Biography
Yeah Yeah Noh was formed by Derek Hammond (vocals, guitar) and John Grayland (guitar); Adrian Crossan (bass) joined them for the first single along with Graham Summers (drums). Sue Dorey (drums, vocals) was then recruited to complete the line-up, debuting on the second single. Two of the band members, John Grayland and Sue Dorey (along with Damian Swarbrick), published Printhead, a free magazine focusing on independent music in Leicester and its environs. [3] The magazine released Let's Cut a Rug, a compilation LP of songs from local independent bands which included the track "Bias Binding".
Signing to Marc Riley and Jim Khambatta's In-Tape Records, the band debuted in June 1984 with the Cottage Industry EP, featuring humorous lyrics and post-punk/jangle-pop music. "Bias Binding" ended the year voted number 32 in DJ John Peel's annual Festive Fifty. Yeah Yeah Noh were "one of Peel's favourite new bands", invited to play the opening night of his London ICA Rock Week festival, a line from "Bias Binding" providing its publicity strapline: "John Peel Is Putting the Fun Back into Being Pretentious". [4] After a further two EPs, the releases so far were collected on the album When I Am A Big Girl.
After adding Tom Slater on guitar, the band moved towards a more psychedelic sound and introduced more serious songwriting for first album proper, Cutting The Heavenly Lawn Of Greatness... Last Rites For The God Of Love in 1985, described by Sounds as "a strange and somehow deeply moving LP" . [5] The band released a further single but split up in 1986. Hammond announced that he was forming two new groups, The New New Seekers and The Time Beings, but neither materialized, and he continued to work as a music journalist under the pseudonym D.J. Fontana.
The band's three Peel sessions [6] were collected on the Fun On The Lawn Lawn Lawn album in 1986, and a retrospective Leicester Square was issued by Cherry Red Records in 2001, including several tracks recorded after the band had supposedly split. [2]
Hammond later wrote the mythological travelogue London, England (Mainstream Publishing 1998) and Got Not Got: The A-Z of Lost Football Culture, Treasures & Pleasures (Pitch Publishing, 2011), also compiling the BBC Radio 1 John Peel Show retrospective Perfect Unpop: Peel Show Hits and Long-Lost Lo-Fi Favourites (Vol. 1, 1976–80) (Cherry Red Records 2008).
The group reformed in 2012 including John, Derek and Tom from the 1980s line-up, Dermot O'Sullivan (bass) who played guitar on various later 1980s sessions, Antony Cook (drums) and Eva Landsberg (keyboards). [7] In October 2013, Eva Landsberg quit and Fi Hodgson joined on keyboards.
A new awareness of Yeah Yeah Noh arose as Cherry Red Records included tracks - "Temple of Convenience", "Another Side to Mrs Quill", "Bias Binding", "Prick Up Your Ears" and "The Short-Cut Way to Saturday" - on a series of five CD box sets dedicated to indie music, released over a span of 11 years. [8] They appeared at the weekend live festivals that launched both the initial Scared to Get Happy - A Story of Indie Pop 1980-1989 (2013) and C-86 - The Deluxe Edition (2014).
In 2015 they released the album Automatically Saturday, recorded at Crooks Hall Studio in Suffolk and Vale Studios, Pershore. It was preceded by the digital single "She Pulls the Petal From the Flower" and followed by "In a Loop in Time". Other key tracks included "Up On the Downs" and "On the Queen's Highway". The band also re-recorded "Another Side to Mrs. Quill", listed by Mojo magazine in 2006 as one of the "50 Greatest British Tracks Ever". [9]
After 13 years of sporadic live appearances (and having recorded two further BBC Radio sessions for Marc Riley in 2012 and 2019) Grayland, Slater and O'Sullivan all took their final bow in July 2025, playing with The Loft at Birmingham's Castle & Falcon. As former loaded magazine editor James Brown later sympathised, “To lose one band member is unfortunate; to lose three in one day looks very careless.” [10]
In response came an unprecedented burst of activity which saw Fi Hodgson switch to bass and the addition of Andy Lloyd - one-time Nightingale and Nick Drake Gathering regular - on guitar. One review of the new line-up’s October 2025 debut at Preston Popfest was as short as it was sweet: “Amazing.” [11]
Newly signed to Precious Recordings of London, The Big Thumb EP appeared on presale in October 2026 with a December release date for the four-track vinyl 10-inch. Tracks include "Big Thumb", "A Room Without a View", "I Identify As You" and "CGI Friday". [12]
