Wooden tomb models were deposited as grave goods in the tombs and burial shafts throughout early Egyptian History, most notably in the Middle Kingdom of Egypt. They included a wide variety of wooden figurines and scenes, such as boats, granaries, baking and brewing scenes and butchery scenes. These served as ways to preserve the action depicted for eternity in honor of the dead. [1] The use of wood rather than other materials became popular in the first intermediate period. [2] Over time the models of boats in particular went from life size to much smaller scale though they remained numerous, some boats being less than a meter in length and fleets at times being larger than 50 models. The 11th dynasty appears to be when there is a shift from making these burial boats river worthy to making them stand nicely for funerary display. [3]
The number of models of scenes and boats increased as the periods changed and the types of figures in tombs shifted from people giving offering to scenes of daily life. This culminates in the Middle Kingdom where tombs could have over thirty scenes depicted, over fifty boats and only a dozen or so people giving offering. Compared to tombs in Giza that may have only twenty models with servants depicted. [4]
Pottery and ivory models from the Predynastic and Early Dynastic periods are rare, but have been found to include similar items and scenes to the later models such as granaries. [6] [7] Stone miniature containers were developed at this time and use for ritual purposes with an introduction of copper containers in the 6th Dynasty however, pottery remained popular. These types of jars would also go on to inspire wooden models of stone containers in the Middle Kingdom. [8]
During the Old Kingdom, limestone models of single figures taking part in a variety of daily life activities such as farming, food preparation, brewing, animal butchering, and entertainment were produced. Wooden boat models also had become popular and have been found in elite burials. [6] [7] [9] The funerary boats of the Old Kingdom were often life size or at times oversized, believed to be part of the funerary precession a mummy would take or an offering to the deceased. [3] Boats of the predynastic period were modeled after boats used in swamps, while the Old Kingdom brought the introduction of square shaped river boats. [10] The models are often buried outside of the tomb, in the serdab, or in statue niches within the tomb. [11] towards the end of the 5th Dynasty was when the first wooden models came into production, though often alongside stone pieces. These wooden models were smaller than those of later periods and less decorative in style. [12] An example of this type of model can be seen to the right. Following the reign of Pepi II, such models are increasingly found in elite burials and in greater numbers. [6]
The First Intermediate Period models usually consisted of two or more human figures attached to a base in a scene. [13] These scenes can depict a variety of tasks including food production, crafting and other modes of specialized work though boats remained popular through this period as well. [14] Boats of this period continued to diversify with the introduction of a new type of curved river boat, as well as boats that modeled ceremonial boats relating to solar worship and funerary practices. [10] Boats would often come in pairs representing the trips north and south that a body would take before reaching its final resting place. [15]
Most funerary models that survive today are from the Middle Kingdom, where not only the number of models increased but the variety of the models and what they depicted increased as well. These models could be found in many areas of the burial such as the tomb chapel, floor niches and shafts, or in the burial chamber, a good example of this variety can be seen in the tomb of Nakhti at Asyut. [11] Models found in the burial chamber were orientated to the cardinal directions and coffin, and could be found both on top of the coffin and on the floor beside it. Most of the models are three-dimensional representations of common scenes that are found on tomb chapel walls. For example, granaries are found depicted on southern walls of Old Kingdom tomb chambers and as well as on the foot ends of Middle Kingdom coffins. [16] Examples of the variety of models that can be found from these periods can be seen in the slideshow below.
