| Ya No Hace Falta | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1999 | |||
| Genre | Timba | |||
| Label | Ahí-Namá Music [1] | |||
| Bamboleo chronology | ||||
| ||||
Ya No Hace Falta is an album by the Cuban band Bamboleo. [2] [3] It was released in 1999. [4] [5] The title track ("I am not in need") was the group's most commercially successful song. [6] [7] The band supported Ya No Hace Falta with a North American tour. [8] The title track appeared in the film Suite Habana . [9]
The majority of the album's songs were written and arranged by bandmember Lazaro Valdes, who was chiefly influenced by Earth, Wind & Fire. [10] [11] The songs were performed by four singers and 10 musicians. [12] Valdes employed tumbaoes on many of the songs. [13]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [14] |
The Sun-Sentinel wrote that "Bamboleo blends funky urban salsa with storytelling and arrangements that feature blaring horns, thunderous percussion and four poetic vocalists... Its music includes more breakdowns than the commercial salsa heard in the United States and Puerto Rico, so much so that the tembleque, or tremor, is ideally suited to freestyle dancing." [15] The Washington Post called the album "irresistible," writing that it is full of "lots of bottom, lots of funk, lots of power in the horns." [11]
The Santa Cruz Sentinel determined that "each track is uniquely eloquent, carrying the air of improvised artistic freedom and a clear-metered knowledge of the right musical elements." [12] The Star Tribune noted that "the percolating piano, call-and-response vocals and sizzling percussion are unmistakably—and irresistibly—Cuban." [16]
AllMusic wrote that "the group certainly does not want for heat, with salty montunos from pianist/arranger Lazaro Valdes and plenty of time-shifting breaks from a percussion section as good as any operating today." [14]
| No. | Title | Length |
|---|---|---|
| 1. | "Opening" | |
| 2. | "Ya No Hace Falta" | |
| 3. | "Recapacita" | |
| 4. | "Se le Fue la Mano" | |
| 5. | "El Manisero" | |
| 6. | "Candil de Nieve" | |
| 7. | "Lo Que Quiero es Bamboleo" | |
| 8. | "La Tremenda" | |
| 9. | "El Pillo" | |
| 10. | "El Protagonista" | |
| 11. | "Lo Mio" | |
| 12. | "Ya No Hace Falta (Edited Version)" |
Salsa music is a style of Latin American music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son cubano, with elements of guaracha, cha-cha-chá, danzón, descarga, bolero, guajira, rumba, mambo, jazz, funk, R&B, rock, bomba, and plena. All of these elements are adapted to fit the basic Son montuno template when performed within the context of salsa.
Úrsula Hilaria Celia de la Caridad Cruz Alfonso, known as Celia Cruz, was a Cuban singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cuba during the 1950s as a singer of guarachas, earning the nickname "La Guarachera de Cuba". In the following decades, she became known internationally as the "Queen of Salsa" due to her contributions to Latin music. She had sold over 10 million copies, making her one of the best-selling Latin music artists.
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
The tres is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the cuatro.
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although son montuno had previously referred to the sones played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. He also incorporated piano solos and often subverted the structure of songs by starting with the montuno in a cyclic fashion. For his approach, Arsenio had to expand the existing septeto ensemble into the conjunto format which became the norm in the 1940s alongside big bands. Arsenio's developments eventually served as the template for the development of genres such as salsa, songo and timba.
Los Van Van is one of the leading musical groups of post-revolutionary Cuba. It was founded in 1969 by bassist Juan Formell, who directed the band until his death in 2014. Formell and former band members Changuito and Pupy are some of the most important figures in contemporary Cuban music, having contributed to the development of songo and timba, two popular dance music genres.
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section are all rooted in traditions of Bantu origin.
Timba is a Cuban genre of music based on Cuban son with salsa, American Funk/R&B and the strong influence of Afro-Cuban folkloric music. Timba rhythm sections differ from their salsa counterparts, because timba emphasizes the bass drum, which is not used in salsa bands. Timba and salsa use the same tempo range and they both use the standard conga marcha. Almost all timba bands have a trap drummer. Timbas also often break the basic tenets of arranging the music in-clave. Timba is considered to be a highly aggressive type of music, with rhythm and "swing" taking precedence over melody and lyricism. Associated with timba is a radically sexual and provocative dance style known as despelote. It is a dynamic evolution of salsa, full of improvisation and Afro Cuban heritage, based on son, Rumba and mambo, taking inspiration from Latin jazz, and is highly percussive with complex sections. Timba is more flexible than salsa and includes a more diverse range of styles. Timba incorporates heavy percussion and rhythms which originally came from the barrios of Cuba.
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.
La Sonora Matancera is a Cuban band that played Latin American urban popular dance music. Founded in 1924 and led for more than five decades by guitarist, vocalist, composer, and producer Rogelio Martínez, musicologists consider it an icon of this type of music. Notable singers to have sung and recorded with the band include Bienvenido Granda, Daniel Santos, Myrta Silva, Miguelito Valdés, Leo Marini, Celia Cruz, Nelson Pinedo, Vicentico Valdés, Estanislao "Laíto" Sureda, Alberto Beltrán, Carlos Argentino, and Celio González.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
Juan Pablo Knipping Pacheco, known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer. Born in the Dominican Republic, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s as the founder and musical director of Fania Records.
Irakere is a Cuban band founded by pianist Chucho Valdés in 1973. They won the Grammy Award for Best Latin Recording in 1980 with their album Irakere. Irakere was a seminal musical laboratory, where historic innovations in both Afro-Cuban jazz and Cuban popular dance music were created. The group used a wide array of percussion instruments like batá, abakuá and arará drums, chequerés, erikundis, maracas, claves, cencerros, bongó, tumbadoras (congas), and güiro.
NG La Banda is a Cuban musical group founded by flutist José Luis "El Tosco" Cortés. NG stands for nueva generación. NG La Banda are the creators of timba, the most important popular dance and music genre of the past two decades. Prior to founding NG La Banda, Cortés played in the Afro-Cuban jazz-fusion supergroup Irakere, and the seminal songo band Los Van Van.
Issac Delgado is one of the founders of the band NG La Banda and is a popular salsa and timba performer.
In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called tumbao. In the contemporary form of Cuban popular dance music known as timba, piano guajeos are known as tumbaos.
A guajeo is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones. Piano guajeos are one of the most recognizable elements of modern-day salsa. Piano guajeos are also known as montunos in North America, or tumbaos in the contemporary Cuban dance music timba.
La Charanga Habanera is a timba ensemble from Havana directed by David Calzado. The band has been nominated for awards including the Latin Grammy in 2003 for the album Live in the U.S.A. In 2005 Charanga Habanera was nominated for "Orgullosamente Latino" awards in three categories: best video, best album, and best group. Furthermore, the group has won numerous awards from Cubadiscos and Lucas.
Bamboleo is a Havana-based Cuban salsa and timba band formed in 1995, and emblematic of the "timba brava" generation of Cuban bands in the 90s. Their albums also include boleros and reggaeton.
Aymée Regla Nuviola Suárez is a Cuban singer, pianist, composer and actress, nicknamed "La Sonera del Mundo". She is also known for having played Celia Cruz in the Colombian telenovela Celia.
