 Xpress Pro edits both standard definition and low-mid-range high definition video | |
| Developer(s) | Avid Technology |
|---|---|
| Final release | 5.8.4 |
| Operating system | Windows, Mac OS X |
| Type | Video editing software |
| License | Proprietary |
Avid Xpress Pro was a non-linear video editing software aimed at professionals in the TV and movie industry. It was available for Microsoft Windows PCs and Apple Macintosh computers.
Xpress Pro included many of the high-end editing features offered by other Avid editing systems, and was closely based on Avid's Media Composer systems. In conjunction with the Avid Mojo hardware, it provided real-time uncompressed video editing at a professional level. [1] Xpress Pro was capable of sharing media files with Avid's advanced Media Composer editing systems making it a capable logging or offline editing system for larger projects.
While Xpress Pro was originally aimed at DV and uncompressed standard definition editors, the upgrade to Xpress Pro HD with version 5.0 of the software added support for high-definition editing with the 8-bit version of Avid's DNxHD codec or Panasonic's DVCPRO HD codec, and version 5.2 added support for HDV editing. Unlike some other editing packages, Xpress Pro HD edits HDV natively by decompressing the MPEG-2 stream on the fly, rather than transcoding into an intraframe codec.[ citation needed ]
Xpress Pro was discontinued on March 17, 2008, and was no longer for sale after June 30, 2008. [2] Avid offered Xpress Pro users a discounted upgrade price for their flagship non-linear editing software Media Composer.
One of the controversial aspects of the software was that it did not work on Microsoft's Windows Vista.
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DV is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, DVCAM, Digital8, HDV, DVCPro, DVCPro50 and DVCProHD. DV has been used primarily for video recording with camcorders in the amateur and professional sectors.
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Media Composer is a non-linear editing (NLE) software application developed by Avid Technology. First introduced in the late 1980s and widely adopted in the 1990s, it has become a prominent tool in the professional editing landscape, particularly in the film, television, and broadcast industries. Media Composer is used in a variety of production environments, including feature films, television shows, documentaries, and streaming service content.
This is a comparison of non-linear video editing software applications. See also a more complete list of video editing software.
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AVC-Intra is a type of video coding developed by Panasonic, and then supported in products made by other companies. AVC-Intra is available in Panasonic's high definition broadcast products, such as, for example, their P2 card equipped broadcast cameras.
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Ingex is an open-source (GPL) suite of software for the digital capture of audio and video data, without the need for traditional audio or video tape or cassettes. Serial digital interface (SDI) capture is supported, as well as real-time transcoding. Portions of the software suite also act as a network file server for media files, as well as archiving to LTO-3 data tape. Audio and video media files can also be stored on USB hard drives or Network Attached Storage. The software is heavily used by the BBC, and was developed by the BBC Research Laboratory.
CineAsset was a complete mastering software suite by Doremi Labs that could create and playback encrypted and unencrypted DCI compliant packages from virtually any source. CineAsset included a separate "Editor" application for generating Digital Cinema Packages (DCPs). CineAsset Pro added the ability to generate encrypted DCPs and Key Delivery Messages (KDMs) for any encrypted content in the database. It has since been discontinued, along with CineAsset Player.
Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Much like the H.26x and MPEG standards, the ProRes family of codecs use compression algorithms based on the discrete cosine transform (DCT). ProRes is widely used as a final format delivery method for HD broadcast files in commercials, features, Blu-ray and streaming.
CinePlayer is a software based media player used to review Digital Cinema Packages (DCP) without the need for a digital cinema server by Doremi Labs. CinePlayer can play back any DCP, not just those created by Doremi Mastering products. In addition to playing DCPs, CinePlayer can also playback JPEG2000 image sequences and many popular multimedia file types.
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