Some of the best known are the twenty-four wooden models that come from the tomb of Meketre (TT280), which are now found in the Egyptian Museum in Cairo and Metropolitan Museum of Art in New York City. [23] The largest collection of models were found in Tomb 10A of Djehutynakht and his wife, also called Djehutynakht, at Dayr al-Barshā by the 1915 the Harvard University-Boston Museum of Fine Arts excavation which included "some 58 model boats and nearly three dozen models of daily life." [24] These models are now at the Boston Museum of Fine Arts. [25]
During the reign of Senusret III, the use of wooden models in tombs declines and are no longer found. [14] However, frequently included in discussions of Middle Kingdom models are several model boats that have been found in New Kingdom royal burials, most notably the burial of Tutankhamun. [26] Tutankhamun's flotilla included thirty-five boats. [26] Other notable New Kingdom models are the boats of Queen Aahotep at Dra Abu el-Naga which includes one made of gold with silver figures and another made entirely of silver. [27]
Saqqara, also spelled Sakkara or Saccara in English, is an Egyptian village in the markaz (county) of Badrashin in the Giza Governorate, that contains ancient burial grounds of Egyptian royalty, serving as the necropolis for the ancient Egyptian capital, Memphis. Saqqara contains numerous pyramids, including the Pyramid of Djoser, sometimes referred to as the Step Tomb, and a number of mastaba tombs. Located some 30 km (19 mi) south of modern-day Cairo, Saqqara covers an area of around 7 by 1.5 km.
Canopic jars are containers that were used by the ancient Egyptians during the mummification process, to store and preserve the viscera of their owner for the afterlife. The earliest and most common versions were made from stone, but later styles were carved from wood. The ritual use of the jars dates as far back as the Old Kingdom and stayed in practice until the Late Period or the Ptolemaic Period, by which time the viscera were simply wrapped and placed with the body. Canopic jars of the Old Kingdom were rarely inscribed and had a plain lid, but by the Middle Kingdom inscriptions became more usual, and the lids were often in the form of human heads. By the Nineteenth Dynasty each of the four lids depicted one of the four sons of Horus, actings as guardians for the respective organ in their jar.
Deir el-Bahari or Dayr al-Bahri is a complex of mortuary temples and tombs located on the west bank of the Nile, opposite the city of Luxor, Egypt. This is a part of the Theban Necropolis.
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
The necropolis of Draʻ Abu el-Naga' is located on the West Bank of the Nile at Thebes, Egypt, just by the entrance of the dry bay that leads up to Deir el-Bahari and north of the necropolis of el-Assasif. The necropolis is located near the Valley of the Kings.
Hor Awibre was an Egyptian pharaoh of the early 13th Dynasty in the late Middle Kingdom.
Herbert Eustis Winlock was an American Egyptologist and archaeologist, employed by the Metropolitan Museum of Art for his entire career. Between 1906 and 1931 he took part in excavations at El-Lisht, Kharga Oasis and around Luxor, before serving as director of the Metropolitan Museum from 1932 to 1939.
Deir El Bersha is a Coptic village in Middle Egypt, in the Minya Governorate. It is located on the east bank of the Nile to the south of Antinoöpolis and almost opposite the city of Mallawi. During the pharaonic period, there was a vast cemetery, which is most well known for its decorated Middle Kingdom tombs on the north flank of Wadi Nakhla.
TT1 is the burial place of the ancient Egyptian official Sennedjem and members of his family in Deir el-Medina, on the west bank of the Nile opposite Luxor. The funerary complex consists of three pyramid-shaped chapels dedicated to, from south to north, Sennedjem's father or brother, Sennedjem himself, and Sennedjem's son Khonsu. Of the three shafts associated with the chapels, only the shaft in front of Sennedjem's chapel was unrobbed. It leads to a series of underground rooms, including the extensively decorated burial chamber.
The ancient Egyptian official Meketre was chancellor and high steward during the reign of Mentuhotep II, Mentuhotep III and perhaps Amenemhat I, during the Middle Kingdom.
Tomb TT280, located in Sheikh Abd el-Qurna, part of the Theban Necropolis, is the burial place of the ancient Egyptian noble Meketre who was chancellor and chief steward during the reign of Mentuhotep II and Mentuhotep III, during the Eleventh Dynasty.
The Tomb of Two Brothers is an ancient sepulchre in Deir Rifeh, Egypt. It contains the chamber tomb of the ancient Egyptian high status priests Nakht-Ankh and Khnum-Nakht, which dates from the 12th Dynasty. The whole tomb group is now in the Manchester Museum.
