Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honouring of God, called Jah by Rastafarians. It is identified with the life of the ghetto sufferer, and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae.
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals.
Studio One is one of Jamaica's most renowned record labels and recording studios; it has been described as the Motown of Jamaica. The record label was involved with most of the major music movements in Jamaica during the 1960s and 1970s, including ska, rocksteady, reggae, dub and dancehall.
In Jamaican popular culture, a sound system is a group of disc jockeys, engineers and MCs playing ska, rocksteady or reggae music. The sound system is an important part of Jamaican culture and history.
VP Records is an independent Caribbean-owned record label in Queens, New York. The label is known for releasing music by notable artists in reggae, dancehall and soca. VP Records has offices in New York City, Miami, London, Kingston, Tokyo, Johannesburg and Rio de Janeiro. Additionally, the label has established a presence in Toronto, Australia and New Zealand.
Roger Robinson, better known as Robbo Ranx, is a UK dancehall and reggae DJ. He presented shows on BBC Radio 1Xtra for twelve years.
Tony Matterhorn is a dancehall reggae deejay and sound system selector from Kingston, Jamaica.
Earlando Arrington Neil, better known by his stage name Early B, was an early dancehall and reggae deejay whose lyrics had a cultural bent, noted mainly in his hits Visit of King Selassie, History of Jamaica and Wheely Wheely, the latter an ode to bicycle-riding in Jamaica.
Black Chiney is a Jamaican sound system based in Miami, Florida. It consists of four Chinese Jamaicans: Supa Dups, Bobby Chin, Willy Chin and Walshy Fire. The Caribbean slang "Black Chiney" refers to this racial mix.
David Michael "Ram Jam" Rodigan MBE OD is a British radio DJ who also performs as a disc jockey. Known for his selections of reggae and dancehall music, he has played on stations including Radio London, Capital 95.8, Kiss 100, BBC Radio 1Xtra, BBC Radio 2 and BFBS Radio.
Bass Odyssey is a Jamaican reggae and dancehall sound system founded in 1989 by Keith Walford.
Sentinel is a reggae and dancehall sound system from Stuttgart, Germany, best known for winning the 2005 World Clash in Brooklyn, New York.
"Real Rock" is an instrumental reggae song by the Jamaican band Sound Dimension. It was recorded in 1967 at Jamaica Recording Studio in Kingston, Jamaica, and released as a single in 1968 by Studio One. The song was produced by Clement "Coxsone" Dodd and performed by Eric Frater (guitar), Boris Gardiner, Phil Callender (drums), Denzel Laing (percussion), Vin Gordon (trombone) and Jackie Mittoo (keyboards), who played the riddim's signature three-note Hammond organ figure.
Irie Maffia is a Hungarian pop band formed in 2005. Their music is based on reggae and dancehall, which they blend with hip hop, funk and rock. The band also has a sound system formation, where András Kéri sings ragga lyrics on the reggae/dancehall riddims played by band leader Márton Élő and Gáspár Horváth from vinyl records.
The UK Cup Clash was an annual sound clash held in London since 2001. The series, which was sponsored by BBC Radio 1Xtra, was interrupted in 2008, though plans were underway to stage it again in 2013.
The Four Aces Club was a pioneering music and recreational space on Dalston Lane in Dalston, London. Based in a building that had formerly been the North London Colosseum and Amphitheatre and then a cinema, in the 1960s and 1970s the club became one of the first venues to play black music in the United Kingdom. It was credited with playing a significant "role in the evolution of reggae into dance music, from ska, to rocksteady, to dub, to lovers, to dancehall and the evolution of jungle." Many notable Afro-Caribbean musicians appeared at the Four Aces, which was often referred to as "the jewel in Dalston's crown". As well as reggae and dub artists, its clientele over the years including stars such as Bob Marley, Stevie Wonder and Jimmy Cliff.
It's All About Dancing: A Jamaican Dance-U-Mentary is a 2006 Jamaican documentary film about dancehall culture. It includes instructional segments about several dance moves that were popular at the time, such as the "Air Force One" or the "Gorilla Warfare".
Leighton Paul Walsh, better known by his stage name Walshy Fire, is a Jamaican American DJ, MC and record producer. He is part of the dancehall reggae-influenced group Major Lazer alongside fellow DJs Diplo and Ape Drums. Walshy Fire toured with the Black Chiney sound system beginning in 2004. Black Chiney is cited as a significant influence on the evolution of Major Lazer with its mashups that blend hip hop or R&B rhythms with reggae & R&B artist vocal tracks and its representation of the Jamaican sound system. The subsequent mix tapes that the Black Chiney collective of DJs, engineers and MCs would develop were the training ground for Walshy to become a remix producer.
Erik Weiss, better known by his stage name Liondub, is an American DJ, producer, and record label owner who specializes in jungle, drum and bass, reggae, dancehall, hip hop and dubstep.
Kebra Negus 
King Addies 
Bodyguard
Mighty Crown 
Pow Pow Movement 
Matsimela 
Poison Dart 
Rebel Tone 
One Love