Jane Mallory Birkin was a British-French actress and singer. She had a prolific career as an actress, mostly in French cinema.
Penny Serenade is a 1941 American melodrama film directed by George Stevens starring Irene Dunne and Cary Grant as a loving couple who must overcome adversity to keep their marriage and raise a child. It was produced and distributed by Columbia Pictures. Grant was nominated for the Academy Award for Best Actor for his performance.
The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck is a 1967 comedy horror film directed by Roman Polanski, written by Gérard Brach and Polanski, produced by Gene Gutowski and starring Polanski with his future wife Sharon Tate, along with Jack MacGowran and Alfie Bass, and featuring Ferdy Mayne.
Wonderwall Music is the debut solo album by the English musician George Harrison and the soundtrack to the 1968 film Wonderwall, directed by Joe Massot. Released in November 1968, it was the first solo album by a member of the Beatles, and the first album issued on the band's Apple record label. The songs are all instrumental pieces, except for occasional non-English language vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai, tanpura and santoor. The Indian pieces are contrasted by Western musical selections, in the psychedelic rock, experimental, country and ragtime styles.
Nothing Sacred is a 1937 American Technicolor screwball comedy film directed by William A. Wellman, produced by David O. Selznick, and starring Carole Lombard and Fredric March with a supporting cast featuring Charles Winninger and Walter Connolly. Ben Hecht was credited with the screenplay based on the 1937 story "Letter to the Editor" by James H. Street, and an array of additional writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson made uncredited contributions.
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
A Star Is Born is a 1937 American Technicolor drama film produced by David O. Selznick, directed by William A. Wellman from a script by Wellman, Robert Carson, Dorothy Parker, and Alan Campbell, and starring Janet Gaynor as an aspiring Hollywood actress, and Fredric March as a fading movie star who helps launch her career. The supporting cast features Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, and Owen Moore. At the 10th Academy Awards, it became the first color film to be nominated for the Academy Award for Best Picture.
A Star Is Born is a 1954 American musical tragedy film directed by George Cukor, written by Moss Hart, and starring Judy Garland and James Mason. Hart's screenplay is an adaptation of the original 1937 film, based on the original screenplay by Robert Carson, Dorothy Parker and Alan Campbell, and from the same story by William A. Wellman and Carson, with uncredited input from six additional writers—David O. Selznick, Ben Hecht, Ring Lardner Jr., John Lee Mahin, Budd Schulberg and Adela Rogers St. Johns.
"In the First Place" is a song by the English rock group the Remo Four. It was released as a single in January 1999 to accompany the re-release of the 1968 psychedelic film Wonderwall, directed by Joe Massot. The song was written by Colin Manley and Tony Ashton of the Remo Four and recorded in London in January 1968 during the sessions for George Harrison's Wonderwall Music soundtrack album. Having produced the track for the band, Harrison unearthed the recording 30 years later when supplying Massot with the master tapes for the film's music. Ashton and the Remo Four's drummer, Roy Dyke, also recorded the song with their subsequent group, Ashton, Gardner and Dyke, in 1969.
Hello, Dolly! is a 1969 American musical romantic comedy film based on the 1964 Broadway production of the same name, which was based on Thornton Wilder's play The Matchmaker. Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong.
ABBA: The Movie is a 1977 mockumentary comedy-drama film about the Swedish pop group ABBA's Australian tour. An international co-production from the band's native Sweden and the tour's Australia, the film was directed by Lasse Hallström, who previously helmed most of the band's videos. Its release coincided with ABBA: The Album, the group's fifth studio album, and features many songs from that album as well as many of their earlier hits, and one, "Get on the Carousel", unavailable anywhere else.
Let's Kill Uncle—also known as Let's Kill Uncle Before Uncle Kills Us—is a 1966 color black comedy film produced and directed by William Castle, about a young boy trapped on an island by his uncle, who is planning to kill him. The boy's only friend is a young girl, who tries to help him.
Jane Katherine Lumb was an English fashion model and actress in the 1960s. She appeared in a series of advertisements for Fry's Turkish Delight.
It's a Wonderful World is a 1956 British musical film directed and written by Val Guest and starring Terence Morgan, George Cole, Mylène Demongeot and Kathleen Harrison. It also features Dennis Lotis, a popular singer at the time.
The House That Screamed, also released as The Finishing School, is a 1969 Spanish slasher film written and directed by Narciso Ibáñez Serrador, and starring Lilli Palmer, Cristina Galbó, John Moulder-Brown, and Mary Maude. It follows Señora Fourneau, the strict headmistress of a nineteenth-century French boarding school for girls where the students begin to disappear under unusual circumstances.
Maryam d'Abo is a British actress, best known as Bond girl Kara Milovy in the 1987 James Bond film The Living Daylights.
"Dream Scene" is an experimental composition by English rock musician George Harrison. It was released in November 1968 on his debut solo album, Wonderwall Music, which was the soundtrack to the psychedelic film Wonderwall, directed by Joe Massot. The track is an instrumental piece, apart from occasional non-English language vocals and a spoken word segment. It comprises three sections and combines meditative Indian sounds and singing with passages of Western instrumentation and avant-garde styling, including backwards tape loops and sound effects. After viewing an early edit of Wonderwall at Twickenham Film Studios, Harrison devised the piece to accompany a psychedelic dream sequence in the film. The song serves as the narrative for the sequence, in which a strait-laced professor imagines himself duelling with the fashion photographer boyfriend of the young woman he obsessively spies on through a hole in the wall separating their apartments.
Nude per l'assassino is a 1975 giallo film directed by Andrea Bianchi. Written by Massimo Felisatti, the film stars Nino Castelnuovo, Edwige Fenech and Solvi Stubing, and features music by Berto Pisano. Nude per l'assassino has received mixed reviews from critics.
The Telephone Book is a 1971 American independent sexploitation comedy film written and directed by Nelson Lyon and starring Sarah Kennedy, along with Norman Rose, James Harder, and Jill Clayburgh. The film follows a solitary but lustful woman named Alice, who falls in love with a stranger who makes obscene phone calls to her. The film is satirical in nature and often breaks the fourth wall.