The Theban Tomb TT57 is located in Sheikh Abd el-Qurna. It forms part of the Theban Necropolis, situated on the west bank of the Nile opposite Luxor. The tomb is the burial place of the ancient Egyptian official Khaemhat, who was royal scribe and overseer of double granary, during the reign Amenhotep III. The relief decoration of the tomb is regarded as the best of New Kingdom art.
Dancing played an important role in the lives of the ancient Egyptians. However, men and women are never depicted dancing together. The trf was a dance performed by a pair of men during the Old Kingdom. Dance groups were accessible to perform at dinner parties, banquets, lodging houses, and even religious temples. Some women from wealthy harems were trained in music and dance. They danced for royalty accompanied by male musicians playing on guitars, lyres, and harps. Yet, no well-bred Egyptian would dance in public, because that was the privilege of the lower classes. Wealthy Egyptians kept slaves to entertain at their banquets and present pleasant diversion to their owners.
Rashepses was a vizier from the Fifth Dynasty of Egypt. Rashepses was vizier under Djedkare Isesi. A letter directed to Rashepses has been preserved. This decree is inscribed in his tomb in Saqqara. As vizier he was one of the most important Ancient Egyptian officials. In his tomb are many titles recorded. It seems that he was first overseer of the scribes of the royal documents, overseer of the two granaries and overseer of all royal works. These are all very important titles, making him an influential official at the royal court. At the final stage of his career he became vizier. The vizier title is only preserved in two letters that are copied on the decoration of the tomb. It seems that most of his tomb was finished and after all that, he was promoted.
Kheti was an ancient Egyptian treasurer of the 11th Dynasty, under king Mentuhotep II. Kheti appears in several sources and was one of the most influential figures at the royal court of the king. He is depicted in two rock reliefs at Shatt er-Rigal where he is standing in front of the king. Once the king wears the Sed festival dress. It can be assumed that Kheti was involved in arranging the festival for the king. His name and title appear in the funerary temple of the king in Deir el-Bahari and he had a tomb near the funerary temple of his king. The tomb (TT311) was found heavily destroyed but there are still many remains of reliefs showing that it was once decorated. The burial chamber was better preserved and was also decorated. His successor was Meketre.
Several ancient Egyptian solar ships and boat pits were found in many ancient Egyptian sites. The most famous is the Khufu ship, which is now preserved in the Grand Egyptian Museum. The full-sized ships or boats were buried near ancient Egyptian pyramids or temples at many sites. The history and function of the ships are not precisely known. They are most commonly created as a "solar barge", a ritual vessel to carry the resurrected king with the sun god Ra across the heavens. This is a common theme in the Pyramid Texts, and these buried boats might be a real-life equivalent of solar barges. Similarly, another explanation behind these boats is that they were built for past kings to carry them to the afterlife. Because of these ships' association with the sun, they are often found in an east-west orientation in order to follow the path of the sun.
Gemniemhat was an ancient Egyptian official who is known from his well preserved burial excavated at Saqqara. Gemniemhat dates to the end of the First Intermediate Period or early Middle Kingdom. His burial was found by Cecil Mallaby Firth in 1921, who excavated part of the cemeteries around the pyramid of Teti. The burial of Gemniemhat was found at the bottom of a shaft and contained two decorated coffins. The head of the deceased was covered with a mummy mask. Around the coffins were found many wooden models showing the production of food, two female offering bearers and a small wooden statue of Gemniemhat. The objects are today in the Ny Carlsberg Glyptotek, although only the inner coffin could be preserved. Above ground there was a small mud brick mastaba decorated with a false door. Here, Gemniemhat bears several titles, including royal sealer, steward, overseer of the granaries. He was also funerary priest at the pyramid of king Merikare.
The Ure Museum’s ancient Egyptian funerary boat is a 12th Dynasty, Middle Kingdom model boat; believed to have been manufactured between 1991–1786 BC. It was discovered during excavations in the group of tombs described as the ‘Tombs of the Officials’ at Beni Hasan, Egypt.
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