remixed by Hugh Padgham. The remixes on this album were originally released on various 12-inch singles which were taken from the album No Jacket Required, hence the name.
Blissed Out is a remix album by English electronic group The Beloved, released in 1990. It is a sister release of their studio album Happiness, released earlier that year, which had generated four hit single releases.
The Raw & the Remix is a remix album by English alternative band Fine Young Cannibals, released in 1990 by I.R.S. Records, MCA Records and London Records. It contains remixes and alternate versions of songs by the band, mostly from their 1989 album The Raw & the Cooked. Several of the remixes were created by David Steele and Andy Cox of the band, whilst others were created by disc jockeys such as Smith & Mighty, Youth, Jazzie B, Nellee Hooper and Derrick May. The remixes on the album are said to be significantly different from the originals, some of which contain major stylistic differences in the arrangements.
Artificial Horizon is a compilation album of remixed tracks by rock band U2. It was released exclusively to subscribing members of U2.com, replacing Medium, Rare & Remastered. The remix CD is of a similar vein to the band's 1995 release Melon: Remixes for Propaganda, which was also released exclusively to fans. A triple-vinyl edition was released to the general public until 14 May 2010; this version included an MP3 for the Snow Patrol remix of the song "Unknown Caller".
I Touch Roses: The Best of Book of Love is a best of compilation album by American synthpop and electronic band Book of Love, released on March 13, 2001, by Reprise Records.
"Counting the Rosaries" is the tenth single released by the American synthpop band Book of Love. The song was released as the third and final single from the band's third album, 1991's Candy Carol.
"Sunny Day" is the ninth single released by the American synthpop band Book of Love. The song was released as the second single from the band's third album, 1991's Candy Carol.
Rushall Station is the fourth album by Australian indie rock/electronic band Underground Lovers, released in 1996. It was named after Rushall railway station, located near the home of band member Vincent Giarrusso in Clifton Hill in Melbourne.
Dream It Down is the third album by Australian indie rock/electronic band Underground Lovers, released in 1994. It was the second and final album released as part of a recording contract with the Polydor label and was named Australian album of the year by Triple J. Two singles, "Las Vegas" and "Losin' It" were taken from the album.
"Too Far" is a song by Australian recording artist Kylie Minogue, taken from her sixth studio album Impossible Princess (1997). It was written and produced by Minogue, with additional production credits to Brothers in Rhythm. The song is a drum and bass song where Minogue describes her anger and frustration through its lyrics. It contains elements of club music and breakbeat music, and employs spoken word techniques.
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